TASCAM SD-20M

RRFM • Jasper Wolff • 29-04-2021

August 2021 show w/guest @estebanadame (Yaxteq, Dolly/Underground Quality, Los Angeles)

SANTUARIO is your sanctuary for deep electronic beats ranging from house music, electro, and techno music hosted by Santiago Salazar, featuring music from underground labels throughout the world.

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SANTUARIO (08.06.21) w/Esteban Adame

Bside Incoming: Jon Hester

This week comes with a warm welcome to an esteemed DJ/Producer from the American Midwest with a style defined by physical rhythms and adventurous programming. His effortless and intricate House and Techno sets never fail to get a crowd moving: Jon Hester.

After earning his stripes in Chicago and Minneapolis, Hester's prowess behind the turntables only strengthened with a move to Berlin and an increasing interest in producing his own tracks:

'Neurons' struck a chord with us, the B2 to his Galvanized EP which came out on REKIDS in 2017. Other-worldly signals sound over a pulsing kick and reverberating percussion to create a realm of deep space within our minds and dancefloors beyond: 

https://www.youtube.com/watch?v=8I0jooAM5tg

Let’s take a look into some of his favourite house and techno grooves, DJ tools, treasured tracks, and nostalgic tales of his adventures on the dancefloor.

Check his soundcloud - https://soundcloud.com/jon_hester
And his instagram - https://www.instagram.com/jnhstr/

Thanks to Molly Hickey for the beautiful artwork as always. www.instagram.com/mollyth.art/

Follow the Bside Instagram for updates/news/vinyl and general music chat: www.instagram.com/bsidepodcasts/

Bside Incoming: Jon Hester

Wide-ranging sonic pulsations.

Read more: https://www.orbmag.com/music/orb-podcast-046-emit/

@kamransadeghi

Orb Podcast

Tracklist

Orb Podcast 046: EMIT

Streaming from Amsterdam's Radio Radio: this is RRFM.NL w/ @kaapofficial for @delichting

RRFM • De Lichting w/ Kaap • 05-01-2022

With every release, @reclaim-your-city aims at highlighting the most influential cities of the underground techno sphere, by showcasing the work of select artists from each region. The show is broadcasted live on Rinse France every Saturday, undoubtedly featuring some of the most audacious mixes of the contemporary techno scene.
Tune in for Reclaim Your City every Saturday, from 00h to 02h [CET] on rinse.fr

Rinse France Podcast

Download

Reclaim Your City 471 avec Stojche - 22 Janvier 2022

Live recording @ the Future Intel headquarters in The Hague. Streaming live on Youtube, Facebook and futureintelradio.com every Thursday and Friday.

Lucky Done Gone ╚═ Future Intel ═╗ 20 01 2022

As one of the first Dutch musicians to establish a vital connection between Detroit and Amsterdam, Orlando Voorn has long been recognized as one of the Netherland’s most original and inventive producers in the world of electronic dance music.

Voorn began djing at the tender age of 12 and went on to win the Dutch DMC DJ Championships in 1986 with his own characteristic blend of hiphop and electro. Towards the end of the eighties he acquired his first sequencer, packed away his turntables and turned his hand to producing.

Following a series of dancefloor tracks recorded for the now defunct Lower East Side Records under the monniker of Frequency in the early nineties (Where Is Your Evidence, Kiss The Sky…), he was introduced to Juan Atkins (Industrial Metal, Game One) and went on to work with both Derrick May and Blake Baxter (as one half of the Ghetto Brothers). Voorn was also recording as Nighttripper (Tone Exploitation), Format (Solid Session - one of the most sought after classic techno records until its re-release in 1998), Basic Bastard, The Living Room, Baruka, Fix (Flash on Kevin Saunderson’s legendary KMS label), Dope Dog, Boy (Paco Di Bango’s World) and Stalker (The Stalker/The Riderman)… Many of these tracks can be heard on the double cd Best of Nightvision.

Having made his mark producing his own vision of techno, ambient and hiphop and adamantly sidestepping genre limitations thus far, Voorn’s announcement that his "Redeye" album would see a foray into drum’n’bass territory aroused both anticipation and curiosity. While Voorn undoubtedly has an ear for melody, this has always been combined with an innate understanding of the importance of atmosphere and tension in music. Like Squarepusher, Amon Tobin, and Photek, he uses drum’n’bass rhythms to create something beyond pure dance music.

https://www.facebook.com/orlandofixvoorn
https://www.facebook.com/orlando.voorn
https://www.facebook.com/nightvisionrecord
https://twitter.com/orlandovoorn
https://soundcloud.com/orlando-voorn
https://www.discogs.com/es/artist/4347-Orlando-Voorn


Tracklist:

1_Infinity_ G+me One_Qu+ntec Remix_Nightvision
2_P+ty P+t_ B+sic Sl+ve Rhythm_ Nighttripper Records
3 Infinity _ G+me One _ Origin+l Mix
4 Orl+ndo Voorn_ No Doubt_ Anil Ar+s Remix_ To the Future
5 Underground Resist+nce_Timeline_ UR
6 Christi+n Blog_ P+r+digm 
7 Ger+ld Mitchel _Ressurection_ Los Herm+nos
8 Orl+ndo Voorn _ Goon Be+tless_ Rush Hour
9 Orl+ndo Voorn _R+reform_ To The Future
10 Frequency_ P+nic Mode 2020 mix_RRR
11 H+y+tochiri - Purple Line_ Divine
12 k1000_ Judgement D+y _ OV remix_Nightvision
13 Orl+ndo Voorn _ Cloudd+ncing_ E be+ms 32
14Orl+ndo Voorn_ Vertigo_ Deeptr+x
15 DNA _ White l+bel Detroit
16 Anthony Rotner _ Slit Sc+n_ Cybersp+ce Re+lity
17 Sc+n 7 _ Unfinished Business_ Tr+nsient N+ture
18 Orl+ndo Voorn _ Extr+ terestri+l_ Axis

Archaic Podcast 400.4 - Orlando Voorn

Ginfest 2025 Szeged

Buy at Bandcamp

Confis

The Last Filings

Bside podcasts

DJ's showcase and speak a little about their favourite tracks from the B-side of their records.

We endeavour to broadcast the best of the B-side:
a bi-weekly invitation into the impressive record collections of some of our favourite selectors.
An exploration into the the back-catalogues, the deepest depths, the darkest crevices of their collections. Returning with the spoils of this venture: their most cherished records and hidden gems, from the go-to club weapons to the rarely heard home-listening records, and everything in between.

Music is for sharing.

'By the early sixties, the song on the A-side was the 'hit' song that the record company wanted radio stations to play. The B-side would contain less radio friendly and less popular tracks. In our eyes the B-side is a true reflection of the producers taste in music, there is more personality on that side of the record'.

Bside Incoming: Jon Hester

Bside

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