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Bside Incoming: Duke Hugh

This week we have the pleasure presenting you a Bside Incoming of the Dutch variety, and placing you in the very capable hands of Duke Hugh.

We’ve been excited for some time now to bring you a delightful Bside mix by this smooth operator, a DJ who’s a mainstay of the infamous Loft parties in Groningen, as well as appearing in his capital as part of the Amsterdam Dance Event, and often featuring along side the Rhythm Section crew. His debut album in 2016 makes Duke our third guest to be released on their renowned record label Rhythm Section International, along with Hidden Spheres and Ruf Dug.

Have a listen to this deep jazzy number on the Bside of his Approaching Lights EP on Music of Color :

https://www.youtube.com/watch?v=2VD2VSji2G4

Staying true to form, Duke Hugh takes us on a laid back journey through soul, ambience, jazz, brazilian lullabies, a few of his favourite 90s house tracks, and a quick dip into his reggae dub roots.

The perfect soundtrack to a sunny weekend in lockdown.

Tracklist: 
Fatima - Redlight (live)(Eglo, 2013)
Willie Hutch - Easy Does It (Whitfield Records, 1978)
Edu Lobo - Cinco Crianças (Continental Gran-Luxo, 1976)
Music People - Always On (Mood Hut, 2016)
Steve Kuhn - The Saga Of Harrison Crabfeathers (Cobblestone, 1972)
Leon Vynehall - Midnight On Rainbow Road (Rush Hour, 2015)
Black Rascals feat. Roger Harris - Keeping My Mind (Vocal Dub)(Sumo Records, 1993)
Circulation - Sincerely (Creation Mix) (Balance, 1995)
Troubleman - Change Is What We Need (Progress) (Far Out, 2003/2004)
Aswad - Dub Charge (Island Records, 1980)
Pablo Gad - Hard Times Dub (Original on FORM in 1980, dub is a bootleg)
The Chameleon - Just Close Your Eyes & Listen (Good Looking Records, 1995)
Bhagavad Gita - Long Hair Soulful (Instrumental) (Philips, 1967)

Thanks to Molly Hickey for the beautiful artwork as always. www.instagram.com/mollyth.art/

Bside Incoming: Duke Hugh

Bside podcasts

DJ's showcase and speak a little about their favourite tracks from the B-side of their records.

We endeavour to broadcast the best of the B-side:
a bi-weekly invitation into the impressive record collections of some of our favourite selectors.
An exploration into the the back-catalogues, the deepest depths, the darkest crevices of their collections. Returning with the spoils of this venture: their most cherished records and hidden gems, from the go-to club weapons to the rarely heard home-listening records, and everything in between.

Music is for sharing.

'By the early sixties, the song on the A-side was the 'hit' song that the record company wanted radio stations to play. The B-side would contain less radio friendly and less popular tracks. In our eyes the B-side is a true reflection of the producers taste in music, there is more personality on that side of the record'.

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