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Taking place from March 17th for three nights, Innovation in the Snow brings the best of drum and bass to the largest ski area in the Pyrenees. Nicky Blackmarket is one of the scene's most well known DJs and is highly regarded as the most pivotal figures in the early days of jungle and drum & bass. Here's what you need on repeat to get you in the mood for his sky high set in the mountains of Andorra, Nicky Blackmarket presents the ten most iconic drum and bass classics from the 90's:
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In a way, this hints at the exhaustion evident in the second half of the season, with a sense that the production team were racing to get stories and scripts out the door as quickly as possible, falling back on tried-and-tested horror formulas in order to make the process a little easier than it might otherwise be. The end result often feels rather bland and rote, the result of necessity rather than creativity.


However, there are other reasons that it is difficult to think of these six episodes as constituting a season. Quite frankly, the six episodes are wildly variable in tone and quality, to the point that it is difficult to distill a singular unifying theme or meaning from. They are six random episodes of television, some good and some less good, with one masterpiece and one boldly ambitious mess. It is almost easier to talk about the episodes individually than it is to discuss them as a single season television.


Chris Carter is not necessarily the strongest writer on his own show. It seems fair to open with that concession, acknowledging that his three scripts for this tenth season are perhaps the weakest episodes of the year. My Struggle I, Babylon and My Struggle II are all deeply flawed pieces of television, albeit flawed in interesting and ambitious ways. While not the most robust or sturdy of the episodes, they are packed to the brim with ideas. Also, to be fair to Carter, he is a stronger director than he is generally acknowledged to be.


Although it is too much to suggest that the original mythology was heavily retconned, it is worth noting that Carter places a greater emphasis on elements from the first five seasons. Scully is immune to the mysterious plague in My Struggle II because she was abducted in Duane Barry and Ascension. Mulder is not immune to the mysterious plague in My Struggle II, presumably because his own hybridisation in Biogenesis and abduction in Requiem occurred after the fifth season cut-off point.


There is a definite tension there, between the elements of the revival that pull it into the twenty-first century and those that remain rooted in the nineties. It is a fine balance for the show to strike, between the need to saw something new and relevant with these characters while still acknowledging their history. There is also an issue with the variable tone and quality of the individual episodes. With only six episodes, three of which are written by Carter with the other three writers assigned one-a-piece, it is hard to get a proper sense of the season.


With writers like James Wong, Glen Morgan and Darin Morgan only afforded a single script a piece, there is not enough room for them to develop their themes beyond a particular episode. Looking at the original run of the show, writers were often able to carve out niches in the flow and structure of the season. Glen Morgan and James Wong did just that with their four scripts for the fourth season; Home, The Field Where I Died, Musings of a Cigarette-Smoking Man and Never Again form one of the most intriguing examinations of the show at the height of its popularity.


Indeed, there is a sense that the tenth season would be further improved by allowing its concepts to breath. My Struggle I essentially tackles the kind of material that the original show would have handled in a sprawling three-part epic split across the summer. My Struggle II condenses down a two-part season finale that was packed to the brim. Even Home Again feels like two separate stories condensed down to one single forty-three minute episode of television. A lot of the bigger issues of the season are structural.


In pitching the show to his cast and crew, Chris Carter described the six episodes as an opportunity to get back to making television again on a regular basis. There is a sense that this is not what fans and critics were expecting from the show. It seeme

