congrats for winning, I'm still trying… real hard. good on you for the download, may you have more and more successes !

це неймовірно ,,,,,,🐎🐎🐎🐎🐎🇺🇦🇺🇦🇺🇦🇺🇦🇺🇦

Echos of memories

Sun To Me (Faithless Dub)

Flashmob

Vitalic • Poison lips

DVL [Minimal Groove Concept]

Written by: James Walsh, James Stelfox, Ben Byrne, Barry Westhead

All rights reserved to EMI

Not for commercial use

Starsailor - Four To The Floor (Andrea Bertolini Unofficial Edit)

Today’s Free Music Monday is from Southampton artist, Sleeperhold. Following releases on Mark Knight’s Toolroom Records, he’s gained support from the likes of Carl Cox, Alan Fitzpatrick, Seth Troxler and Sasha and Digweed. This track we have for you today was something we heard Sasha play in his set at the Space, Ibiza closing - it’s a techno roller… Enjoy

https://www.facebook.com/Sleeperholdmusicofficial/
https://soundcloud.com/sleeperholdmusicofficial

FMM: U.S.U.R.A - Open Your Mind (Sleeperhold's Recall Booty)

One of my all time favourites. To be found on the great album: Tripomatic Fairytales 2001 (http://www.discogs.com/Jam-Spoon-Tripomatic-Fairytales-2001/master/92400) 

The more chill album Tripomatic Fairytales 2002 version is also recommended.

Jam & Spoon - Odyssey to Anyoona

Remix of Feeling So Real by WOLFRAM. 

The original is from Moby's album Everything Is Wrong.

Feeling So Real ( WOLFRAM Remix )

Turbo 50
Tiga & Zyntherius
Sunglasses at Night Remixes

In Tiga’s Words:

Luck is everything, and it only takes an instant for your life to become your dreams. The fact that my life was changed, altered, and ultimately bettered by covering an MOR Canadian rockers 80's pop tune is a quirk of destiny that gives me faith in the magical comedy that we call existence. This is the short story of how the shit went down.

It was the winter of my discontent. I was supposed to travel to India with my family for Christmas 2000, but was unable to go for personal reasons. Upset but determined to make the most of the situation I invited Jori Hulkkonen to DJ with me at my club (SONA) for a NYE party. Jori had done a
mixCD for Turbo and we had cultivated a fine friendship based on ridicule, shared 80's obsessions and ridicule. I had a small home studio that was gathering dust and producing nothing more than frustration; and I threw out the idea (I think I did, although maybe he did) of "making some tracks". I didn't know what I was talking about.  My own creative career had followed a typical early 90's trajectory: houseclubs-ectasy-techno-rave-DJ-travel-raver-promoter-radio-recordstore-nightclub impresario etc... all successful ventures that, at the turn of the
millennium, had led me to a position of relative affluence and respect. But the elusive jewel in the crown was production; and this block  was slowly destroying me. Then came the J-fool.

My memory is bad. In school it was perfect, but it's been eroded by a potent cocktail of reefer, airports, timezones, sleeplessness, computers and time. Now, my memory is not to be trusted. I'll try my best: i think the show went ok. Jori probably played a few records I loved, and a lot that iI hated. It was very cold. New Years Day came, I think he was sleeping at my place. I had an MPC, a Nord Modular. an 808 and a JUNO, and a puppy named Uma. Recently, at a small record store in Calgary of all places, I had bought a copy of 'Sweet Dreams' by Miss Kittin & The Hacker. I thought it was incredible. It's hard to imagine now, but at the time the idea of covering a pop song in a techno style seemed interesting. This is before the world went crazy and eclectic. So we decided to try a cover.

I don't remember details of the day. I had no intention of "singing" but I couldn't really do anything else, so that became my job. I also had to walk Uma, make tea, take phone calls, make jokes. Jori did most of the work. We tried a criminally poor cover of "When Doves Cry" which thankfully is lost
to all mankind. We did a version of "Small Town Boy" with falsetto singing so bad that if you could distill the sound into a liquid it would be the pure essense of "embarrassing". We did a midi-file based cover of New Years Day, which I still love, that came out on an old Turbo comp. And then (I think it was last) we did Sunglasses At Night. Corey Hart was a Montrealer, it seemed fitting. Our lack of sample memory in the MPC combined with my hesitancy to sing complex notes (or ANY notes for that matter) is what resulted in the "genius" of eliminating the bridge and pre-chorus. I remember Jori thought it was amazing. I didn't really like it. Score one for Zyntherius.

