Name: The Observer's Debt I by BTF Entropic Effect
Duration: 9 min 11 s
Description: Inspired by Raphael Constantinis' revolutionary scientific paper on embracing bias as a fundamental physical quantity

Gary Moore - Parisienne Walkways

The Dues Are Never Paid.

[Verse 1]
It’s 2AM, I’m back again
Same booth, same pen
You’re gone, but not from here
I sip your ghost in my coffee, dear

[Chorus]
Café de medianoche, where time stands still
I taste your memory with every spill
Your laugh still lingers in every chair
But I turn, and you’re not there

[Verse 2]
The jazz plays soft, the lights are low
Barista nods, he seems to know
Some nights I speak to empty air
Pretend you're seated, sipping care

[Bridge – Spanish whisper]
Te extraño, mi amor…
Todo me recuerda a ti…

[Final Chorus]
Café de medianoche, bitter and sweet
In every dream, that’s where we meet
I pay the bill, I leave the pain
'Til midnight calls me back again

Café de Medianoche

Inspired by Raphael Constantinis' revolutionary scientific paper on embracing bias as a fundamental physical quantity

The Observer's Debt I

(Verse)
Golden sand stuck to my skin
You laugh louder than the waves crashing in
I trace the freckles on your shoulder
But every day
The nights get colder

(Chorus)
I love you
Summer boy
Will you still be here when summer is over
When the leaves fall
Will you stay closer
I love you
Summer boy

(Verse 2)
The ice cream melts faster than we can eat
Your hand in mine
We walk these quiet streets
You tell me stories like they’re secrets to keep
But will you still whisper when the world falls asleep

(Chorus)
I love you
Summer boy
Will you still be here when summer is over
When the sky turns gray
Will you pull me closer
I love you
Summer boy

(Bridge)
Seasons change
But hearts can freeze
Promises hang like leaves in the trees
Will you be the sun in my winter’s chill
Or just a shadow
A maybe
A thrill

(Chorus)
I love you
Summer boy
Will you still be here when summer is over
When the warm fades
Will you stay or wander
I love you
Summer boy

Summer Boy

15. Good Souls

Illusions

"Under The Blood Red Moon" explores the transformative power of the night, a time when hidden desires emerge and inner selves are revealed. It's a song about shedding inhibitions, embracing the unknown, and surrendering to the primal forces that lie dormant within us. It's a journey of self-discovery guided by the eerie glow of the blood red moon.

Under The Blood Red Moon.mp3

From the frozen wastelands where gods once walked, HYMNS OF THE NORTH rises like a war cry through the ages. Fleshbeat Factory forges brutal Viking Metal anthems where crushing industrial riffs meet ancient Norse fury. Thunder, steel, and blood unite in epic battle hymns that awaken the warrior within. This is not music - this is the sound of Valhalla calling. ⚔️🔥

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06 Woven by Moonfire

The return of “Hunters in the Glen” does not begin with lightness, but with the breath of the world I sang about in the original: a wilderness where blades are sharpened, traps lurk in the ferns, and every step shifts the boundary between hunter and hunted. In my new rock ballad, I revisit this very core and translate it into a rougher, more powerful musical language.

My lyrics, with their images of sharpened blades, fleeing shadows, and wounded game, have always been imbued with tension and archaic energy. This new edition allows these motifs to emerge even more directly. The guitars carry the hardness of the blades, the bass beats like a heart in the night, and the drums trace the footsteps in the undergrowth. Each line takes on a new musical weight.

The ballad condenses the world of my original. The proud stag slipping away like a ghost in the twilight, the doe whose breath flickers, the moment when steel flashes between fern leaves — all these images carry the same urgency as before, only now they echo in a more intense, rock atmosphere. What was previously narrative tension becomes physical force here.

In the bridge moment, when the trap remains silent and the decision is made, the energy builds that only rock can carry in this form. The song doesn't just follow an old trail, it transforms it. The hunt becomes a heartbeat, the run through the shadows a call to one's own perception.

So for me, this reinterpretation is not merely a remake. It is a conversation with myself, with the history of my song. A step back into the same forest — only today I see it differently, deeper, darker, more immediate.

“Hunters in the Glen” thus becomes a renewed call into the wilderness, stronger, rougher, and closer to the heart than ever before.

Hunters in the Glen (Remake)

Gary Moore Parisienne Walkways Instrumental (guitar cover)

Entropic Artist Biography

As an entropic artist, my creative journey explores the delicate balance between chaos and order, harnessing entropy as both medium and message. My work delves deeply into how systems—visual, conceptual, and sonic—transform as randomness and structure interact. 

Artistic Approach

- I draw inspiration from the concept of entropy, embracing chance and unpredictability as core components of my practice.
- Mirroring the scientific principle of entropy, my art investigates themes of transformation, impermanence, and the cyclical nature of creation and decay.
- This approach allows each project to become an evolving ecosystem, where the unexpected is not only welcomed but actively integrated into the aesthetic and conceptual outcome.

Exploration of Entropic Generative Music

My research and creative output are intrinsically linked to entropic generative music—a field that uses systemic methods to produce ever-changing and unique musical experiences.

Generative music refers to compositions created by systems that follow explicit rules to produce virtually endless variations, made popular by artists such as Brian Eno and Iannis Xenakis.

- Rather than composing note by note, I construct frameworks governed by mathematical rules. These frameworks define the potential behaviors, boundaries, and interactions of musical elements, letting the "music create itself" within those confines.
- Such music is neither fully improvised nor traditionally composed; it is an emergent property that evolves as part of a system shaped by constraints and laws, often mathematical, rather than direct artistic decisions[4].

Mathematical Rules and the Role of Entropy

Mathematical rules are at the heart of my sound-based art:

- I design rulesets inspired by principles such as entropy maximization and  constrained randomness.- Models like the Maximum Entropy Model capture statistical dependencies between musical notes, generating sequences that both mirror established musical styles and offer innovative departures—without copying any input directly.
- These models avoid overfitting by prioritizing pairwise interactions and allow user-defined constraints, steering the generative process within mathematical boundaries rather than artistic intuition or machine learning guesswork:
  - For example, the range of melodic intervals can be defined probabilistically, and entropy maximization ensures each sequence is as diverse as possible within these parameters.
  - The result is music that is mathematically entropic yet always controlled by clear structural rules.

Thematic and Conceptual Links

- My artistic process surrenders to the unknown, leveraging randomness (or entropy) not as a threat but as fertile ground for creativity.
- By building generative systems governed by mathematics, I ensure that every creation reflects both disorder and disciplined order—a dance of chaos and rules mirrored in the interplay between entropy and music.

My work stands at the crossroads of art, mathematics, and sound, continually exploring how mathematical rules and the inherent uncertainty of entropy can inspire not just new aesthetics, but new modes of experience and understanding.

The Observer's Debt I

BTF Entropic Effect

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