A simple three minute recording of Salamander Anagram's Molecular Music Box plugged into Boscomac's Air Piano ensemble for NI Reaktor. I thought it sounded nice, so I captured a few minutes of generative ambient bliss :)

"9C14.5" is the name of this particular sequence BTW.

Molecular Music Box algorithm by Dr. Duncan Lockerby (Univ. of Warwick), with special thanks to Dr. Matthew Borg  and Mr. Konstantinos Ritos from Univ. of Strathclyde. Molecular Music Box NI Reaktor ensemble by Salamander Anagram of ADSR tutorials.

9C14.5

Undertow for u-he Zebra 2 features 170 patches intended for cinematic underscore and deeply experimental atmospheric compositions, including...

30 Atmospheres
27 Drum Loops
6 Leads
52 Pads
19 Plucks
36 Sequences

Irion Da Ronin - Overcome Darkness

Irion Da Ronin - Meet You Again

Ømnibus - Richard Sven

Just me having fun with my new MIDI breath controller from Swedish manufacturer TEControl. Every alteration in tone and timbre is manipulated by the breath controller, which is simultaneously modulating over a dozen different parameters. This is a Zebra 2 preset that will be included in the updated version of my Undertow preset library for Zebra2, which should (hopefully) be out by mid February.

Glass Garden

Some lonely, broken-hearted cowboy noodling, running my strat through "Lagrange" from Ursa DSP, an experimental delay plugin that uses granular processing within the delay buffer. Keep an eye out for Lagrange in this year's KVR Developer Challenge. It's pretty gosh darn swell :)

Lagrange is available for free download here: https://www.kvraudio.com/product/lagrange-by-ursadsp

Also, check out the developer's website here: http://enginehousestudios.com/

Lagrange Preset - Ambient Balladeer

Just a brief demonstration of the weird delay-based effects you can produce with the "Marching Random" algorithm within Lagrange from Ursa DSP, an experimental delay plugin that uses granular processing within the delay buffer. Keep an eye out for Lagrange in this year's KVR Developer Challenge. It's pretty gosh darn swell :)

Lagrange is available for free download here: https://www.kvraudio.com/product/lagrange-by-ursadsp

Also, check out the developer's website here: http://enginehousestudios.com/

Lagrange Preset - Strange Artifacts

I was in Harold Budd / Brian Eno mode this morning, so I grabbed an old Reaktor Ensemble I made a while back called "Random Molecules" and recorded five minutes of generative ambient piano -- two instances actually -- one at 60 bpm, the other at 40 bpm. The one recorded at 40 bpm was reversed and processed separately through Lagrange, a granular delay from Ursa DSP, then Lagrange's output was side-chained and processed through Eventide Blackhole. The recording at 60 bpm was also processed though both aforementioned plugins but a bit differently. Plenty of EQ all around.

Download Random Molecules for NI Reaktor here: https://www.native-instruments.com/en/reaktor-community/reaktor-user-library/entry/show/8071/

And also download Lagrange from KVR here: https://www.kvraudio.com/product/lagrange-by-ursadsp

Returning

One of my favorite atmospheres from "Night Lights".

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"Night Lights" for u-he's CPU friendly subtractive synth Hive is a collection of modern sounds with a retro twist, including 100 high quality patches...

14 ARPS
11 ATMOSPHERES
2 BASSES
11 BASS LOOPS
8 DRUM LOOPS
4 DRUMS
5 LEADS
20 PADS
14 PLUCKS
11 SEQUENCES

"Night Lights" for u-he Hive patch "AT Ocean Wall"

"Night Lights" for u-he's CPU friendly subtractive synth Hive is a collection of modern sounds with a retro twist, including 100 high quality patches...

14 ARPS
11 ATMOSPHERES
2 BASSES
11 BASS LOOPS
8 DRUM LOOPS
4 DRUMS
5 LEADS
20 PADS
14 PLUCKS
11 SEQUENCES

"Night Lights" for u-he Hive (Demo #2) "Mirage" by Irion Da Ronin

"Night Lights" for u-he Hive (Demo #3) by Richard Sven

"Night Lights" for u-he Hive (Demo #4) by Richard Sven

"Night Lights" for u-he Hive (Demo #1) "Neon Age" by Irion Da Ronin

100 patches in a variety of categories for u-he's powerful modular beast Bazille. These are innovative, experimental sounds intended for ambient productions, cinematic underscore and dark atmospheric compositions, with a number of generative sequences that have a mind of their own.

