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Bside Incoming: Moving Still

The latest instalment of the Bside Podcast comes from a prolific producer of Irish and Saudi heritage, he’s a familiar face on the Dublin scene, and an artist dedicated to the importing, editing, and sharing of music from Arabia. It's Moving Still.

It is always a pleasure to be guided through the most treasured music of such a passionate collector, finding lots of new tracks and interesting tales along the way. Many of his selections have served as inspiration for his own work, which seeks to unearth his roots while stamping his own modern mark on the style with electrifying bass lines and acid tones.

It is little surprise, given his penchant for the exploration of Arabic music, that Moving Still would begin a collaboration with our past guests Dar Disku in 2019 when he released his bass heavy edit of the wedding classic Bas Ismaa Meny and the hugely infectious disco rework of Sidi Mansour. 
The latter earning the approval of Palms Trax, Hunnee, Skatebard, Nabihah Iqbal and Esa Williams: 
https://www.youtube.com/watch?v=r18FyY_cdyo

While we eagerly await his future releases, we’re blessed to have him pick out the best of his Bsides for us. Expect everything from the soothing and soulful to disco infused dance floor tracks.

Moving Still's soundcloud - https://soundcloud.com/movingstill
And his instagram - https://www.instagram.com/moving0still/

Follow the Bside Instagram for updates/news/vinyl and general music chat: www.instagram.com/bsidepodcasts/

Bside Incoming: Moving Still

Bside podcasts

DJ's showcase and speak a little about their favourite tracks from the B-side of their records.

We endeavour to broadcast the best of the B-side:
a bi-weekly invitation into the impressive record collections of some of our favourite selectors.
An exploration into the the back-catalogues, the deepest depths, the darkest crevices of their collections. Returning with the spoils of this venture: their most cherished records and hidden gems, from the go-to club weapons to the rarely heard home-listening records, and everything in between.

Music is for sharing.

'By the early sixties, the song on the A-side was the 'hit' song that the record company wanted radio stations to play. The B-side would contain less radio friendly and less popular tracks. In our eyes the B-side is a true reflection of the producers taste in music, there is more personality on that side of the record'.

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