Idea 10

Neither and Both

Melancholy Aurora

Forgotten Summer

Dancing Leaves, Fading Memories

This instrumental piece unfolds as a poignant and reflective neoclassical composition, immediately establishing a mood of gentle melancholy and quiet contemplation but with a subtly expanding sonic palette. The primary voice throughout remains a tender piano melody, played with a delicate touch that emphasizes the music's emotional core. It's a melody that feels simple and profound, carrying a sense of yearning and perhaps a touch of wistful sadness, yet ultimately settling into a place of peaceful resignation.

Beneath the piano and the lush string section, which still provides a rich and supportive harmonic foundation with its swelling and receding waves of violins, violas, and cellos, we now hear the grounding presence of an upright bass. Played with a warm, pizzicato touch, the bass enters subtly, anchoring the lower register and adding a touch of jazz-inflected depth to the harmonic texture. It's not overtly rhythmic but rather provides a gentle pulse and harmonic richness that supports the neoclassical framework.

A wordless, ethereal choir adds another layer of texture and emotional resonance. It enters discreetly, almost like a distant vocalize, blending seamlessly with the strings. The choir doesn't sing distinct melodies or lyrics but provides a wash of harmonic color, adding a spiritual and almost hymnal quality to specific sections. This choral element enhances the sense of contemplation and imbues the piece with a slightly more expansive and emotionally resonant atmosphere, moving beyond purely instrumental neoclassical territory.

Finally, the piece incorporates delicate percussion elements, contributing to its genre-blending nature. While the core is neoclassical, the percussion introduces subtle rhythmic undercurrents that hint at other genres. You'll hear soft, brushed cymbal swells and gentle taps on what sounds like a snare drum played with brushes reminiscent of jazz ballad percussion patterns. These are not driving, beat-focused rhythms but rather textural and atmospheric, adding subtle movement and a touch of contemporary sensibility. There are also moments where you can perceive very faint, almost ambient electronic percussion textures, providing a whisper of modern production and further blurring genre lines. These elements are incredibly understated, never intruding on the neoclassical mood, but they subtly enrich the rhythmic and textural landscape, preventing it from feeling strictly traditional.

The arrangement still builds gradually, starting softly and evolving in intensity and emotional depth organically, guided by the piano and strings. The orchestration remains masterful in its restraint, ensuring the piano melody is always central. However, adding the upright bass, choir, and subtle percussion, particularly the jazz-influenced brushed patterns and ambient electronic touches, expands the piece's genre beyond purely neoclassical. It becomes a more nuanced and contemporary sound, perhaps leaning into a genre that could be described as "neo-classical ambient" or "cinematic neoclassical" with jazz and electronic undertones.

In summary, this beautifully crafted and emotionally rich piece blends neoclassical foundations with subtle jazz, ambient, and cinematic influences. Lush strings, a warm upright bass, an ethereal choir, and delicate, genre-bending percussion support the evocative piano melody. Listeners who appreciate artists like Ludovico Einaudi and Nils Frahm or film scores that blend classical instrumentation with modern production will find themselves captivated by this piece's gentle beauty and sophisticated textures. It's a perfect choice for moments of deep reflection and peaceful focus or when seeking music that is emotionally resonant and subtly innovative in its genre blending.

Morning Grace

Immerse yourself in a celestial sonic landscape where ethereal synthesizers interweave with haunting vocal textures. This ambient electronic journey features processed female choir vocals that float through vast reverberant spaces, creating an otherworldly atmosphere. The deliberate use of expansive delay effects and carefully crafted reverb tails transforms human voices into supernatural echoes, establishing a unique signature sound.

The track builds upon layers of meticulously designed pad textures at its core, while crystalline bell-like synth melodies provide gentle, rhythmic movement. The production employs sophisticated space design techniques, with each element carefully positioned in the stereo field to create a three-dimensional listening experience. Operating at a meditative downtempo pace, the arrangement allows each sonic element room to breathe and evolve naturally.

This piece is perfect for mindful listening sessions, meditation playlists, or ambient sets focused on emotional depth. It creates an ideal soundtrack for late-night introspection or peaceful moments when you want to disconnect from the world's chaos.

Candlelight

I have again the pleasure and honour to share with you a piece by my good friend Philippe Blanc! I told him I like his piece which is part of his album "Les 16 Ans" but would like to add some extra notes in the left hand, which he has allowed me to do....
Thank you Philippe!
I hope you will enjoy listening to this piece....
Thank you for listening....
for more music by Philippe Blanc
@philippe-blanc-546541169

Comme un Prélude by Philippe Blanc

A piano improvisation to welcome in the New Year of 2021.... played into Cubase and enhanced by various different layers of sounds. Enjoy!

A New Year's Improvisation.mp3

Just improvised this meditative piano tune at the early morning. Enjoy!

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Composer: DANIELYAN ASHOT MAKICHEVICH (IPI NAME 00855552512), UNITED STATES BMI.

Melancholy Aurora

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