Tracks on the M!nd

Releasing his records in an unhurried pace, Asusu released five records over the last three years. His first two, “Small Hours / Taurean” and “No Kya” (including an F remix), were given a home at Project Squared, and he later collaborated with the the Berlin based techno producer Furesshu on a record that came out on Immense Records. His last two releases (“Sister” and “Velez/Rendering“) found a home on the principled Livity Sound label, which Stennett co-runs with  Kowton and Peverelist. Other than running the label, Asusu, Kowton and Peverelist frequently collaborate on music and started playing live shows together more recently. As a little taster of what to expect from his sets, Stennett jumped in the mix for our seventy-seventh Truancy Volume and dispatched about an hour of garage, jungle and other styles of music mixed together. Find out yourself and hit the play button below while reading our interview with Asusu, where he touches on topics like his love for sounds, Livity Sound’s upcoming projects and their live show and of the newest instalment of our Truancy Volume series itself.

Read more:  http://truantsblog.com/2013/truancy-volume-77-asusu

Truancy Volume 77: Asusu

TRACKLIST:
Seven Davis Jr - Celebrations (Apron)
KMFH - Need Sum (Wild Oats)
Funkineven - Untitled (Apron)
Greg Beato - Who's The Lincho in charge Ovaa Heree (Apron)
Funkineven X Delroy Edwards - XX (Apron)
Funkineven - Reficul (??)
Funkineven Remix - Adjowa, Red Leather (Happy Skull)
Delroy Edwards - B1 Untitled (LA Club Resource)
Seven Davis Jr - P.A.R.T.Y, Feat. Mezmawho (Apron)
Greg Beato - Dreamin (Apron)
The Human League / The Future - 4JG (Black Melody Music)
Funkineven Remix - 13 The Winds Have Passed (Gifted & Blessed)

http://noisey.vice.com/en_uk/read/youneedtohearthis-touching-bass-funkineven

Funkineven Noisey Mix 2013

Night Moves (or Day Moves for the outside summer ones) has been running for 18 months... It's not advertised and they've barely done any press except for a couple of cursory mentions,  just word of mouth and a small secret group on 'the book'... which means it's one of the few true underground parties in the whole of the city - pure vibe, brilliant music, no kids or hipsters or suburban liggers or so-called trendies, just real party people... and they're very proud of that fact. 

If you've been lucky enough to find yourself one of Night Moves then you'll know all about Jane Fitz. joint collaborater with Jade Seatle on the party. This is a pure deep techno and house session. 

Jane has furnished us with a rather fine mix. 
We caught up with her for a chin-wag here too: 

http://www.theransomnote.co.uk/jane-fitz-talks-ears-exclusive-mix/

Jane Fitz (Night Moves) - Ransom Note Ears Exclusive Mix

Artist: Origins Sound
Title: Dallas EP
Label: Lost Records
Release Number: LR004
Format: Digital / Vinyl
Distribution: MN2S Distribution (Digital) /Deejay.de (Vinyl)
Release Date: 17.03.2014 (Vinyl)
File Under: Deep House

Tracks:
1.     Dallas – Original Mix
2.     Dallas – Copy Paste Soul Remix 
3.     Alias – Original Mix
4.     Eulers Number – Original 
5.     Eulers Number – Mia Dora Remix

 
For Lost Records latest release we have enrolled the West Country’s deadliest dancefloor duo Origins Sound for what could easily be described as their best release to date.  With numerous releases already on the likes of the Glasgow Underground & Morris Audio, after hearing their latest output we are glad we got these two on board just in time, as they start to make serious impressions on the scene.
 
The title track ‘Dallas’ kicks things off with a clear-cut, bassline heavy bumping house beat, which uses a sneaky vocal sample and a lingering contagious synth effect to create a direct dancefloor missile.
 
Remix duties fall to two forthcoming heavyweights who have been on our radar for a while.  First up is Copy Paste Soul’s execution of ‘Dallas’.  On a stripped back house groove, their techy and garage influenced sound shines throughout.

On a similar setting but more of a vibe ‘Alias’ goes straight in with a catchy vocal cut sitting on top of some spacey moments rounded off with a chugging bassline.
 
With ‘Eulers Number’ Origins Sound have created a driving twisted house track, perfectly mastered on a deep melodic vibe where the manifestation of a fine slow jam vocal sample sits nicely on some moving spaced out effects. 