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The critical response to 
Mortality
 was largely positive with friends and admirers of Hitchens praising both his character in confronting his death and the way that this was transferred onto the page. In a glowing review of 
Mortality
 in 
The New York Times
, Christopher Buckley described Hitchens' seven essays as "diamond-hard and brilliant" and "word-perfect." He wrote that it was "sobering and grief-inducing to read this brave and harrowing account of his "year of living dyingly" in the grip of the alien that succeeded where none of his debate opponents had in bringing him down." Buckley was a friend of Hitchens.[8] Colm Tóibín fondly wrote in 
The Guardian 
of his experiences with Hitchens, opining that "he was the best company in the world" and offered praise for 
Mortality
, writing that "in this book he does everything to make sure that his voice remains civilised, searching and ready to vanquish all his enemies, most notably in this case the dullness of death and its silence."[9] In 
The Observer 
Alexander Linklater was also complimentary. Referring to John Gray's description of Hitchens as "one of the greatest living writers of English prose",[10] Linklater responded that "the only word of that which is certainly untrue is that Hitchens is now no longer living." He also noted: "The real struggle in 
Mortality
 is not with mortality. Hitchens cleaves to the logical conclusion of his materialism. He hints, rather, at a fear of losing himself, of becoming an imbecile, someone who might, in terror and pain, say something foolish or (God forbid) religious near the end, to give his enemies satisfaction. The true struggle of his last writings is to remain himself, deep in the country of the ill, for as long as he can."[11] Another positive review came from the magazine where Hitchens started his career, 
The New Statesman
. George Eaton wrote that Hitchens' final work had "a timeless, aphoristic quality".[12]


Mortality is the most meditative collection of writing Hitchens has ever produced; at once an unsparingly honest account of the ravages of his disease, an examination of cancer etiquette, and the coda to a lifetime of fierce debate and peerless prose. In this eloquent confrontation with mortality, Hitchens returns a human face to a disease that has become a contemporary cipher of suffering.


Writing in 2009, a few months before turning 42, I described myself as "too young to feel truly old, but old enough to no longer feel young." To my credit, I realized that "the changes I've felt and adjusted to in my early middle age are merely the absence of youth, the dawning awareness that my health and vigor and independence are gifts, not entitlements, and they can be taken away with shocking speed." It's hard not to smile reading that today--it's true as far as it goes, but it also feels a little naive. I've spent a lot of time since then thinking about mortality and learning from Seneca, and Atul Gawande, Joan Didion, and Christopher Hitchens. I'm not morbidly fascinated by death, but I do believe that one of our primary responsibilities in this life is preparing to leave it with some grace. I doubt I'll go out with the articulate dignity of Oliver Sacks, but it's something to shoot for.
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Development for 
Uncharted 3: Drake's Deception
 began in 2010. Development was approached by incorporating locations distinct from the series' previous entries, with the team deciding on deserts and urban areas, drawing inspiration for the plot from the life of archaeologist T. E. Lawrence. Naughty Dog sought to upgrade the game's openness and realism, increasing the volume of motion capture and voice acting, and conducting field research for better visual environments and sounds. The development team also aimed to improve the multiplayer system, introducing new competitive and co-operative modes, while the game is also notable for being one of the first to carry the new online PlayStation Network Pass feature.


In Yemen, Nate and Sully reunite with Elena Fisher (Emily Rose), Nate's estranged wife, who helps them locate a tomb that details the location of Ubar in the Rub' al Khali desert. Nate is shot with a hallucinogenic dart and captured by Talbot and Marlowe, who steals the real ring from him. Marlowe has accumulated documents concerning Nate's childhood, revealing he adopted the name of Drake growing up in an orphanage. Talbot learns of Sully's location, and Nate chases after him. Nate is captured by Rameses, a pirate working for Marlowe, who claims to have captured Sully. Nate escapes and searches for Sully on Rameses' ship. He discovers that Rameses lied and inadvertently sinks the ship. Nate escapes, and Rameses drowns.


Nate washes ashore in Yemen. He learns from Elena that Sully was captured by Marlowe and forced to lead them to Ubar. Nate sneaks onto a cargo plane airdropping supplies to Marlowe's convoy but is discovered, and a shootout ensues that destroys the plane. He deploys a parachute and lands in the desert.


