SoundCloud Weekly

Available on "Axis/Atlas" from Clandestine Compositions or buy direct from the artist. 
http://brokendiorama.com/discog.html
https://clandestinecompositions.bandcamp.com/releases

 It began as an earworm - a melody I could not get out of my head from the Bulgarian folk song Dragano Draganke. I thought it would be interesting to creatively describe the process of trying to forget the melody. Reel-to-reel tape and washes of microcassette noise shape a tapestry of layered and speed-shifted flute sounds. Made in New York City, 2015.

Dragano Earworm

Taken from the album 'Wakes On Cerulean' released as LP and Download

Kassel Jaeger    Jim O’Rourke 'Wakes On Cerulean (excerpt)' (EMEGO 223)

Taken from the album 's/t' released as 2LP and Download

Jaap Vink 'En Dehors' (excerpt) (REGRM 018EXT)

Included in The Wire Tapper 44, the CD compilation included with the August 2017 edition of The Wire.

Badalisc (from The Wire Tapper 44)

Joe McPhee: B-flat and E-flat alto clarinet, Roland MC202 Micro Composer synthesizer
 
Bryan Eubanks: Open-circuit electronics (sinetones)
 
 
 
What constitutes an unidentified sighting, the rarely heard ‘alien’ clarinet playing of Joe McPhee and the ineffable electronics of Bryan Eubanks? Penultimate Press is extremely proud to produce My Undocumented Alien Clarinet: a strange sensual addition to the ever inquisitive McPhee canon. My Undocumented Alien Clarinet is a beguiling document of a performance held at Alternative Books, Kingston, NY, Sunday, August 6, 2006 under the auspices of the Pauline Oliveros Foundation’s New Vanguard Series. My Undocumented Alien Clarinet captures a unique intimate improvisation exploring the outer reaches of the form. 
 
Joe McPhee, (b.1939 USA) is a multi-instrumentalist, composer, improviser, conceptualist and theoretician. He has collaborated with Pauline Oliveros, Graham Lambkin, Peter Brotzmann, Evan Parker, Raymond Boni among many others. With a career spanning nearly 50 years and over 100 recordings, he continues to tour internationally, forge new connections and reach for music’s outer limits.
 
.. His magical take on avant-garde sax remains one of the wonders of the scene. He still has one of the most beautiful tones on the planet, even when he’s reaching for jazz’s outer limits." - Time Out NY
 
Bryan Eubanks (b. 1977, USA) is a musician composing electronic and acoustic works for small ensembles, solo instruments, and custom generative software; improvising in collaboration; and working with acoustic holography, a stereophonic recording and diffusion technique.
 
Artwork by Jerry Starpoli
Liner notes by Joe McPhee 
In memory of Jerry Starpoli 
 
http://www.penultimatepress.com

Joe McPhee and Bryan Eubanks - My Undocumented Alien Clarinet (excerpt)

excerpt from :: https://enmossed.bandcamp.com/album/hallowed

Emily Berregaard - Yucca (ENM01)

Sfär "Ur sprickorna / Ett halvt liv" (Excerpt)

snf04 : giuseppe ielasi "even when they speak of space" out dec.15th 2017.

music for whistling, microphone and digital degradation. 
recorded in november 2016 and august 2017. 
to be played at low volume.

www.senufoeditions.com

snf04 : giuseppe ielasi "even when they speak of space" part 1

"The music on "Fleas" was made entirely from objects found at thrift stores and flea markets including a dozen small bells and a bass drum someone had converted into a lamp with Lou Reed’s face painted on it before throwing it out. Not exactly music made from trash, but music made from objects of little monetary value that someone decided they didn’t want anymore. Objects usually tell you how to play them if you’ll allow it." - Sarah Hennies, New York 2017. Risograph printed edition of 100 with download card.

Sarah Hennies -Fleas (Excerpt)

Andrea Borghi "VHS" LP      
MAR047

Reflecting the artist's passion for cinema, VHS consists of audio recordings that were produced through an open
VHS Recorder using manipulated videotapes. Most source sound is taken from background parts edited from
old tapes of obscure and underground cinema. Mechanical memories and the suggestions of past cinematographic
sets are converted and re-contextualized in order to explore the expressive possibilities of an archaic media.
Mastered by Giuseppe Ielasi, released in a limited edition of 100 LPs packaged in deluxe tip-on gatefold jackets.
https://misanthropicagenda.bandcamp.com/album/vhs

Andrea Borghi "VHS"

http://ascetichousenyc.bigcartel.com/product/chrstian-mirande-scaled-deposits-c87

Christian Mirande - "Brevity Code"

this is the audio from a videoart collaboration w. visual artist katrina stamatopoulos (http://katrinastamatopoulos.net/)

materials:
discarded scraps of film
breath, heartbeat, voice, sine tones.

see here for video: http://alexandraspence.net/bodyscan

Made with discarded scraps of 35mm photographic film, flashes of texture move to collect a body of material, whilst the sound waves develop a physicality as they propagate through the space between the viewers’ ears.

... like colours seen / felt when eyes are pressed closed with palms.

bodyscan

Face [Glimpse] (with Oren Ambarchi & James Rushford)

Mark Vernon - 'Orphaned Works' - Research Laboratories (RL020) Cassette Tape, 2018.

Preview track from the new tape album 'Orphaned Works' by Mark Vernon out soon on Research Laboratories. Edition of 30 only. Message me for orders. Limited stock.

>>> Monaural verbal stimuli of forgotten provenance <<<

Love in the Form of a Personal Attack

Taken from the Penultimate Press LP Disfigured with Abbreviations (PP36)

Debut recording from two troubadours of oppositional creep. Inspired by Philip K. Dick and the useless machines that haunt us all, Disfigured with Abbreviations is a roundtable exquisite corpse which crawls through a miraculous environment, at once sensual and sinister.

How is it that the perpetual promise of a future lands us in a deeper quagmire?

How do two gentlemen with scruffy vocabularies fall into a sonic landscape of such haunted beauty?

Following their debut live performance on the rooftop of a bakery in Northcote, Victoria in January 2018 Harwood and Hopkins soon set about making a recording. Initially structured with individual recordings placed on each other regardless of content and positioning.  These works soon evolved into a rich labyrinth of found sound, field recordings, electronics and voice with all elements mapping out a landscape heroic in it’s embracing of utter failure.

Artwork by MP Hopkins and Mark Harwood. Comes with a printed inner disco sleeve housed in a charming reverse board sleeve. Limited edition of 250 copies.

Disfigured with Abbreviations

MP Hopkins and Mark Harwood - Disfigured with Abbreviations (excerpt)

snf05 : luciano maggiore "9 enclosures" part 6

Oren Ambarchi - crys cole - Leif Elggren 'Certainly' excerpt

Fahmi Mursyid 'Sejarah'
C30 available November 11th

We are pleased to announce CLR17, Fahmi Mursyid's 'Sejarah'. Fahmi is an Indonesian sound artist previously working with the likes of Chinabot and featured on Resonance FM. Continuing his trademark technique, Fahmi warps and reframes samples of traditional Indonesian music into something truly disarming. At times recalling the cacophonies of Berio or Xenakis, but always tempered by an ambient sensibility, Sejarah is a welcome force in the Cellar catalogue.

Fahmi Mursyid - Linggadjati

From 'TRACED', Pattern 04, Sonic Pieces, 2017

Swan Song

Will Guthrie
Some Nasty
C30 (XIX-II)

Release date: April 2019
www.hasanaeditions.org

SoundCloud Weekly

atesh itan die