Seramind - Ferne Hügel (naviarhaiku478) [Ambient, Chillout, Drone, Electronic]

https://www.naviarrecords.com/2023/03/01/naviarhaiku478-distant-hills/

naviarhaiku478 – distant hills

distant hills …
beyond the gate
winter stillness

Clive is a sometime philosopher, thinker, dreamer, birdwatcher, poet, and occasional writer. Living and writing in beautiful North Wales.

He draws inspiration from nature, especially birds, which he has been watching for as long as he can remember

Clive’s haiku have been published in the Wales Haiku Journal, Presence, Hedgerow, Blo͞o Outlier Journal, ‘Failed Haiku’, tsuri-dōrō journal, and most recently in the Scarlet Dragonfly Journal. He can be found on the Drifting Sands Poets Hub.


Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 8th March 2023

haiku by Clive Bennett https://mobile.twitter.com/birdsinhaiku

picture by Ricardo Gomez Angel https://unsplash.com/@rgaleriacom

Visit my other pages:

Spotify: https://open.spotify.com/artist/22xH66OU00shKM5kcwbAeK
SoundCloud: https://soundcloud.com/seramind
Discogs: https://www.discogs.com/artist/4709745-Seramind
Bandcamp: https://seramind.bandcamp.com
Facebook: https://www.facebook.com/seramind
YouTube: https://www.youtube.com/@seramind

Ferne Hügel (naviarhaiku478)

Another Lad Insane

An electronic composition, sounds created in Pure Data.

Whispered Turmoil (naviarhaiku493)

20Jul23

My naviarhaiku498 submission
https://www.naviarrecords.com/2023/07/19/naviarhaiku498-long-days-and-warm-nights/
:D

Long days and warm nights [naviarhaiku498]

Disquiet Junto Project 0603: Animated Suspension
The Assignment: Record a piece of music that suggests something floating in air.

Step 1: Consider various music techniques you might employ to suggest (or imitate, or insinuate) that something is floating in air.

Step 2: Select one of the techniques you considered in Step 1 and experiment with it a bit.

Step 3: Record a piece of music built around the technique you focused on in Step 2.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0603” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0603” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0603-animated-suspension/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. How long can something stay aloft?

Deadline: This project’s deadline is the end of the day Monday, July 24, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, June 20, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 603rd weekly Disquiet Junto project, Animated Suspension (The Assignment: Record a piece of music that suggests something floating in air), at: https://disquiet.com/0603/ 1

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0603-animated-suspension/

Off the ground - disquiet0603

Most days you'll never see me
cause I exist behind a one way mirror
let the world reflect itself...what it wants anyway, and so I move to be more social
and watch for your response
through my one way focal
and O baby
I can adjust...goin zero to sixty
like a beam of light...I make it smooth again
I make it alright...yea
and babe
I can read your body, couldn't be more clear...yea
gonna let you see yourself in my one way mirror
O do you see that guy?
'bout to lose himself...tries to look so hard
ends up lookin weaker...and
most days you'll never see him
cause he exists behind a one way mirror
let the world reflect itself...and so
he moves to be more social
and watch for my response
through his one way focal
and O baby
I can adjust...goin zero to sixty
like a beam of light...I make it smooth again
I make it alright...

One Way Mirror

John Hobbs: Poetry and Recitation
https://soundcloud.com/hey-citizen

Trackpicture: Lupashchenkoiryna

flowermouth: Music

Abigail (feat. John Hobbs)

This track uses the latest - https://soundcloud.com/half-unusual/half-dark-naviarhaiku518 - Naviar Haiku submission as a starting point for some bluetooth mangling ... All sounds you hear are derived from a recording of the remote headphone connection breaking up whilst playing the haiku original. You can see the 'recording setup' in the middle of the accompanying image.

More on this 623rd weekly Disquiet Junto project, Kinda Bluetooth (The Assignment: Experiment with the sonic qualities of a failing signal), at: https://disquiet.com/0623/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0623-kinda-bluetooth/

more halF unusuaL

halF bluetootH [disquiet0623]

The Lady

Patron  # 2,

Taken from the album, Future Weather (2020)


There is no freedom beyond your mind
There is no hope beyond your kind
There is no mercy behind their eyes
There is no way that I can see which pacifies

There is no God that I can see
There is no undisputed truth to set us free
There are no words I can reveal
That would describe the desperation that I feel

Carry me home I’m broke
Cover the pain with hope
Carry me home I’m broke

There is no justice beyond your dream
There is no harmony within your scream
There is no kindness behind their stealth
And the only worthy leader is yourself              

Carry me home I’m broke
Cover the pain with hope
Carry me home I’m broke

There is no future we can enjoy
If we only use our instinct to destroy
But if you raise again your hand to me
We will never let you rest I guarantee

Future Weather

Hope

The eclectic music maker has a new album, Dub Section, for 2024. Forty-five minutes of dub signifies a return to roots reggae and dub for the independent artist, writer and producer, Tim Jones, who has been releasing music as Brynovsky since 2010. From his studio in Scotland he has recycled some previous recordings in true dub style and is releasing one track per week until January 2024 ahead of the full  release.

His third album, Future Weather (2020), steered a committed line through political pop and reflective mantra to thickly-layered dub tones and harmonies. The “sweet, sweet sounds of Brynovsky” (Fresh on the Net, 2014) are here matched against inequality, climate change and the rise of the Right. 
Legendary artist and DJ, Tom Robinson, described Brynovsky as a “splendid discovery” and has been played twice on his BBC 6Music show.

Hope

Brynovsky

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