Name: Dolores (feat. Marnie Herald) by Buck 65
Duration: 3 min 24 s
Description: A song inspired by a photograph of actress Dolores Costello.

One of my favourite Buck 65 songs for sure.  It's got everything cool in it.  Duet, good beats, and awesome imagery

Experimental mixtape. Nine brand new songs in one 30-minute track. All beats jacked from Dungeon Family (Goodie Mob, Outkast, Cool Breeze, etc.) songs. Mixed by Big Cats.

1. Chill Touch
2. Knock
3. Fireball
4. Crushing Despair
5. Raise Dead
6. Chain Lightning
7. Prismatic Spray w/ Homeless, Heidi Barton Stink, Tony the Scribe, Kaoz, Just Wulf & See More Perspective
8. Greater Shout
9. Mage's Disjunction

For more info, check out http://www.guante.info/2014/02/guante-dungeons-free-download-thoughts.html

DUNGEONS (full project: nine songs in one track)

A song inspired by a photograph of actress Dolores Costello.

20 Odd Years: Volume 4 - Ostranenie

Dolores (feat. Marnie Herald)

Rat's Ass

The new album ALL HANDS in stores 01.27.15 www.doomtree.net

HEAVY RESCUE
Produced by Cecil Otter and Lazerbeak Guitar by Jake Hanson
(Hook)
They tried to attack you / They tried too late / We’re waiting on the storm to hide the wake / Bringing you up to the surface / dragging you up to the shore / holding you up to the sun like Is this yours? / It’s yours
(Cecil)
It’s yours right, this house with the boarded up doors right / poor site like maybe it’s mine and you made it
in time with the foresight / to light a torch and torch this place / coordinate my life with yours / private wars and a chore to relate in a world that you made fulla minor chords / Find the oars, lie in the wake / quiet your mind, they’re lying in wait / they’re firing everything all over everywhere / everyone in the asylum is safe / Wait, the size of the tide is—it’s rising again, so align with your horizons / So can I get a witness, can I get a clue / If I can’t, can I get an amen or a view / of the few and the proud that are crowding around the canals / in the masses to catch you and ration the savage of you / Grab for the branches, wrap them in you / we’ll scream to cause avalanches / that ceramic sunset’s for you
(Hook)
(Dessa)
Whitecaps break above us but at the bottom it stays calm / just the rising tides can touch us / just lift you up and set you down / But danger is as danger does / There’s a motor in the water and it’s coming for us / and I can smell the gasoline, smell the rust / and I can’t move fast enough away / Break, make for the deep end / don’t wait for me / cause I’ll be damned if they get another / just to catch and / catch and release
(Stef)
Choked, blotter on the tongue / water in the lung, trippin / hotter than the sun, fodder for the big guns / finished with your fun, know I’m not the one / Time crawls and I’m still here somehow beggin / still fear that I’ll waste my life on the end of your impulse / lettin the lead fly from your weapon / Hit or miss, bigger fish and a sea full / of deceitful creep people / Lust betrays, sweat the sheets through / So I stash and I grasp and I laugh and I plan it / keep it on the run like mechanics / You say Don’t hold your breath / you say Don’t sit and wait / Cause when you’re up then you’re out / and the fuss and the pout won’t work / don’t push them brakes
(Sims)
They came up the coast with a cavalcade / these seas I just can’t navigate / so I recalibrate / then bend the frame until the image freed up from the acetate / I was at the helm with the map and the loop / looking for a keyhole to pass on through / they were waiting outside with incisors / ready to devise, divide, and syphon the fuel / they just shoot, they just shoot / hand in the mouth from the garden we grew / so I’m carving until I make a shape that suits / fly the sail so the space match too / and all I wanted was good and free / and my hands were good enough / paid up with a couple cuts / bob and weave / find a space between and a cut above
(Hook)

DOOMTREE "Heavy Rescue"

DOOMTREE "Marathon"

from "The Mighty Ocean & Nine Dark Theaters"

Meet Me Here Later

from "This Is Our Science" - available September 13, 2011 from Fake Four Inc.
Single with instrumental version also available - https://www.circleintosquare.com/item/dimitri-mendeleev-single

Dimitri Mendeleev

This song was recorded in 2002 during the Talkin' Honky Blues sessions.

