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Bside Incoming: Victor Crezée

We are very pleased to bring you the latest episode of the Bside Incoming series, this time from one of Amsterdam’s most exciting DJs and most dedicated selectors: Victor Crézee.

Rising through the ranks as a prodigious teenage Hip-Hop DJ under the name Lil’ Vic, he has since outgrown the Lil’ and established himself as a giant of the game. 
A truly versatile disk jockey with a diverse array of influences, always eager to explore the more peculiar corners of music. Renowned among his Amsterdam audiences for an ability to create a flawless flow of vibration, transforming disparate moods into a seamless soundscape. 

Vic is a true veteran of the Amsterdam scene and a familiar face at all the most important music institutions including the Dekmantel Selectors and Lente Kabinet festivals.
He’s held down many residencies across the city, culminating with his current parties at Garage Noord.
With regular showcases of his collection on his monthly NTS and Redlight Radio appearances. It is with great pleasure that we can bring you a Victor Crezée broadcast of the Bside variety.

Expect eerie underground sounds, a journey through the leftfield, and the kind of deep pulsating beats that provide the foundation of his remarkable reputation.

Check his soundcloud: https://soundcloud.com/victorcrezee

Thanks to Molly Hickey for the beautiful artwork as always. www.instagram.com/mollyth.art/

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Bside Incoming: Victor Crezée

Bside podcasts

DJ's showcase and speak a little about their favourite tracks from the B-side of their records.

We endeavour to broadcast the best of the B-side:
a bi-weekly invitation into the impressive record collections of some of our favourite selectors.
An exploration into the the back-catalogues, the deepest depths, the darkest crevices of their collections. Returning with the spoils of this venture: their most cherished records and hidden gems, from the go-to club weapons to the rarely heard home-listening records, and everything in between.

Music is for sharing.

'By the early sixties, the song on the A-side was the 'hit' song that the record company wanted radio stations to play. The B-side would contain less radio friendly and less popular tracks. In our eyes the B-side is a true reflection of the producers taste in music, there is more personality on that side of the record'.

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