Somersault / I got you on tape

No Ordinary Love By Big Soroush - Episode 2

تو زندگيم
روزاي سخت كم نديدم
از رو همه ديوارا پريدم
هنوز به مقصدم نرسيدم نه نه نرسيدم

خراب شده
همه پل‌های پشت سرم
وسط راه جا نميزنم
از آرزوهام نمي‌گذرم نه نه نميگذرم

چون که آزادم
بی خونه بی سرزمین تر از بادم
به جز خودم به هیچ کسی گوش ندادم
این دنیا نمیتونه کنه رامم

نه پیرم و
نه دیگه خیلی جوونم
قدر دقیقه ها رو میدونم
چون روز مرگمو نمی‌دونم نه نه نمیدونم

شاید که من
پر خطا پر اشتباهم
شاید آلوده به گناهم
ولی پشیمون نیستم از راهم نه نیستم از راهم

چون که آزادم من
بی خونه بی سرزمین تر از بادم من
به جز خودم به هیچ کسی گوش ندادم من
این دنیا نمی‌تونه کنه رامم
چون که آزادم

Azad Single

Azad

Booseh,Tara Salahi,HEEN,Nima Ramezan

Ici, c’est toi



Alan Sugaya

1,687 followers
13,183 tracks

Overdub instrument at Home Recording - 10/14/2025
Performed on Yamaha DTXtreme III Drum Kit with a Yamaha M12 Percussion Drum Pad


我有冇錯過咗啲嘢  -  Vocal n Drums.wav

iday - whale (Youwindy Remix)

"One desires something only for its use, this includes other people."

www.eshgh.info

Recording Engineer: Sepand Bahrami
Horns: William Mandell
Recording Studio: Broken Horn
Mastering: Abbey Roads Studio
Written and produced by: Farbod Khoshtinat

Bod - Eshgh (Love)

My personal website:
www.ImanAbolfazli.com
Follow me:
www.Facebook.com/Abolfazli
www.Twitter.com/Abolfazli

Farhad - Katibeh

Dear listener,  I'm glad you found me. I'm happy to share this brand new song that I wrote and recorded at home in Turkey. I called it 'Backwards ' for now. We'll see what it will turn into in the future.


Get 'Backwards' here: https://ingrv.es/backwards-osb-e


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🎧  Listen Butimar on all music platforms: https://bio.link/butimar


#backwards #butimar #livesession


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For music licensing, please write: hello@journer.co

__________________________________________________________________________________________________ ***DO NOT RE-UPLOAD on YouTube and other platforms. It is strictly prohibited to use our music for Podcasts (Spotify/Apple Podcasts) without permission. Also DO NOT make remixes using the audio file our music, and DO NOT illegally distribute my music to streaming platforms. 

© 2021 Butimar, under exclusive license to JOURNER

Backwards

Damavand

Nobahari  نوبهاری

Entropic Artist Biography

As an entropic artist, my creative journey explores the delicate balance between chaos and order, harnessing entropy as both medium and message. My work delves deeply into how systems—visual, conceptual, and sonic—transform as randomness and structure interact. 

Artistic Approach

- I draw inspiration from the concept of entropy, embracing chance and unpredictability as core components of my practice.
- Mirroring the scientific principle of entropy, my art investigates themes of transformation, impermanence, and the cyclical nature of creation and decay.
- This approach allows each project to become an evolving ecosystem, where the unexpected is not only welcomed but actively integrated into the aesthetic and conceptual outcome.

Exploration of Entropic Generative Music

My research and creative output are intrinsically linked to entropic generative music—a field that uses systemic methods to produce ever-changing and unique musical experiences.

Generative music refers to compositions created by systems that follow explicit rules to produce virtually endless variations, made popular by artists such as Brian Eno and Iannis Xenakis.

- Rather than composing note by note, I construct frameworks governed by mathematical rules. These frameworks define the potential behaviors, boundaries, and interactions of musical elements, letting the "music create itself" within those confines.
- Such music is neither fully improvised nor traditionally composed; it is an emergent property that evolves as part of a system shaped by constraints and laws, often mathematical, rather than direct artistic decisions[4].

Mathematical Rules and the Role of Entropy

Mathematical rules are at the heart of my sound-based art:

- I design rulesets inspired by principles such as entropy maximization and  constrained randomness.- Models like the Maximum Entropy Model capture statistical dependencies between musical notes, generating sequences that both mirror established musical styles and offer innovative departures—without copying any input directly.
- These models avoid overfitting by prioritizing pairwise interactions and allow user-defined constraints, steering the generative process within mathematical boundaries rather than artistic intuition or machine learning guesswork:
  - For example, the range of melodic intervals can be defined probabilistically, and entropy maximization ensures each sequence is as diverse as possible within these parameters.
  - The result is music that is mathematically entropic yet always controlled by clear structural rules.

Thematic and Conceptual Links

- My artistic process surrenders to the unknown, leveraging randomness (or entropy) not as a threat but as fertile ground for creativity.
- By building generative systems governed by mathematics, I ensure that every creation reflects both disorder and disciplined order—a dance of chaos and rules mirrored in the interplay between entropy and music.

My work stands at the crossroads of art, mathematics, and sound, continually exploring how mathematical rules and the inherent uncertainty of entropy can inspire not just new aesthetics, but new modes of experience and understanding.

Ici, c’est toi

BTF Entropic Effect

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