Highway 101

Fishing Blues

Chasing New York (feat. Aesop Rock)

Savannah, GA microphone monster DOPE KNIFE is set to drop his self-produced full-length SFdigi debut “NineteenEightyFour” (featuring Sage Francis, Ceschi, and more) on January 27, 2017! 
Get your MP3 download, CDs, + 7-inch Records exclusively at http://tinyurl.com/DopeKnifeSFR 

Perhaps it was the euphoria of the first time he heard a rhyme collide with a beat. It may have been the gruesome civil war that touched his young life, and that war’s impact his family. Likely, it was the fusion of the two experiences that inspired a young Kedrick Mack to develop and refine his sound into what is now the intense, distinctive art of emcee/producer Dope KNife.  

“NineteenEightyFour”, KNife’s Strange Famous Digital debut, effectively demonstrates his style in ferocious, focused bursts, fused to form a gritty boom-bap soundscape littered with dense wordplay. Within this world, the listener has the opportunity to come to learn who Dope KNife is, but only if they choose to: “I think of this album as a character portrait; it's like the movie Taxi Driver in rap form,” says Mack. “It’s one man’s experience with the world, laid out for society to see, but there’s no guarantee the world will understand it. You either vibe with the experience and accept that it has a reason for existing, or you just think its a collection of songs that you like or dislike individually. I’m fine with either.” 

The son of a US diplomat, Mack's childhood was spent hopping around the globe in the course of his father's work. Most of that travel was within the continent of Africa, including a residency in Liberia, his mother's home country. Liberia's civil war broke out, and while Mack and his immediate family were able to evacuate, his mother's extended family were not so fortunate, leaving them to live amongst the chaos of a decade-long conflict.  Mack would learn of his family’s tragedies and hardships through the tears on his mother’s face, an almost daily ritual that left him feeling isolated during his teen years. His discovery of music, and hip-hop in particular, gave him a way to reach out: he began to immerse himself in the culture, finding inspiration in artists as disparate as Rakim, Nine Inch Nails, and Ice-T. He began fronting a rap/rock band and spending time on the freestyle battle circuit.  ￼ 

Mack forged strong friendships through his foray into music, friendships which lead to the formation of a DIY record label that allowed him to release 2 full-length group LPs under the crew name Dope Sandwich.  

Remaining true to his collaborative roots, Mack invites a gang of indie emcees to contribute to “NineteenEightyFour”; rappers with whom he built a mutual respect over years of extensive touring appear on the posse cuts “#SQUADGOHARD” and “Tombstone”. KNife uses the solo album format to display his sharp wit and a knack for social commentary, and to explore heavier subject matter and experiment with his own music production. Moments of note include the first single, “Name Up”, and the introductory mission statement “Nothing To Lose”. Strange Famous label boss Sage Francis makes an appearance on “Cult Personality”, and indie rap troubadour Ceschi pops up on “Fear and Loathing”.  

The title “NineteenEightyFour” refers to both the year of Kedrick Mack’s birth, and to the year of an experience that helped to set him on his path - an event captured by artist Pat Jensen on the album cover. Mack explains: “When I was a baby, I fell into a water well in Sierra Leone. I have a scar on the back of my skull from it. How it happened became one of those stories that my mother would reveal to new acquaintances as they became friends. As a result, as an adult, for me, the story is like the last barrier of information I give a person as an affirmation of our relationship. If a person has known me long enough for me to tell them how I fell in a well as a baby, it's a sign I’m opening up to them. “NineteenEightyFour” is that last barrier for me as a musician.”

Dolores (feat. Marnie Herald)

Buck 65

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