@user-629729703 Thanks so much for your appreciation and wonderful support!  Very glad you enjoyed the music!

Thank you for this musical pleasure to my ears! :)

A sensational, stunningly well-crafted, cinematic soundtrack. @oddrun-eikli's brilliant vocals add an extraordinary magic to this track! A wonderful collaboration! Bravo!

Some leaves hang late, some fall before the first frost—so goes the tale of winter branches and old bones..

BLOW YOUR MINDS IN A MOHAWK SANCTUARY

NEW YORK MOHAWK

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

Darkwave explorations of the human condition... inspired by the paradox of hope vs. broken dreams...
From the upcoming album Time Without Light
Releases November 14 🖤

Time Without Light

Call Me Abbey

I generally don't post meditation music on SoundCloud because of the length, but this is a shorter ambient piece. Hope you enjoy it. 

Reflections

[I accidentally removed the track. Sorry about that - those who have already listened can just move on].
Unfortunately, the connection has dropped, and we cannot be sure what is happening in the apartment where, at such a late hour, the light is still on. Probably nothing; they’re likely watching a film or reading a book. They might be projecting their reactions outward, and what we see could therefore be nothing more than the reflection of someone else’s nightmares — or dreams. Certainly, we have now reached a turning point: nothing can any longer be regarded as real, or the opposite... (all talk!).

This is the fifth in a series of eight easy, acoustic, rather short, and deliberately inconclusive tracks, assembled by combining new ideas with reworked older material, adding parts and sounds along the way. 

Part 1 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-1-night
Part 2 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-2-dawn
Part 3 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-3-noon
Part 4 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-4-late-afternoon
Part 6 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-6-dawn-again

Composed by Michele Ansani (2023-2025). This time I simply redid a piece I had posted in the spring of last year, slightly changing the atmosphere: https://soundcloud.com/michele-ansani/overlays
All the ambient noises and female vocals are taken from public sound archives.
Posted on Souncloud: 2025, October 16 and reposted on November 4.

In case nothing happens - part 5 (night again)*

"Follow Your Dreams with all your Heart…" 

from album (LIFE) original release: 2018

mix and mastering by @amin-pishehvar 🙏

Reflection of Dreams

Smiling Grass

Smiling Grass (Mix 2025)

Flunk - Sanctuary (Dramantic Remix).mp3

This is the third Texas Tea song from me and @texmex-shaman that has a super dark eerie mournful vibe to it. We are thinking of them as a kind of trilogy that began with "Got a Light", continued with "Black Coffee" and culminates with this one. Each title is a reference to David Lynch's Twin Peaks. In season 1 or 2 of that show, the main character Agent Cooper says that he takes his coffee "as black as the sky on a moonless night". The mood is kind of appropriate for the weather this time of year, at least in my part of the world!

Moonless Night (A Texas Tea Production)

The Soughing Wind – Feat. Oddrun Eikli
November 2025
Duration: 3:55
Listen to the wonderful music of Oddrun Eikli: https://soundcloud.com/oddrun-eikli
Listen to more collaborations with Bruce and Oddrun:
https://soundcloud.com/bruce-klepper-1/sets/magical-music-feat-oddrun
For voice, violin, harp, bass flute, double bass, cloud chamber bowls, field recordings, virtual instruments and percussion

The Soughing Wind - Feat.Oddrun Eikli

As we approach the holiday season, carols will soon fill the air alongside larger works like Handel’s oratorio, "Messiah," which is a favorite of mine. When I was a child, my parents played Handel’s music in our home during the holidays, and in college, I sang his well-known works with the rest of our chorale.  

One movement, “All We Like Sheep,” makes me think of the biblical parable about the Good Shepherd, who leaves his flock to rescue one sheep that wanders off. I love this story for a number of reasons, but especially because it conveys the message that everyone matters to God, even when we wander and become lost. This parable, found in Luke 15 and Matthew 18, provided the inspiration for my composition, "The Rescue."

The first 25 seconds tell the story of the sheep wandering off, while the rest of the music follows the shepherd’s lengthy search. Throughout the piece, you will hear a recurring major chord that signifies a glimmer of hope as the shepherd continues his search. The shepherd nears the end of his journey when the music begins to slow down, and the very last chord represents the moment of discovery and rescue. The lost sheep is finally found and gently cradled in the shepherd's arms to return home.

The Rescue

Port Piraeus - ΠΕΙΡΑΙΑΣ

First rap verse - https://soundcloud.com/ipg1

Vocal hook - https://soundcloud.com/specialececilia

Second rap verse - https://soundcloud.com/frawstakwa

Production - https://soundcloud.com/rizlix


Back with another collab!!

IPG1 x Special Cecilia x FRAWSTAKWA x RiZLiX - Magnetic Minds

Journey In G-minor

THEY SAY A TOAD IS ONE UGLY CREATURE 
THEY NEVER CHECKED THEMSELVES  IN A MIRROR 
THEY TELL YOU SO THEY TELL YOU NO
THEY HAVE TOLD YOU LONG AGO
FOLLOW THE FLOW AND BEND DOWN LOW
ALL I CAN TELL YOU IS BLOW

THEY SAY DON’T TRY THE GANGES RIVER
THAT’S IF YOU’RE NOT A TRUE BELIEVER
THEY TELL YOU STOP THEY TELL YOU GO
WE HAVE BEEN TOLD LONG AGO
YOU SHOULD EAT NO NO YELLOW SNOW
ONE THING YOU SHOULD DO IS BLOW

THEY TRY TO OVERBLOW YOUR PICTURE
UNTIL YOUR FACE WON’T SHOW IN THE MIRROR
DO AS THEY SAY NOD AND OBEY
WHO YOU ARE DON’T LET IT SHOW
JUST HOPE AND PRAY WAITING FOR THE DAY
WHEN THE TIME HAS COME TO BLOW
BLOW

BLOW (Lyrics)

(Don't follow me here, best on my main page ;)

Mysterious, Magical, Music is Wonderful!  Thanks for visiting!  Please feel free to share my music.  Enjoy!

Bruce Klepper is a Colorado based composer. Klepper writes music in a number of different styles, including contemporary classical music, jazz, soundscapes using field recordings, ambient music, and ballet music.  Klepper has been composing music for Danse Etoile Ballet (www.danseetoile.org) since 2016. Klepper has been collaborating with Parlando School of Musical Arts (www.parlando.org) faculty Britta De Groot and Sergei Govorov, composing and arranging new music for the dynamic piano and saxophone duo to premier around the United States. Klepper's music premiered in Carnegie Hall, September 2022.  Klepper's music can be heard on all major streaming platforms, including Spotify, Apple Music, YouTube, and SoundCloud. 

Klepper studied music composition in the 1970's and received a degree in music composition and theory.  After writing music for many years and starting a tech company based in Colorado, Klepper retired in 2014 from business so he could devote myself to his true passion, composing music. 

NOTE: there is no compression added to the tracks in order to preserve the full range of dynamics. You may want to listen with headphones or increase the volume on some tracks for the best listening experience.

The Soughing Wind - Feat.Oddrun Eikli

Bruce Klepper | Composer

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