Listening with good headphones in a quiet environment is recommended.

Related tracks:
https://soundcloud.com/hearingbeings/20211024-an-excerpt-from-a-syncopated-dawn-spring
https://soundcloud.com/hearingbeings/20211024-a-syncopated-dawn-spring

@Bandcamp

2021.10.24 Night Music. Spring.

Daniel Bruno/Javier Bustos, Boca de piedra

1-octave below at 11'00. A chance encounter in Paso Robles, CA, during what was the 93rd Annual Pioneer Day at the Old Gas Engine Show in Pioneer Park, 8 October 2022.

Old gas engine sound field

you’re listening to “noise fm” pirate radio, hijacking your frequency to bring you an exclusive kill the noise double feature to bring us into 2023. The first is a live mix from Legend Valley, Thats right this is Kill The Noise Live at Lost Lands. it was recorded on sept 22 2022 and features lots of new music and surprises from Kill The Noise and friends. 

this next transmission comes straight from Night Bass headquarters on August 25, 2022. Sound Night Club in Los Angeles, CA. It features a late night house mix from Kill The Noise and a special B2B portion of the set with AC Slater himself.  Keep it locked right here at Noise FM PIRATE RADIO 

Noise FM we’re here to interrupt your regular scheduled program

NOISE.FM - MIXTAPE

Put a head on my shoulder version 
Uchi Voz
Daniel Bruno Produccion

Mix y Mastering por Palanca

Apoyate en mis hombros

Pienso en Ti AtdH

DADDY ISSUES

A 3O-minute example from the acoustic records of 15 January, 2013, in the underwater/under-ice soundscape at PALAOA. None of these sounds have been treated with effects of any kind. 

Original open-source files here: https://doi.pangaea.de/10.1594/PANGAEA.844106

Came across this occurrence for a few days in mid-January. The sounds were pretty much continual all the time, varying in intensity and frequency. I found the same to be the case in other years as well, and also just January. I'd never heard anything quite like it except for this: https://www.youtube.com/user/VoyagerPWS/videos 

From what I gather, these are the "vocalizations" of Ross seals - the rarest of all Antarctic pinnipeds - (see the link at the bottom). Why and how they are doing this is not clear, and probably never really will be.  At most other times during the year what you predominately hear are calls of Weddell, Leopard and Crabeater seals; and occasionally high, rather distant vocalization of what are probably whales. 

After listening to this for a while, feeling it permeate completely through the brainwaves, from the back of my being it's like a memory starts to come forward, as if coming back from a dream... a dream within a dream... The essence of what these sounds are, whatever they are, have something to do with the roots of our existence. All of this in fact. Everything we're hearing. Life on earth wouldn't exist if it weren't for the ocean and what's in it. What's first is on the bottom. The habitats at the deepest part of this planet occur within the sea. What came first? What has continued until today since the beginning? That is cosmic, and for us here, sprouted of earth, everything has evolved from the waters. Our most ancient ancestry. Before life took flight in the sky, it took flight in the water. We all want to fly. We all want to sing, to call, to cry... The universe sings through us, and we are called to live, cried to life. 

http://epic.awi.de/18506/1/Kin2008b.pdf 
_____________________________________________________________________________________

Underwater Antarctic Soundscape at PALAOA | ROSS SEALS

Grabado en vivo el 23 de Marzo de 2016 en Microkosmos (Sonido ambiente)

Totosko

7am April 5, 2018, Tassajara Canyon, California

Humming hummingbirds by the bird feeder

An Ait Hadiddu song at threshing time, recorded at I'hawdi'in in Morocco in August 1961. 
The song text addresses god and invokes protection against evil spirits.

Six reel to reel tapes of Berber music and soundscapes from the Moroccan High Atlas Mountains, recorded in August 1961 among the Ait Hadiddu people, were purchased by the Pitt Rivers Museum in 1963. The recordist and PRM source is currently unknown, but a related document gives some context and song translations.

Ait Hadiddu threshing song (Morocco, 1961) [1963 1 B2 1 2]

Improvisaciones y composiciones.
Trombon y otros

Apoyate en mis hombros

Daniel Iván

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