A response to the Andrew Huang video about the 13 #11 no seven chord where he challenges viewers to make an original piece of music using this chord. There are a few ways to analyze this chord. Some call it "double triad", others call it "poly chord", and others call it neither and instead say "9, #11, 13". It's commonly used in jazz, so I thought it would be interesting to use it in an electronic music context.

I have a video on my youtube channel with notation for all the harmonies I used in case you're interested to see how I chose to fit this into a progression. I thought it was cool to use these extensions on both the I and the VII major chords. When the 9, #11, 13 is played on top of the VII it kind of surrounds the I chord and makes a nice cadence. Let me know what you think of these jazzy chords used in electronic music!

my video: https://youtu.be/jP7RUJn9Ong
Andrew Huang video: https://www.youtube.com/watch?v=zbu1wnkTJjY

Brundo