Props to the Friends of DeSoto and the crew of the USS Hood

The One With The Wubwubs

Modular patch

Main voices:

* Kick — Swept resonant filter, envelope by Make Noise Maths
* Snare — Noise through Doepfer A-124 Wasp filter, envelope also by Maths, light modulation on cutoff
* Shaker/Hats — Pink noise through VCA, envelope from Tiptop Z4000 with random modulation on sustain
* Bass — HM VCO triangle through Make Noise Optomix
* Paddy Stabby Thing — Make Noise Telharmonic through Echophon
* Trippy vocals — Sample from radio music into Mutable Instruments Clouds, modulation on position and size.

Voyage Home (Patch 2023.01.01)

Jams with @scottux! The electronic ocean with a storm approaching.

Patch 2015.10.05-B — Roiling Sea

A deep exploration of prime numbers and boolean logic. The logical rhythms form a network of patterns meeting at random angles. They fight for space in a collective that must break its own trappings in order to exist.

-----------------

All rhythms spawned from a simple clock divider and the Arc Artificial Neural Network. Arpeggios are formed from Make Noise René and various other semi-random voltage sources.

Voices of note:

Arpeggiated Color: Harvestman Piston Honda MKII, frequency modulated by Intellijel Dixie II. Note source is Rene, and the oscillators track in tandem.

Stereo Bass Harmonies: A pulse width modulated Happy Nerding HM VCO directly into Mutable Instruments Clouds. Clouds provides the stereo spread and by delaying the input inside the buffer, creates harmonies as the pitch of the input changes. 

Slipery Lead: Pittsburgh Snythesizer Box, with the blade wave modulated by its internal LFO. Note source is from a MI Peaks' Turing Machine advanced at the clock rate, and resampled through the Random*Source Serge Smooth/Stepped Generator's stepped side.

Fuzz Kick: TipTop Z4000 ADSR is heavily attenuated and drives pitch on Make Noise STO, while the full weight envelope opens an LPG on Optomix. Input gate lengths to the envelope give a varied timbral pattern.

Obtuscense

Patch 2017.01.22 — Quadrature

Live performance at ROBOTSPEAk's Church of the Super Serge. A study on frequency modulation. Five voices, all influenced by a central oscillator (Intellijel Dixie II) moving between several seconds per cycle and low audio range.

Performance 2017.02.18 Frequency Modulation Study 01

Performed live at Robotspeak's Church of Thee Super Serge, November 19, 2017.

Interjection (Live Performace Robotspeak 2017.11.18)

Drifting — Patch 2018.01.14

Train Sounds In The Matrix On Drugs (Patch 2018.05.28)

Song sketches and audio experiments from forced alone time. Self-sampled wine glass and windchimes.

Airport Time

Song sketches and audio experiments from forced alone time

thousand

Pinned to spotlight