wow, a field of immaculate sonicapture. superb.

Thank you both very much. You have made something extraordinary. The sounds of the people evoke somewhere that Basquiat might have been.

Superb atmosphere inmersive and strange yes¡¡

Very interesting composition. Thank you to the artists. 🎶🎶🎶🌹

SRIGALA - For JM Basquiat, A track which is an Invitation for Collaboration.

Modelled on a movement of the Danish composer Carl Neilsen's  4th Symphony this short piece unfolds in a series of terse dramatic interludes.
My heartfelt thanks go out to John Cafarella for his sensitive mastering of this piece
.

Allegro Moderato (After Carl Nielsen) Remixed 15  December 2023

The End

Had a dream and just wanted  to translate it in music

Deep

Water

HOT RUNNING

The first thunder
Is likely to shake
The tiered doll stand.

Like Santoka and Seisensui, Kawahigashi Hekigoto (1873-1937) was an important advocate of the free verse haiku.

Besides being a writer and critic of haiku, Hekigoto was a literary scholar, noh dancer, art critic, calligrapher, social commentator, and mountain climber.

The first thunder (naviarhaiku0531)

Wordless
all day long
the shadow of a butterfly
 
Hōsai graduated from the Tokyo Imperial University, where he studied law. He got off to a good start but decided to give up his home, family, and business to jump from one militant religion of Japan to the other.

Just like Taneda Santoka, Hōsai abandoned the traditional verse form of his time and mostly looked at the austere confines of his life for inspiration.

Haiku by Hosai Ozaki

Picture by sumingliu youyou

Submission deadline: 20th March 2024

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page.

TO PARTICIPATE
 
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku532)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram.
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title.

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.
 
For more information visit http://www.naviarrecords.com/about/naviar-haiku

The Shadow Of A Butterfly (naviarhaiku532)

Remembering You Remastered

Rohypnol

Gigs Across The River -  Piano Solo 9

He called "MUSICIANS : I'm looking for you to play melody over this piece.." and I did it.

For JM Basquiat

Please upload your finished work to your Soundcloud page, tell me and I will  add it to the Playlist. Thank you.

For JM Basquiat,  A track which is an Invitation for Collaboration.

M. NOMIZED : Synthesizers, Loops, Reversed Sounds, Tapes, Programming, Electric Guitar, Soundscapes. Voices by JM Basquiat recorded in 1985.
PETE SWINTON : Synthesizers, Samples.

M.NOMIZED & SRIGALA - For JM Basquiat (Samo Remix)

Srigala : electronics
Boson Spin : electronics
Marco Lucchi : found sounds and mix down

mashing up sounds from 
https://soundcloud.com/peteswinton/for-jm-basquiat-a-track-which-is-an-invitation-for-collaboration?in=peteswinton/sets/srigala-for-jm-basquiat-a by Srigala
and
https://soundcloud.com/boson_spin/stay-friend-wait-a-bit-part-2 by Boson Spin

Srigala, Boson Spin & Marco Lucchi - Basquiat

13May20

Experimenting with Srigala's invitation for collaboration, For JM Basquiat
https://soundcloud.com/peteswinton/for-jm-basquiat-a-track-which-is-an-invitation-for-collaboration
:D

Srigala - For JM Basquiat [Boson Spin mix]

Srigala: synths -
King Imagine: piano, field recording, remix - 
Bruno Gussoni: flute -
A project by Srigala.
soundcloud.com/peteswinton/sets/srigala-for-jm-basquiat-a

