[p*dis] distribution sampler for March 2016

p*dis sampler 2016.03

For the last Outsiders mix of the year, Bureau B's Isa Schwarzenberg and Daniel Jahn come together to explore the ghosts of Christmas past. In this hour-long (sleigh) ride, they transport us into the festive, strange, and eerie atmosphere that settles over the outskirts and small towns during the Christmas days.

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Bureau B - X-mas Special w/ Isa Schwarzenberg & Daniel Jahn  @ Kiosk Radio 23.12.2024

Stay

For the first episode of the year in their monthly Outsiders residency, Bureau B invited the wonderful Saeko Killy, who will release her second album Dream In Dream on the label in March.

🌐 "Outsiders" is our daily pre-recorded series hosted by labels, collectives, agencies, venues, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Bureau B w/ Saeko Killy @ Kiosk Radio 27.01.2025

Saeko Killy - Dream In Dream (Album, LP) (Forthcoming March 14, 2025) 
Pre-Order Vinyl/CD: https://tinyurl.com/46t3b5bn 
Pre-Order Digital: https://tinyurl.com/6fm7885s 
Label: Bureau B

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Saeko Killy - Yokoshima

Today on Line Noise, something of a Krautrock special as we speak to Wolfgang Seidel, the former drummer in Eruption, a group founded by (former Tangerine Dream and Kluster member) Conrad Schnitzler, that was once described as “a thinktank for the then explosive Krautrock scene”. Seidel is also the author of a new book: Krautrock Eruption – An Introduction To German Electronic Music 1970-1980, which I thoroughly recommend. Obviously, we spoke about Krautrock, its influences today, about alternative histories, Kraftwerk, capitalism and more. Enjoy it and just remember - Line Noise comes to you with the support of Cupra.

Line Noise 204 - Krautrock special with Wolfgang Seidel

Hello spring! For their March edition of their Outsiders residency, Bureau B’s Daniel Jahn & Isa Schwarzenberg deliver a delicate mix of lush and playful sounds for the first warmer days of the year. Including tracks from new & upcoming label releases by Phew / Erika Kobayashi / Dieter Moebius, Saeko Killy, Rüdiger Lorenz or Conrad Schnitzler. 

🌐 "Outsiders" is our pre-recorded series hosted by labels, collectives, agencies, venues, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Bureau B w/ Isa Schwarzenberg & Daniel Jahn @ Kiosk Radio 24.03.2025

Blei

Im Dunkeln

Bittere Gifte

The second recording from our get-together at 90mil comes courtesy of our friends at Burreau B Records—a deep blend of sounds weaving together radio play, ambient textures, and folk influences

https://soundcloud.com/itsyourunhappybirthday
https://soundcloud.com/isaschwarzenberg

SAVE THE DATE -> 08.08 - 10.08 -> Listen Listen Sommerfest (100 kilometers northwest of Berlin)

Listen Listen at 90mil - Daniel Jahn & Isa Schwarzenberg

From the album EARS out April 1st on Western Vinyl

Order EARS
iTunes: http://hyperurl.co/gz5pqt
Bandcamp: http://hyperurl.co/vo3n6n
Amazon: http://hyperurl.co/qypau1
WV: http://westernvinyl.com/shop/wv145

Artist Page http://westernvinyl.com/artists/kaitlyn-aurelia-smith
Website http://kaitlynaureliasmith.com/
Facebook https://www.facebook.com/kaitlynaurelia/
Twitter https://twitter.com/kaitlynaurelia
Instagram https://www.instagram.com/kaitlynaurelia/

