Prevoicing (2016) for voice, bell and electronics -- or more specifically a live performance for real voice, real service bell, fake organ, and fake drums.
Bryan Jacobs - voice

Prevoicing

Extract from "He slowly fell and transformed into the terrain". Stereo version from 6th order 3D ambisonics. Still a test (mastering really tricky for this).

Full length on: https://www.sargasso.com/product/natasha-barrett-leap-seconds/

He slowly fell (2016, extract)Full length now released! See info

Vita Wallace, violin
Talia Dicker, ‘cello
Rick Quantz, viola

http://jaeaccs.weebly.com/

string trio with electronics

spokes (2016) v. kintsugi - for string trio and electronics

Recorded LIVE at Walla Walla Chamber Music Festival 2017

NYC-based Sam Pluta is perhaps best known for his use of electronics in his instrumental music, but for his commission for us, “binary/momentary logics: flow state/joy state,” the composer goes acoustic while preserving elements of technologically-modified sounds. A perfect send-off for the close of the season, Pluta refers to this super-charged work as “pretty much full-on the whole time,” and you all are in for one wild romp.

SPEKTRAL QUARTET
Maeve Feinberg (violin)
Clara Lyon (violin)
Doyle Armbrust (viola)
Russell Rolen (cello)

Sam Pluta – binary/momentary logics: flow state/joy state (LIVE)

Acousmatic composition realised in 6th-order 3D ambisonics. This is an short extract from the middle of the composition, rendered to 'normal' stereo. The original composition is 17'00. More info here:
http://www.natashabarrett.org/Involuntary_Expression.html

Full length on: https://www.sargasso.com/product/natasha-barrett-leap-seconds/

Involuntary Expression Stereo Extract. Full length now released! See info

First diffused through Hydra, Harvard University 15th Dec. 2018.
VLF radio, number stations, analog synth, raw electricity.
Mix- please listen on headphones or monitors :-)

Starfish Prime (Headphones/Loudspeaker Listening)

Quasar Saxophone Quartet (Marie-Chantal Leclair: Soprano Sax, Marthieu Leclair: Alto Sax, André Leroux: Tenor Sax, Jean-Marc Bouchard: Baritone Sax)
Jacob David Sudol: Electronics

Live Performance at the FIU Miami Beach Urban Studios, as part of the New Music Miami Festival (March 6, 2019)

Program Note:

"threads of wind..." was composed for the Montréal-based Quasar Saxophone Quartet to be premiered at the 2019 New Music Miami Festival. The work follows a similar approach to spectral materials and form that I’ve explored in works such as threads unraveling, unraveling, and stone bells and singing kites where the partials of various spectral analyses alternatively reveal themselves, tangle, and unravel. The work is also intended as tribute to two both Gerard Grisey and the Montréal-born Claude Vivier, who Grisey memorialized in his solo saxophone work Anoubis, Nout.

-Jacob David Sudol 
February 13, 2019 
Miami, FL

"threads of wind..." (2019) for saxophone quartet and electronics

TILT Brass
William Dougherty, electronics, transducers, feedback piano
DiMenna Center, New York, May 4th 2019

soft brown wax

Premiered: June 1, 2019
Walt Disney Hall, Los Angeles CA.

Commissioned and performed by Wild Up:
Andrew Tholl - Violin
Diana Wade - Viola
Derek Stein - Cello
Matt Barbier - Trombone
Brian Walsh - Bass Clarinet
Richard Valitutto - Piano
Derek Tywoniuk - Percussion

A Thing Made Whole (II) - Full_Work

Ensemble for New Music Tallinn
CrossRoads Festival Salzburg 2019
Teemu Mastovaara
Helena Tuuling
Talvi Nurgamaa
Arash Yazdani

Instruction Manual of How to Learn Stop Worrying and Love the Bomb in 5 minutes

Work commissioned by the Sheldon Arts Foundation in St. Louis, Missouri

Yoshiaki Onishi, bass clarinet
Leigh Muñoz, bassoon

March 6, 2020
The Sheldon Concert Hall
St. Louis Classical All-Stars

Prevoicing

BryanJacobs

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