For Mr. Basquiat (Snippets Of Memory) - Srigala, King Imagine & Bruno Gussoni

Bruno Gussoni (born in 1951) is a flute player who works in the field of free improvisation/instant compositions. He plays several flutes (C flute, alto flute, bass flute, piccolo, shakuhachi, nohkan, shinobue, ryūteki), used to create a unique and personal language producing experimental flute sounds. He is not interested in the use of the flutes as “academic instruments”, he has given up on traditional techniques in favour of extended techniques like un-pitched breaths, multiple sounds, harmonics, overtones, whispers, microtones, keys percussion, and other sounds, all combined with breath, silence, soundscapes… exploring the acoustic possibility of the flutes, in the sound space and in relation with other improvisers.
He played/plays with: Don Cherry, Frank Lowe, Wadada Leo Smith, Jeanne Lee, Peter Kowald, Michel Doneda, Tetsu Saitoh, Edoardo Ricci, Matthias Schubert, Ove Volquartz, Joshua Weitzel, Ulrike Lentz, Anja Kreysing, Jane Rigler, Henry Koek, Christophe Meulien, André Darius, Eugenio Sanna, Iao Aea, Claudio Ferrari, Marcello Magliocchi, Angelo Contini, Guy-Frank Pellerin, Jean-Michel Van Schouwburg, Matthias Boss, Lawrence Casserley, Daniel Thompson, Adrian Northover, Willy Van Buggenhout, Tom Jackson, Adam Bohman, Martin Mayes, Maresuke Okamoto, Bernadette Zeillinger, Diego Mune, Jean Demey, Vanessa Pettendorfer, Angelina Ertel, Eric Arn,  Andreas Eichorn, Elisabeth Kelvin, Herbert Lacina, Edward Reardon, Stephan Brodsky,  Phil Gibbs, Benedict Taylor, Joao Pedro Viegas,  Roberto Ottaviano, Yoram Rosilio, J.J.Duerinckx, Dan Roth, Anton Mobin, Roberto Del Piano, Nicola Guazzaloca, Donatello Pisanello, Michele Barontini, Marcio Mattos, Marilza Gouvea, and many others.
He collaborated with the videomakers Jutta Pryor, Ash Benness, Alexandra Bouge.
He partecipated as flute player on compositions of Cezary Ostrowski, and King Imagine.
He played nohkan for coreography of the japanese dancer Yukino Nono.
Actually he collaborate with Vanessa Pettendorfer in the organ/shakuhachi project, and with King Imagine online projects, including Vanessa Pettendorfer, Markus Breuss, Dararat Chemnasiri, Ana Foutel, Dirk Watchtealer and others.

https://brunogussoni.bandcamp.com/releases
https://soundcloud.com/bruno-gussoni-flutech
https://soundcloud.com/fluctuation
https://soundcloud.com/flutespace
https://soundcloud.com/disaster-area
https://whitenoisegenerator.bandcamp.com/album/clockstop-2017
https://www.youtube.com/channel/UCeoshYzgRFB1LPkmgU9T-UA?view_as=subscriber
https://www.youtube.com/channel/UCeoshYzgRFB1LPkmgU9T-UA/playlists?view_as=subscriber
http://www.plustimbre.com/releases/0922019.html?fbclid=IwAR2SvTYJjo9f53_PbQozTgTi_ye9klI0wQbt87FexIbKeri4B6Opc-DBDnY
https://gommusic2.bandcamp.com/album/natural-sources
https://archive.org/details/Petroglyph499Nos_Namajs_and_Bruno_Gussoni-THE_NATIVE_CIRCLE
https://kingimagine2.bandcamp.com/album/between-the-universes
https://kingimagine2.bandcamp.com/album/king-imagine-online-sextet-2
https://peteswinton.bandcamp.com/album/japanese-flute-improvisations
https://lessthanone.bandcamp.com/album/wei-e-rose
https://panicgrass.bandcamp.com/.../panic-grass-and-feverfew
https://dirkwachtelaer.bandcamp.com/track/for-bruno
https://brunogussoni.bandcamp.com/album/improvisations-for-organ-and-shakuhachi
https://brunogussoni.bandcamp.com/album/soundodyssee
https://brunogussoni.bandcamp.com/album/breathe
https://plustimbre.bandcamp.com/album/a-castle-of-ghosts

Pete Swinton is a half Hungarian, half Polish man born in London, UK in 1961. Between 1988 and 2003 he lived in Portugal. Since 2015 he lives in Jawa, Indonesia. He began playing guitar in the '70s. He started playing keyboards in the 2000s. He makes Ambient and Experimental music. And a cross between the 2 which he calls Insanbient music. He was using the name Srigala but has now stopped. (To hear the music as accurately as it was recorded and mixed the use of headphones is strongly recommended)

For Mr. Basquiat (Snippets Of Memory) - Srigala, King Imagine & Bruno Gussoni

bruno gussoni

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