TOUR DATES
March 	18 - London - Convergence Festival
March 	22 - Dublin - Button Factory w/ Battles
March 	24 - London - Electric Brixton w/ Battles
March 	25 - Paris - La Cigale w/ Battles
March 	26 - Reims - La Cartonnerie w/ Battles
March 	27 - Brussels - BRDCST Festival
March 	29 - Milan - Magazzini Generali w/ Battles
March 	30 - Rome - Spring Attitude Festival w/ Battles
March 	31 - Roncade - New Age Roncade w/ Battles
April 	01 - The Hague - Rewire Festival
April 	05 - Lausanne - Les Docks w/ Battles
April 	06 - Zurich - Rote Fabrik w/ Battles
April 	07 - Berlin - Kantine am Berghain
April 	12 - Belgrade - Resonate Festival
April 	13 - Berlin - Ableton User Group Meeting
April 	15 - Linz - Stadtwerkstatt / Kirchengasse 7
April 	28 - Fayetteville, AR - George’s Majestic Lounge w/ Animal Collective
April 	29 - Austin, TX - Levitation
May 	01 - Tulsa, OK - Cains Ballroom w/ Animal Collective
May 	03 - St. Louis, MO - Pageant - St Louis, MO w/ Animal Collective
May 	04 - Royal Oak, MI - Royal Oak Music Theatre w/ Animal Collective
May 	06 - Nashville, TN - Marathon Music Works w/ Animal Collective
May 	07 - Atlanta, GA - Buckhead Theatre w/ Animal Collective
May 	08 - Asheville, NC - Orange Peel w/ Animal Collective
May 	10 - Washington, DC - 9:30 Club w/ Animal Collective
May 	13 - Wilmington, DE - World Café Live at The Queen w/ Animal Collective
May 	14 - Sayreville, NJ - Starland Ballroom - w/ Animal Collective

Listeners familiar with Kaitlyn Aurelia Smith's previous album Euclid (an album that prompted Dazed to call her "…one of the most pioneering musicians in the world.") will no doubt notice her heavier use of vocals on her new album EARS.  On all but one song, her gently ecstatic swells of vocals emerge to soar over a dense jungle of synths and woodwinds.

After initially composing on a Buchla analog synth, she wrote arrangements for a woodwind quintet, added vocals, and further refined the pieces with granular synthesis techniques she developed in her sound design work (she contributed sound design to Panda Bear's "Boys Latin" video, and handled sound design and original compositions for Brasilia co-written by and starring Reggie Watts).   

Kinetic arpeggios of synths pulse, often buoying her graceful vocal mantras, while woodwinds breathe and flutter, emulating the wildlife Smith observed while growing up on the West Coast (she even studied recordings of slowed down bird calls prior to composing these pieces).   Though some of her gestures echo the musical tropes used by early minimalist composers, the world she creates on EARS is uniquely hypnotic and full of life, not unlike Miyzaki's film Nausicaä, which she cites as an inspiration.

Kaitlyn Aurelia Smith - "Arthropoda"

From the album EARS released April 1st 2016 on Western Vinyl

iTunes: http://hyperurl.co/gz5pqt
Bandcamp: http://hyperurl.co/vo3n6n
Amazon: http://hyperurl.co/qypau1
WV: http://westernvinyl.com/shop/wv145

Artist Page http://westernvinyl.com/artists/kaitlyn-aurelia-smith
Website http://kaitlynaureliasmith.com/
Facebook https://www.facebook.com/kaitlynaurelia/
Twitter https://twitter.com/kaitlynaurelia
Instagram https://www.instagram.com/kaitlynaurelia/

TOUR DATES
April 	28 - Fayetteville, AR - George’s Majestic Lounge w/ Animal Collective
April 	29 - Austin, TX - Levitation
May 	01 - Tulsa, OK - Cains Ballroom w/ Animal Collective
May 	03 - St. Louis, MO - Pageant - St Louis, MO w/ Animal Collective
May 	04 - Royal Oak, MI - Royal Oak Music Theatre w/ Animal Collective
May 	06 - Nashville, TN - Marathon Music Works w/ Animal Collective
May 	07 - Atlanta, GA - Buckhead Theatre w/ Animal Collective
May 	08 - Asheville, NC - Orange Peel w/ Animal Collective
May 	10 - Washington, DC - 9:30 Club w/ Animal Collective
May 	13 - Wilmington, DE - World Café Live at The Queen w/ Animal Collective
May 	14 - Sayreville, NJ - Starland Ballroom - w/ Animal Collective

Listeners familiar with Kaitlyn Aurelia Smith's previous album Euclid (an album that prompted Dazed to call her "…one of the most pioneering musicians in the world.") will no doubt notice her heavier use of vocals on her new album EARS.  On all but one song, her gently ecstatic swells of vocals emerge to soar over a dense jungle of synths and woodwinds.