After two days of wandering the desert, Nate is rescued by a Bedouin tribe led by their Sheikh Salim (TJ Ramini). Salim explains that Ubar was doomed by King Solomon when he imprisoned Djinn in a vessel and cast it into the city. Salim and Nate attack Marlowe's convoy and rescue Sully. Nate and Sully lose Salim in a sandstorm but find and enter Ubar, where Nate drinks from a fountain. Talbot appears and shoots Sully, seemingly killing him. Nate gives chase and experiences hallucinations. He encounters Sully, his death having been an illusion. Sully realizes that Solomon's vessel contained hallucinogenic materials which tainted the city's water supply, leading to its downfall. The vessel is what Queen Elizabeth sent Francis Drake to find, but upon learning the truth, he abandoned his mission and lied to her that he never found the city.


Nate and Sully find Marlowe using a winch to recover the vessel from the waters. Nate destroys the winch and a support column, causing the city to collapse. Marlowe and Talbot corner Nate and Sully, but the floor throws Marlowe into a sinkhole. Nate attempts to save her, but Marlowe sinks to her death, taking Drake's ring with her. Enraged, Talbot attacks Sully and Nate until he is shot and falls to his death in the sinkhole. Salim rescues them as the city is engulfed by the desert.


The game was first revealed by 
Entertainment Weekly
 in December 2010.[9][10][11][12][13][14] Creative director Amy Hennig explained that the desire for a desert-themed 
Uncharted
 stemmed from wanting to push the team creatively and technologically, as "organic" elements such as sand, water, and fire are "technically difficult to credibly render with animation".[9]


Game director Justin Richmond explained that the game feels more open than other 
Uncharted
 games: "We're not an open-world game, we're never going to be an open-world game but; we can try. It's still up in the air how much gameplay we're going to let you wander around. But we aim to let you just ride a thousand miles off into the middle of nowhere and still find action and adventure as you go.

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Ilāj bit tadbīr is one of the treatment plans in the Unani system of medicine which includes the modification in asbāb-i-sitta zarooriya (six essential factors) through certain interventions. Nutūl or irrigation is a classical and effective method in regimenal therapy which refers to pouring or dripping of liquid slowly and steadily over the body part from a pre-fixed height. The benefits achieved are an amalgamation of neurological effect, psychological effect and pharmacological actions of the procedure and the drugs used. For this purpose, usually water, oil or medicated decoction is poured from a height over specific sites of body in certain diseases. Therapeutically, nutūl is effective in various ways such as dispersing the causative morbid matter from the part, normalizing the mal-temperament, relieving pain, increasing the circulation, etc. It is specifically useful as an adjuvant treatment in the management of central nervous system disorders like headache, insomnia, migraine, amnesia, melancholia, vertigo, epilepsy and also in certain other disorders like cystitis, mastitis, arthralgia, etc. These therapeutic effects are expected due to the kafiyat (quality) of liquid and the constituents of the formulation used in the procedure. Nutūl has an analgesic effect also, hence, recommended in several Musculoskeletal problems such as waja-ul-mafasil (osteoarthritis), waja-uz-zahr (low backache), waja-ul-azlat (myalgia), irq-un-nasa (sciatica), etc. The exact mechanism of action of Nutūl therapy is still not known but few preliminary reports suggested that it has an anxiolytic effect through decreasing the plasma noradrenaline and urinary serotonin excretion, decrease in rate of breathing, reduction in diastolic blood pressure and heart rate with lowered sympathetic tone.
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Badrinath Ki Dulhania, as you can see, was probably aspiring to be in the tradition of sappy Bollywood films where dulhanias wait in a corner like credit cards, to be snapped up by a man who spend most of his waking hours in a gymnasium.


There was an important disclaimer/warning that Badrinath Ki Dulhania missed showing. That stalking is injurious to health and can land you in jail. And that the events and characters in the film are purely fictitious and trying to achieve any resemblance with them in real life won't land you a dulhania. But a criminal record? Sure.


varun-alia's chemistry is literally unmatched in bollywood rn, starting to think they're in the same level as srk-kajol (no im not kidding). now all i need for them to do is star in an actual good romcom, or any romance movie, together because why are all their movies together (so far) kinda Not very good (see: soty, dulhania movies, kal*nk)..... @ bollywood take notes!!
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They are just so damn good. Even the simple presets that are easy to create in sylenth just sound better in nexus. You can literally use just 1 preset and create an entire song while with sylenth you have to layer stuff together and even then it's still not the same. How do they do it? Where can I find an in-depth tutorial on some sounds in sylenth instead of basic information like "Just layer bruh easy" or "just add subtle effects are key" because it's not enough info to go off of and nothing I do sounds good.