16 Atmospheres
22 Sequences
16 Generative
10 Basslines
12 Plucks
24 Pads

Purchase Equinox: https://gumroad.com/l/IzjJO

Bazille Equinox: A Place Among Stars / Stephan Baer

Bazille Equinox:  My Dream / Irion Da Ronin

Bazille Equinox: Future Present / Richard Sven

Bazille Equinox: Ambuchill / Richard Sven

Bazille Equinox: Overplay / Richard Sven

100 patches in a variety of categories for u-he's powerful modular beast Bazille. These are innovative, experimental sounds intended for ambient productions, cinematic underscore and dark atmospheric compositions, with a number of generative sequences that have a mind of their own.

16 Atmospheres
22 Sequences
16 Generative
10 Basslines
12 Plucks
24 Pads

Purchase Equinox: gumroad.com/l/IzjJO

Bazille Equinox: No Resolution / Richard Sven

Bazille Equinox: The Trip Up / George Leger III

Bazille Equinox: A Journey Into The Depths / Irion Da Ronin

Third Eye, for u-he's immensely popular virtual analog hybrid Diva, is a collection of experimental atmospheres, ambient pads and percussive arps intended for evolving compositions and generative electronic underscore, including 100 patches...

26 Pads
22 Atmos
20 Arps
10 Percs
8 Basses
8 Keys
6 Leads

This library demonstrates a clever use of Diva's "modifiers" and voice handling controls, involving considerable research into semi-modular signal processing techniques that push the boundaries of modern sound design within the context of traditional subtractive synthesis.

Purchase Third Eye: https://gumroad.com/l/VLDmP

Diva Third Eye: Outbound / Ingo Wegener

Diva Third Eye: Fairy Dance / George Leger III

Diva Third Eye: As You Walked By / George Leger III

Third Eye, for u-he's immensely popular virtual analog hybrid Diva, is a collection of experimental atmospheres, ambient pads and percussive arps intended for evolving compositions and generative electronic underscore, including 100 patches...

26 Pads
22 Atmos
20 Arps
10 Percs
8 Basses
8 Keys
6 Leads

This library demonstrates a clever use of Diva's "modifiers" and voice handling controls, involving considerable research into semi-modular signal processing techniques that push the boundaries of modern sound design within the context of traditional subtractive synthesis.

Diva Third Eye: Conquering The Mountain / Bryan Lake

Diva Third Eye: Above The Metropolis / Irion Da Ronin

Diva Third Eye: Lost In Another World / Irion Da Ronin

My first complete work as a producer of ambient music. Ideal for the passive listener. I'm a purist when it comes to ambient music, which, in my humble opinion, should always be floating around in the background, in a vast expanse.

Let It Go

The Rainbow Serpent

I started playing around with synthesizers and digital audio workstations in the early 2000's when computers were finally able to process audio on a serious level. My first DAW was a program called "Orion", which is still around actually. I thought it was the coolest thing, until I discovered FL Studio, which at the time was called "Fruity Loops". It blew the lid off what I thought was possible and opened up a whole new set of possibilities for me. Ten years later, a plethora of new innovative programs have flooded the market. It's impossible to say which program is best, but nowadays I use Ableton Live as my go-to, but FL Studio is still a terrific program.

As an instrumentalist I am a guitarist, but as a musician I am a producer of ambient music. I have no desire to show off and impress you with blazing guitar solos or razzle-dazzle you with arpeggios flying at you at 260 beats-per-minute. I want to reach you. I want to say something without saying it. I want to present you with a blank canvas and let you decide what the picture looks like, and where you fit into it. But most of all, I want to make music that I enjoy listening to. Ambient music is typically characterized by its vastness. I want to get lost in that vastness. Come get lost with me.

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