Hitech Dissociation ぐるぐる DJ-Set

“How do You Make Yourself a Body Without Organs?”

It’s not so much that it preexists or comes ready-made, although in certain respects it is preexistent. At any Tate, you make one, you can’t desire without making one. And it awaits you; it is an inevitable exercise or experimentation, already accomplished the moment you undertake it, unaccomplished as long as you don’t. This is not assuring, because you can botch it. Or it can be terrifying, and lead you to your death. It is nondesire as well as desire. It is not at all a notion or a concept but a practice, a set of practices. You never reach the Body without Organs, you can’t reach it, you are forever attaining it, it is a limit. People ask, So what is this BwO?—But you’re already on it, scurrying like a vermin, groping like a blind person, or running like a lunatic: desert traveler and nomad of the steppes. On it we sleep, live our waking lives, tight—fight and are fought—seek our place, experience untold happiness and fabulous defeats; on it we penetrate and are penetrated; on it we love. On November 28, 1947, Artaud declares war on the organs: To be done with the judgment of God,                       “for you can tie me up if you wish, but there is nothing more useless than an organ.“ Experimentation: not only radiophonic but also biologi­cal and political, incurring censorship and repression. Corpus and Socius politics and experimentation. They will not let you experiment in peace.

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