This one is jam-packed with every sound effect imaginable and is perfect for use in music, trailers, web videos, and as foley FX for movies! Don't miss this gigantic collection available for an unbeatable price!


The 90s were a great dance music decade. Sounds of the 90s for Nexus brings these wonderful sound creations back! The new expansion consists of 150 authentic synths, arps and drums. These sounds were lovingly reconstructed in minute detail using real 90s hardware synths, by genre specialists JayB and Manuel Schleis.


Created by reFX, Nexus2 is an all-in-one ROMpler filled with a seemingly endless number of production-ready sounds. It provides an easily accessible library of instruments that allows you to create high quality songs quickly and efficiently.


Each and every preset has an incredibly unique timbre or quality of sound. Some piano presets replicated sounds from real life quite well. On the other hand, other presets created more ethereal and other-worldly sounds.


Nexus 2 works fine in Unify when I create a new Layer set, but when saved and reopened there is no sound from Nexus 2 when playing it over Midi. When using the Nexus built in Keyboard with the mouse I can hear the correct sound.


-iSymphonic Orchestra - For every orchestral sound you need. This one will also run your bank account pretty dry, but the quality of orchestral samples you get are extremely top notch. iSymphonic is universal and can run as an AU.





-Roland Sound Canvas - This one sounds cheaper than the previously mentioned apps. However, Sound Canvas is a classic rompler that was often used throughout the 90s. It functions as an IAA only, and I have no idea if an AU upgrade is in the works or not. However, it IS universal.


-Korg Gadget - This is not a rompler per se but rather a workstation. However, the vast amount of sounds you get within it, especially when you purchase other apps like iM1, iMono/Poly, etc. Gadget is universal. It has a strange pain-in-the-ass way to install the Darwin gadget (iM1) since iM1 itself is not universal, but you CAN use the Darwin gadget on iPhone.


NKS compatibility library is now available for Nexus 2. This library release contains all 1000+ core factory presets in NKS format, detailed tagging and includes sound previews and artwork for the browser.


- Re-rendered sound previews to address glitch issue at end of file and also reduce size of library.
- Cleaned up and improved some tagging across libraries.
- Some library paths have changed to group some plugins by developer in the user folder.
- Fixed a couple of incorrectly saved presets with Factory > Dance Leads
- Fixed a few folder names


He worked together with DJ Manuel Reuter (DJ Manian, danceformation Cascada, also Spencer & Hill) and has produced many club hits and remixes for Sugababes, Moby, Scooter (band), Axwell, Public Enemy, and Tiësto.He is also a developer of audio music software as well as being a sound designer. Under the company name "Vengeance-Sound" he releases Soundsets / Sample CDs. As a sound designer for Access Music Electronics, Roland Music, Waldorf synthesizer, Propellerheads, Tone2 & reFX Manuel Schleis works as well. In 2016 his new line of VST Plugins, called "Vengeance Producer Suite", was released (in cooperation with audio s

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"I had evaluated several MP3 recorder products and found the Audio Recorder Plus to be the best one. The choice was based on good technical performance, feature set, user friendly graphical interface, excellent technical support, and commitment to improvements in future versions."


Sound Recorder Plus: Voice Rec is a handy audio recorder that lets you capture audio, including your own voice, at any time. This app is easy to use, so you can easily record an audio message, memo, or song and share it with your friends and family.