After initially composing on a Buchla analog synth, she wrote arrangements for a woodwind quintet, added vocals, and further refined the pieces with granular synthesis techniques she developed in her sound design work (she contributed sound design to Panda Bear's "Boys Latin" video, and handled sound design and original compositions for Brasilia co-written by and starring Reggie Watts).   

Kinetic arpeggios of synths pulse, often buoying her graceful vocal mantras, while woodwinds breathe and flutter, emulating the wildlife Smith observed while growing up on the West Coast (she even studied recordings of slowed down bird calls prior to composing these pieces).   Though some of her gestures echo the musical tropes used by early minimalist composers, the world she creates on EARS is uniquely hypnotic and full of life, not unlike Miyzaki's film Nausicaä, which she cites as an inspiration.

Kaitlyn Aurelia Smith - "Existence In The Unfurling"

In 1981 the Düsseldorf band Die Krupps (Jürgen Engler, Bernward Malaka, Ralf Dörper) released a seminal album which wrote its own chapter in the history of music: the “Stahlwerksinfonie” (Steelworks Symphony) was a near thirty-minute musical monolith of metal and guitar sounds with scattergun saxophone and shouts, held together by a monotonic bass line and stoic beat. The “Stahlwerksinfonie” proved a worldwide sensation, a nucleus of EBM and industrial rock. It stood as a direct descendent of Cluster's early works, although Krupps mastermind Jürgen Engler was as yet unfamiliar with the output of his purported antescedents. 
35 years later, a new version is upon us: the “Stahlwerkrequiem”, recorded with Engler's kindred spirits Mani Neumeier (Guru Guru), Jean-Hervé Peron and Zappi Diermaier (Faust), Pyrolator (Der Plan) and US postrock musician Scott Telles. 
Out June 24, 2016. CD/vinyl/digital
http://www.bureau-b.com/Krupps.php

Die Krupps – Stahlwerkrequiem (snippets) Out June 24, 2016

2007-2008 / hakobune (SRCD055)

the straight road *sense of place (u-cover records)
pastoral 463 *sense of place (u-cover records)
waiting offshore *sense of place (u-cover records)
the july skies followed us here *wandering toward what was unsaid (u-cover records)
and the sunlight transcends *wandering toward what was unsaid (u-cover records)
realization at dusk *wandering toward what was unsaid (u-cover records)
melting reminiscence *melting reminiscence (waterscape records)
yukidaruma *melting reminiscence (waterscape records)
fleeting reference *we left the window open sometimes (symbolic interaction)
nullity and rumination *we left the window open sometimes (symbolic interaction)
sothis *split with david tagg (install)

produce : Takahiro Yorifuji
mastering : Ken'ichi Itoi
photo : Fábio Petry
art direction : Ken'ichi Itoi

the july skies followed us here / hakobune

Taken from the album Transliaciya, released on Preserved Sound April 1, 2016. Check out the album at: https://preservedsound.bandcamp.com/album/transliaciya

Twenty-six – Ales Tsurko

Independent label and distributor in Tokyo, Japan specializing in indie / underground music from Indie Rock / Electronica / Alternative, Ambient / Drone / Experimental,   Jazz / Crossover / Avant-grade, Techno / House / Disco, Beat / Downtempo / Dubstep.

We are here to seek new talent and inspire your music life. You can put your music in our dropBox or make contact with us via soundcloud. Any music and style is welcome and appreciated.

All music on this account is fully authorized by labels and artists. However, if you find contents infringing your copyright and the information is incorrect, please give us a notice. We'll act on your requests immediately. 



Inquiries: ✉ info@bureau-b.com ✉

Bureau B is a Hamburg based label which releases past and future classics unearthed from genres including (but not limited to) electronica, avant-garde, Kraut(rock) – a colourful spectrum of diverse, yet contigiuous musical genres. Applying the expertise deployed in trawling the archives, Bureau B has gone on to champion new and contemporary acts with similar musical sensibilities to their pioneering antecedents.

Die Krupps – Stahlwerkrequiem (snippets) Out June 24, 2016

Bureau B

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