For the Sake of It by talker

----

I’m in the fire, of trying to do everything
Burning desire lit up the house i’m living in
I’m caving in, too sensitive and delicate
Every step forward, makes a mistake

In the weeds, pulled everything that I could get
Dirt on my sleeves, but i don’t see the garden yet
I’m digging in, still waiting on the benefits
Checking off boxes, cleaning my plate

You could say i’m doing my best
Every time i take in any oxygen

You could say just give it a rest
But I’m just gonna break and start it up again

Yeah I know myself

I’m wasting time
The more i try
Exhaust my mind

All for the sake of it
I feel so sick of it

Fighting the wind, too tired now to hold my ground
Throw myself in, it’s easy when I’m falling down

Giving in, habitual oblivion 
Sitting in silence, taking up space

You could say i’m doing my best
Every time i take in any oxygen

You could say just give it a rest
But i’m just gonna break and start it up again

I’m wasting time
The more i try
Exhaust my mind

All for the sake of it
I feel so sick of it

Losing light
I fall behind
But I still climb

All for the sake of it
I feel so sick of it

You could say I’m doing my best

I’m wasting time
The more i try
Exhaust my mind

All for the sake of it
I feel so sick of it

Losing light
I fall behind
But I still climb

All for the sake of it
I feel so sick of it

So sick of it
I feel so sick of it
So sick of it

All for the sake of it
I feel so sick of it

----

Written by Celeste Tauchar and Nyiko Beguin
Produced by Dan Sadin and Nyiko Beguin
Drums by JR Kurtz
Mixed by Kyle Mangels
Mastered by Alex Gordon

For the Sake of It

Still (shadow)

Still

Backless Dress (chemical)

The State We're In (self)

Acoustic EP

Alive (Acoustic)

Dancing Through The Fire

Cheap Silver Lining

Cheap Silver Lining (feat. Luke Sital-Singh)

When You're Feeling Blue

Hurricane

Omaha features purely string octet, performed by the wonderful Philharmonia chamber soloists. Capturing a feeling of the tall, windy grasses of the storied Midwest plains, I wanted to express this only with the sound of the chamber strings and nothing else.

The artwork here comes from one of my new favorite American visual artists, @alexandrafuller who’s powerful series ‘Participatory Universe’ explores the idea of human observation through massive physical frames, focusing our gaze towards the landscapes beneath our feet.

Backless Dress (chemical)

Bryde

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