With the OpenGL feature you can select to record a specific application window. So you can even keep working while recording in the background. Don't play any music though, because the audios will mix together (unless, of course, you are a DJ ;) )


HyperDeck Studio lets you record broadcast quality video files directly onto SD cards and SSD media! The new redesigned HyperDeck Studios feature modern design with more codecs and quieter cooling. All models now support recording to H.264, Apple ProRes or DNxHD files with either PCM or AAC audio. Plus the 4K model adds support for H.265 files! When you've finished recording, media can be mounted on any computer to access the files using your favorite video software. For ISO recording, there's even built in timecode and reference generators for syncing multiple units! All of these powerful features make HyperDeck Studio perfect for broadcast, live production or multi screen digital signage!


The new HyperDeck Studio recorders have been totally redesigned with dozens of new features! The advanced models have new broadcast style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast deck! With dual media slots, you can change cards without interrupting recording! The advanced models even include a front headphone connection and speaker!


All models record to H.264, ProRes and DNx files, so are perfect for recording broadcast masters! You can even use PCM or AAC audio, plus the 4K model adds H.265 when recording to Ultra HD files. You get everything you need to send shows to broadcasters and for uploading to YouTube.


HyperDeck Studio includes a traditional broadcast style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file! You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip and more. The Pro models have a machined metal search dial that supports shuttle, jog and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring.





HyperDeck supports the most popular codecs in use today! All models include DNx and ProRes file formats. However all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p and true 1080i interlaced formats. While the 4K model adds H.265 when recording in Ultra HD. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key

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Shenzhen Wesion Technology, a maker of single-board computers and media players, has developed its Khadas Mind. This concept workstation can be expanded with proprietary docks featuring extra ports or a built-in graphics processor. There is a catch, though. Unlike traditional PCs, the Hadas Mind can only be upgraded with proprietary docks and cannot support standard Thunderbolt or USB4 devices.


Wesion's Khadas Mind is a tiny workstation that measures 146×105×20mm (5.75×4.13×0.79 inches) and packs Intel's 12-core Core i7-1360P processor with built-in Iris Xe graphics that is mated with 32GB of LPDDR5-5200 memory and can be equipped with two M.2-2230 SSDs, one with a PCIe 4.0 x4 interface and another with a PCIe 3.0 x4 interface.


The unit can drive up to three 4K displays out-of-box and has all the connectivity features that one comes to expect from a compact workstation, including a Wi-Fi 6E + Bluetooth 5.3 adapter, two USB Type-C connectors (supporting DP, PD, and USB 2.0 or USB 3.2 Gen2), a USB 3.2 Type-A, an HDMI output, and a Mind Link header to connect to docks.


Tiny workstations with mighty capabilities are nothing new: Dell, HP, and Lenovo have offered them for years, and Apple recently debuted its Mac Mini with workstation-grade M2 Pro inside. But tiny workstations have drawbacks: they lack high-performance graphics, have limited connectivity, and cannot be upgraded. Wesion Technology plans to change this with its ultra-portable Khadas Mind workstation and a set of docks it intends to offer.


However, virtually all tiny workstations from all renowned PC makers feature a Thunderbolt or a USB4 port these days. They can add an external graphics card of your choice and plenty of extra ports using standard, widely available docks. While such setups will not look as impressive as the Khadas Mind, they will likely be cheaper and more feature rich than a Khadas Mind with its proprietary docks.


This tool makes it easier for the users to work effectively and deal with complex and technical issues. Whether the user is a developer, researcher, or practitioner, this simple tool will provide them with those features they need for a mind change. Different advanced sound effects enable the users to create a session for themselves for a positive psychological change in his mind.


These sounds are specially designed for the effectiveness of brainwave entertainment. Using Mind WorkStation lets users create their sessions and then start working with a positive mindset. The best about Mind WorkStation is that it is fully compatible with popular biofeedback devices.


Brainwave Studio is the solution for sleeping trouble, distracting sounds, and stress. It is particularly for those looking to relax or who need a break from the hectic work routine. This tool is based on Isochronic tones that are generally regarded as the major brainwave tones. Being the superior platform, these tones perform various brain functions, like setting pulses at specific frequencies and stimulating the mind to help the users get their desired mental situation.


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