This song is beautiful. "Everything will be okay" vibe.

glimmer release 
Split album "glimmer" is Takumi Uesaka and Peter Broderick's work.
This album's concept "If Takumi and Peter make the song for a quiet midnight".
With naive voice and quiet melody, Takumi & Peter delicately presents
the calm mid-night,and then "Quiet night" would surrounds and lull the audience.

Peter Broderick
With the new relesae "How They Are" in september, Peter Broderick is
one of the representative figure in the scene.
In this "glimmer", all his pieces are recorded at Grunewald church in Berlin.
Adding the peculiar atmosphere to church and reverberation to his
pieces,his pieces ever more simple and deeply resounding.
These pieces are truely the songs for "night".You can't stop shutting
eyes and deeply absorbed into it.

About 32minutes quiet midnight.

Peter Broderick / Eyes Closed And Traveling

Over The Rainbow - Keith Jarrett Cover

I honestly can’t believe that summer is already over. Well, I know that technically, it ends sometime around September 22nd in the Northern Hemisphere (sorry, Australian friends), but still, today is the end of August, and somehow it feels like the last page in a chapter before we move to the next. This one felt shorter and winter is coming. Night gathers, and now my watch begins. Er… sorry, I got carried away there for a second. It’s not nearly as dark here as in the world of ice and fire, and if need a bit of daylight I can turn to Simeon Walker and his upcoming four-track EP, from which I am happy to share a track with you today, appropriately titled “Gleam”. Elegantly executed on his upright piano (recorded in his living room), this charming transitory piece says all there is to say in its brief lifespan. The EP tastefully moves on into a slightly sentimental space, where Walker intimately shares the sound of his ache perceived in silence. And in the span of all of ten minutes of its time the music’s gone, the way the summer’s gone, and all the sunshine with it. The good news here is that I can hit “repeat”. The release has been mastered by Martyn Heyne and the beautiful album artwork drawn by Gregory Euclide. This collection of pieces is the first instalment in the new series of EPs under the name Imprints, with its initial self-released volume out on October 29th, 2021.

"Imprints offered me the opportunity to return to my first love – the felted, solo piano that means so much to me […] The pieces are shorter than I have often released – quick, fleeting moments in time, yet still, I hope, intimate enough for listeners to imagine listening to me playing them in the context of my front room, where I make most of my music and where I feel most at home." — Simeon Walker

Imprints

Gleam

TRACK PREMIERE : Simeon Walker - Gleam

If only my heart were wide like the Sea

Composer Frank H. Grey wrote this slow waltz "Love In Venice" in 1924.

Free score transcribed by Œnanthic:
https://musescore.com/user/3636436/scores/6525685

Frank H. Grey: Love In Venice (Valse Lento) (1924)

A mix of lo-fi down-tempo background music

JW Part

'All That's Left' taken from Anne Garner's upcoming full length album 'Be Life' - out on 19th of June.

www.annegarner.com
www.slowcraft.info
www.unperceivedrecords.com

Download

Anne Garner - All That's Left

#834: Mar. 28, 2016: 88th day of the year.. PIANO DAY.. Nils Frahm-san let me know today. Great Day.. 

http://www.pianoday.org/

and I want to join this great activities.. So I will submit this tune to this activity.. Nils-san, Thanks! happy!.. Anyway, today's tune is "and then after that".. Happy if you would love this tune.. : )
Regards,
chair house, tokyo, japan
http://www.chairhouse.club/

iphone-APP

And Then After That  - #834 on PIANO DAY 2016

I have contributed in this CD compilation [released by the Canadian Label Les Enregistraments Variables] with this piece for piano solo called "The movement of the grass II"
Also participated Library Tapes, Machinefabriek, Danny Norbury, Ex Confusion, Évo Lüthi, Fjordne … among others. Les Enregistrements Variables & Autres mélodrames is a 59 minute collection of sweet tales and introspective drones. Delicate, sometimes intricate, sometimes powerfull, these little tragedies are brought to you by a slew of captivating artists from across the world. You can get it here: http://variables.bandcamp.com/music

 
-- --

If you then want to be informed, when I release new titles or concerts, you are welcome to join my newsletter. You can do this at www.bruno-sanfilippo.com 
Or if you prefer, follow me on twitter: https://twitter.com/BrunoSanfilippo

The movement of the grass II

This is an excerpt of the full-length stage music for "House of Bernarda Alba", a production of the "Ballet of Saarland State Theatre" under Stijn Celis
Foto: Bettina Stöß
Tänzer: Ballett des Saarländischen Staatstheaters
Choreografie: Stijn Celis
Musik: Michio
Bühne: Katrin Gerheuser
Kostüme: Catherine Voeffray
Live-Musik: Michio
Choreografische Assistenz: Claudio Schellino, Eri Iwasaki


Controlled Mourning (Excerpt)

part of a recording session, mostly in "prima vista" playing, to produce background music for a spoken therapeutic CD. 
-------------------
Find more Études from Fernando Sor at :
http://soundcloud.com/fhgitarre/sets/fernando-sor-estudios-easy-to-medium/
-------------------
recorded in puzzlepie studio Munich/Türkenfeld
('93)
restored from a CompactCassette (!) Copy with WaveLab 7

Étude in E-minor (op.35 Nr.24) by Fernando Sor

Bruno Bavota is a young Italian composer and multi-instrumentalist with seemingly boundless potential, and an extraordinary gift for marrying the intellectual and emotional into earnest and profoundly effective songs. Though favorably compared in his early career to another Italian composer, the legendary Ludovico Einaudi, Bavota has found himself increasingly pursuing ways to distort and disturb traditional arrangements and melodies in pursuit of a more distinct resonance. Armed with a plethora of outboard effects pedals and processors, Bavota manually manipulates his songs in real time as he performs – often with his bare hands engaged in a seesaw battle of construction against obstruction. It infuses a genuine sense of tension and forward momentum that makes his work extraordinarily poignant. Recorded live in one afternoon at a friend’s studio in Bavota’s hometown of Naples, Italy, RE_CORDIS documents many of Bavota’s most recognizable and accomplished works as they stand at this moment in time – ever-evolving musical life-forms that change shape while maintaining their distinctive skeletons. It also introduces his newest work, “The night of,” a tense, escalating race of loops punctuated by a series of dramatic chord strikes. The recording is charmingly informal, leaving the sounds of Bavota’s physical movements – the shuffling of feet, the triggering of effects pedals, the creaking of stools – present in the mix to mingle with the music. As an exhibition of Bavota’s skills as a composer and performer, it’s impressive; as a glimpse of what’s to come, it’s an epiphany.

If only my heart were wide like the Sea

Bruno Bavota

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