Whoa, babe
Oh-oh
Well, well, well, well, well
Oh, hmm

Someone to count on, in a world ever changin’
Here I am, stop where you’re standin’
What you need is a lover
A man to take over
Oh girl, don't look any further

Strange when you think of the chances
That we’d both be in a state of mind
Too cool to be careless
Looking for the right thing
Oh baby, don't look any further

Tonight we're gonna taste a little paradise
Rock me all night long
Daylight, 
I'll still be looking in your ebony eyes
And we'll go on and on and on

Someone to count on (Mmm-hmm...)
What you need is a lover 
To love you all over 
Oh baby, don't you look any further, further (oh)

Ohh, don’t ya, don’t ya, don’t ya, don’t ya
Don't you look any further

Tonight we're gonna taste a little paradise
Won't you rock me all night long
Daylight, I'll still be looking in your ebony eyes
And we'll go on and on and on and on

On and on and on and on

Day-o umba day-o, mombajee ai-o

Someone to count on (Mmm-hmm...)
What you need is a lover 
To love you all over 
Oh baby, don't you look any further, further

TOO COOL TO BE CARELESS features a sample of “Don’t Look Any Further“ By Dennis Edwards & Sideah Garrett, used courtesy of Universal Music Enterprises/EMI Music Publishing Ltd. Written and composed by Lambert Golde & Hitchins used with permission of Reservoir Media, Universal Music Publishing & BMG Right Management. All rights reserved.

TOO COOL TO BE CARELESS

TASCAM DR-40

Melchior Sultana DJ Set at Sunny Side Up 15.09.24

New Mix rare Kristoffer.WAV

I’m often asked ‘When are you going to post a new mix?’. Truth be told it’s been a long time since I’ve found the inspiration to record a mix for MYSELF, in my home set-up, vinyl only. 

This mix has no fancy camera angles, no excessive dancing, and no talking. Straight to the subject… deep & broken beats. 

I recorded this on Christmas Day, showcasing some tunes I’d used and cherished over 2024.

I wanted to take this opportunity to thank all those loyal people who keep coming back to my page, coming to events, and showing love. This year has opened my eyes to building a fantastic community, long may it continue. 

Stay safe this New Year, and I hope you enjoy the mix.

Vinyl Mix: House Music With Feeling

Bruno - 21.08.25.WAV

Truly Madly LIVE @ Kaleidoscope 19-07-2015

@hamishcole and his @butter-side-up crew have been mates of ours since the very beginning. Most recently we've teamed up to form a formidable Louche x BSU events series at The Pickle Factory.

All the while Hamish has never done a Louche pod.. can u believe it? So here come the vibes; smooth selections from a vey accomplished resident DJ.

Louche Podcast 155 - Hamish Cole

For your listening pleasure, The King's Arms infamous Louche podcast. DL enabled

The KIngs Arms - Louche Podcast [2011]

He totally knocked the socks off our Christmas bash last month. He was also the only person on Hoppetosse to pack a fancy dress item - a Jaws mask.

Top tunes & top craic, our type of fella. Welcome to the club Mr Michael Madly.

GHOSTCAST 006 - TRULY MADLY

Our friend Phil Stone indulges us with a super-sexy deep Slo-mo Sunday mix. March 15, 2011.


Phil Stone - Slomotion Sundays

https://www.residentadvisor.net/features/3614

Watch the US house titan rock our London office on reel-to-reel tape players. 

Visit the Resident Advisor feature page: https://www.residentadvisor.net/featu... 

Kerri Chandler has what you might call a taste for props. 99 percent of the time he may be DJing on a completely standard setup, but every now and then he'll throw a curveball in the mix. Sometimes it's something relatively straight-forward, like a keyboard. Sometimes it's much more exotic. He's been known to rock a laser harp. On at least one occasion he appeared onstage alongside hologram vocalists.

That in mind, it's no surprise Chandler is skilled at what might be the most esoteric music player to DJ with: the reel-to-reel tape deck. Unwieldy as they may be, reel-to-reel's sound good enough to earn themselves a spot in the known canon of DJ equipment. Back in the day, "every major club had at least one tape machine it the booth," Chandler says. "Unlike turntables, you don't have to worry about skipping, vibrations or a dirty stylus. In fact at times if I saw the needle was a bit dirty while I was playing out at a club, I would make a quick copy to tape for about a minute, run it back, play the tape, clean the stylus and bring the record back in."

Reel-to-reels run in Chandler's family—he's dedicated this set to the memory of his father, whose birthday was February 27th. They also loom large in his musical education. Seeing Frankie Knuckles and David Morales mix on them was one of his formative experiences. Most DJs would only use one alongside their other gear, but Chandler likes using a few—"one for loops and effects and the other sets for songs and content." Mixing on them isn't easy, but if you feel so inclined you can do a set completely on reel-to-reels. In this 70-minute recording at our London office, Chandler does precisely that.

Credits:
Director - Patrick Nation
Producer - Guy Clarke 
Camera - Patrick Nation, Sophie Misrahi, Jono Canning, Guy Clarke
Editor - Jono Canning
Sound Engineer - Flynn McBurney

Bruno - 21.08.25.WAV

brunoben

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