I remember going to my record store , DNA, which was just on the corner and playing it: the first of hundreds of "listen to my new track" sessions..... my first taste of the cold sweat of public testing, and the sheer horror of hearing MY voice on speakers. I hated it.

A few months before that day in studio i had done a mixCD called Mixed Emotions, which is still one of the best things I have ever done: it featured an "electro-funk" cd and my face on the cover. Both attracted the attention of DJ Hell in Munich, who of course at the time was a hero of mine. I had a contact thru licensing a song from them, so I think I sent him the sunglasses demo. He fell in love as well. I still didn't like it.

The rest of the story is like a montage in a movie, albeit a small film, Hell came to montreal, burned dubplates, played 6 times at Love Parade,  SAN got huge in germany, , ended up selling a quarter million, doing TOTP,  and being one of the big "electro" anthems of the period. I got to ride my own
coatails  all the way to where i am now. All my dreams came true, including the one about being voted #41 on the DJ top 100 list.

I still marvel at how easily it could’ve NOT happened: My dog stepping on the power switch a little earlier, or Jori getting tired, or the phone ringing at the wrong time. And I cant help but wonder how different my life would have been. While I was never a huge fan of the record I will say that
it was a very pure creative effort, in its own way a real punk track: two friends making something without any label or plans or scene......and crucially without any expectations. To spend 90 minutes on that, in a vacuum, and to then feel your entire life altered by the results.... that
is the magic of pop culture, and testimony to the awesome transformative power of ....... the Roland Juno-60.

Love from Montreal, and love to Jori Z and a special shout out to Hell and Josef.

In Zyntherius’ words:

When I was a child I dreamt about being a god.
When I grew up I realized I could become one.
In 2000 I noticed that the post for the god of synthesizers was not taken. I didn't even have to apply for the job. No real god would have to do that. I just declared myself as ZYNTHERIUS - the god of synthesizers.
Nowadays I'm feeling much better, but occasionally I still get the urge.
Which is why you should be aware of the wrath of Z and respect the holy Oscillators.


Sunclasses at Night Remixes

Tiga & Zyntherius - Sunglasses At Night (Original 12  Version)

Pre-order my new album 'In The Seams'!
itunes: http://smarturl.it/In-The-Seams (with instant free download of single 1)
My own store: http://po.st/seamsfans (with signed CDs and vinyl)
LIVE joint headline tour with Bill Ryder Jones on sale NOW http://bit.ly/ssbrjtour Come and see us! #intheseams


Fade Into You - Mazzy Star (Saint Saviour Cover)

In 1994 this was one of my first international artist remix. Björk had just left her Sugarcubes band to go solo, and she was only mildly know back then. I was commissioned to remix Human Behaviour by Island France who were releasing it domestically. I did 2 sets of mixes and they were grouped on a single promo 12" that was pressed to only 500 copies making it a pretty rare item today. She apparently didn't like the remix much and it stayed commercially unreleased. Luckily for me, I had a chance meeting with David Morales at the time and gave him 2 copies. Months later I was told he and DEF mix partner Frankie Knuckles were killing it in the NY clubs. Thanks to them my name got out of France and it kickstarted my carreer outside of my country.

Björk  - Human Behaviour Dimitri From Paris Underground Behaviour Remix 1994

http://www.beatport.com/release/dont-stop-the-dance/1119233

Don't Stop The Dance (Punks Jump Up Remix)

http://news.beatport.com/blog/2010/11/16/remix-bryan-ferry/

This is the winning remix of Beatport's Shameless competition.
Bryan Ferry made the individual stems of 'Shameless' available to download in late 2010. A few months later over 1000 remixes had been submitted so Beatport and Ferry's team starting filtering-out the good from bad.

Eventually a shortlist of 10 un-named files were played to Ferry, and he chose this one as the winner.

It turns out that the mix was done by an established producer with an impressive production history. http://www.frankdewulf.com/#!about-me/cjg9

https://soundcloud.com/frankdewulf

ENJOY THE FREE WAV DOWNLOAD !


Shameless - Frank De Wulf Mix (Beatport Remix Competition Winner)

Felix da Housecat & Jaques Lu Cont - Silver Screen   Shower Scene (Thin White Duke Mix)

Gary Numan - Cars (Yayo Brothers ReFix) *FREE DOWNLOAD

Moby -  Go

Official account of Bryan Ferry, singer, songwriter, solo artist, and founder of Roxy Music. "Loose Talk" out now https://bio.to/bryanferry

Shameless - Frank De Wulf Mix (Beatport Remix Competition Winner)

Bryan Ferry

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