Recorded live in July 2022 in Los Angeles at the Vintage Synth Museum. Recording was made using an Oberheim OB8 running through a Roland RE-301 Chorus Echo. No other effects or tampering. There is a little hiss due to age of electronics. The recording was made in stereo so headphones are suggested although starting at a low decibel level is recommended.

Expressions through Analogue

fourth dimensional

Moog werkstatt and a td-3 and td-3 MO (From what I remember)

Moog With 303x2

Live jam with 404a and TR8 with 606 expansion. No effects. Basically just jamming with the sampler with samples at 100 bpm; then set the drum machine to 110bpm and went at it.

A kid with a sampler

Three TD-3s singing polyphonically alongside a myriad of 404a samples and TR-8 drum beats. Strings played over the top with Jupiter 8 Plug Out. Arpeggio played with System 1.

Birds in May

Moog Matriarch through Stymron Night Sky. Extra shimmer effects from Eventide, and preamp from Arturia.

Stereo Dreamscapes

Chocolate Sprinkles

For Sterling

Moog Mother 32, Moog Subhrmonicon, and Moog DFAM running through the delay of a Moog Matriarch,and Strymon Nightsky. Analogue Solutions Leipzig spitting out pattern input from Moog Matriarch,with Moog Werkstatt droning in the background. Roland TR8 with 7x7 expansion used for percussion.

U60311

Frankfurt (Mastered)

DJ of analog and digital formats with 20 years experience. I like deep dark electronic music of all forms as long as it is not some commercial bullshit. My productions are mainly based on the Roland Aria line of synths, VSTs and dreams of Moog.

Bryan Minturn

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