Glasgow duo Mia Dora round off this EP as they stamp their trademark-haunting edge all over 'Eulers Number'.  The original of this is a lot moodier, but on this occasion Rob and Al have brought their speaker thumping touch on board and added that destructive final touch to this dark vocal led bounce. …

Support From
Mixmag
Crackhaus (Australia)
Pulse Radio (Ibiza)
High Class Filter
This is Why We Dance
Jonnie Wilkes(Optimo)
Dan Monox (Dixon Avenue Basement Jams)
Rub-a-Dub Records
Auntie Flo
Silicone Soul (Graeme Reedie)
Andre Crom (Off Recordings)
Amine Edge
Jack Dee (Out Out)
Hector Couto
Alex Caslano (Synth Glasgow)
Rinse FM
Tom Budden (Alive)
Grant Nelson
Barrientos (Glasgow Underground)
Illyus 
Dominic Martin (Domsko)
Ben Coghil (Elastic // High Sheen)
Mella Dee
Shir Khan (Exploited)
Mash(Mixmag)
Junior G (Ministry of Sound)
Thunder Disco Club
Rekreation
Jay West (Candy Music)
Kruse Nuernberg
Discobelle
Tough Love
Rock Tea NYC
Raffa FL (The Underground.eu)
Timo Garcia
Himself Her
Matt Joe
Lawrence Friend(Public House UK)
Denzil Da Costa
Jasper Nerdy Frames (New Zealand)
Joyce Muniz
Martin Ikin




Origins Sound - Dallas (Original Mix) - Out Now

Touch of Class Records is proud to present “Once Upon A Time” an EP recorded by producer, vocalist, DJ, Navid Izadi. Hailing from San Francisco, Navid Izadi makes it an art to combine multiple influences in his music, his earlier experiences constantly resonating through his productions. Here he brings us a two-part track, with remixes by Tone of Arc and Kenneth Scott. Recorded in the Lower Haight district of San Francisco, this EP is the imprints fourth release, heralding the musical qualities that the label stays true to: a combination of sophisticated and eclectic rhythms executed with style and poise.

Part one of the original track is laid down with a moogy bass line and met with classic 808 style percussion textures mixed with provocative vocals and laughter about a night out-- taking us on a groovy ride through the colorful and transient streets of San Francisco. Part two evolves from a sexy and playful escapade to a stripped back, dreamy after-thought with the sounds of a xylophone in the background and Tone of Arc delivers a 303 bass line remix that electrifies. Kenneth Scott’s remix delivers an early 90s vibe taking it back similar to the classic sound of The Orb’s Little Fluffy Clouds Cumulonimbus Mix by Pal joey. The entire EP embodies a family affair with contributions by all San Francisco bred artists.

This last year was a big one for Izadi with releases on Wolf & Lamb & Soul Clap Records, but his creative output doesn’t stop there. Besides performing live, Dj’ing and producing quality tracks, Navid Izadi has done vocals featured on tracks alongside Deniz Kurtel, Soul Clap, Signal Flow, and close friends PillowTalk.

Artist: Navid Izadi
Title: Once Upon A Time feat. Aya
Label: Touch of Class Records
Catalog Number: TOCR004
Format: Vinyl & Digital
Beatport Exclusive: April 21st
Vinyl & World Wide: May 5th

A1. Once Upon A Time Pt. 1 feat. Aya
A2. Once Upon A Time Pt. 2 feat. Aya
B1. Once Upon A Time feat. Aya (Tone of Arc’s Late Night Storytelling Mix)
B2. Once Upon A Time feat. Aya (Kenneth Scott Remix)
Digital Only. Once Upon A Time feat. Aya (Signal Flow Pad-a-pella)

Navid Izadi - Once Upon A Time Pt. 1 feat. Aya (clip)

Citrus / Education

Education

Kry Wolf - Education (Out 28th July)

Outboxx - Sequential Circles

For more information and tracklist, head here: http://www.factmag.com/2015/08/03/fact-mix-507-nick-craddock/

Although he’s been DJing since the 90s, Nick Craddock is as popular as he’s ever been.

Hailing from the north of England but based in South London, his Gateway to Zen clubnight has become a noted home for techno across the board, and co-signs from the likes of Hessle Audio and Karenn (he’s featured on the former’s Rinse FM show, and supported the latter’s Boiler Room) have led to a raised profile. We also included him in last year’s 100 Underrated DJs feature.

Craddock describes his FACT mix, which draws from spaced-out, experimental techno from the likes of STL and Population One before closing on a blissed-out acid section, as “a strange one”, which hardly surprising when you consider this is the third version of it that he sent. “I spent ages hammering away at a loose track selection – recording lots of takes over several weeks, which is very counter-intuitive for me,” he says. I pretty much rinsed any enjoyment of the tracks themselves in the process. Then a week before submission was due, I was getting some music together for a forthcoming gig. I had a lot of new tracks – freshly bought and a few promo bits, but I felt like there was enough of a thread running through the selection to have a bash at recording a mix.

“Because it was mostly new music”, he continues, “I was very much feeling my way through it as it happened, but that’s often how my mixes come together. It’s nice to work with the energy of the tracks and your reaction to them in the moment. And I still like the tunes when it’s finished!”

Gateway to Zen’s next party is on August 14 at Rye Wax, with sets from Leah Floyeurs, Tom Whatmore and Diskomo Oblast. The club have also recently implemented a safe space policy, which you can read about here.

FACT mix 507 - Nick Craddock (Aug '15)

Pangolin

House is a feeling.

Gonna be posting practice mix's and ideas on here for a minute. A new project will blossom in the future. As  always, re-posting favorite tracks and mixes of the moment.

Outboxx - Sequential Circles

brstl

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