B2 Mx3HF 09

https://www.nts.live/shows/the-nts-guide-to/episodes/belgium-post-punk-coldwave-synth-vol-1

Belgium Post Punk, Coldwave & Synth Vol 1 090721

Indefinite Pitch PREMIERES. Edition 364

Aspetuck - Inanimate Distraction Object

Inanimate Distraction Object
[OSL023 | Oslated]

Produced by Griff Fulton aka Aspetuck
Mastered by Xergio Córdoba at Eternal Midnight Mastering Studio
Photography by Griff Fulton
Artwork by Clément Davout

Released by Oslated from Jeju Island, South Korea
Release Date: September 19 2022

Aspetuck

https://soundcloud.com/aspetuck
https://www.facebook.com/aspetuckmusic
https://www.instagram.com/aspetuckmusic

Oslated

https://soundcloud.com/oslated
https://www.facebook.com/oslated
https://www.instagram.com/oslated
https://oslated.bandcamp.com
https://formaviva.com/oslated
       
Indefinite Pitch. Yantai

https://www.indefinitepitch.com

Inanimate Distraction Object

Buy & Support

Indefinite Pitch PREMIERES. Aspetuck - Inanimate Distraction Object [Oslated]

Lightning (finger remix)

Rüdiger Lorenz - Synrise - Early Tape Recordings 1981-83 [album preview]

Based in Texas, USA, Field Designer of Language Instinct features the liminal space between composure and harshness, like the clash of force. Capturing the contrast of brittle elements shifting with the raw, unpredictable nature of distortion - both expansive and constrained at once.

Amulet of Tears 055: Field Designer

Music: Field Designer

Artwork: @anasisana

Amulet 055: Field Designer

Tracklist:
1. Milan W. - Memories
2. Sasha Renkas - Carrier
3. Nagamatzu - Melancholy Oxide
4. New Order -Touched By The Hand Of God
5. Sunfear - daycare
6. In Aeternam Vale - Mémé
7. Rosa Damask - Home
8. The Cure - One Hundred Years
9. John Foxx - No-One Driving 
10. CocoRosie - South 2nd
11. Karl Bartos - Jane's Theme
12. eat-girls - 3 Omens
13. My Bloody Valentine - Blown a Wish
14. aea3a - Vex

In Between Days - 16 w/ Ofra

First Album by Pax Aliena featuring Giulia Messina

Ghost

chanson du printemps

Taken from:

Jay Glass Dubs - Plegnic [E039] 
Out on vinyl and digital on Ecstatic Recordings
07/09/2018

Jay Glass Dubs sublimates Athenian distress and ennui into plasmic dub ether on ‘Plegnic’, his lushly evolved 1st collection of new material for Ecstatic, following from their acclaimed, 2LP ‘Dubs’ [2017] set of his earliest, hard-to-find tape releases. 

Deconstructing and rebuilding Jamaican dub with musique concrete production methods and a lingering air of inspiration from new age and Laïko, or Greek popular music, on ‘Plegnic’ Jay Glass Dubs fascinatingly evolves his sound with richer melodic and harmonic arrangements in a concerted effort to bridge and expand the nostalgic, esoteric and dancefloor dimensions of his unique sound world.

The key to the record lies in its title, ‘Plegnic’; an extinct word meaning “to strike like a hammer”, as well as its palpable sense of nostalgia. In this archaic context, JGD uses vintage machines and obsolete samples into junction with vocals from Yorgia Karidi - sound artist and coincidentally former beau of his childhood neighbour, and Andreas Kassapis one of his oldest friends, who provides the cover art - to conjure a strikingly new, mutated take on classic and well-trodden styles; metaphorically and anachronistically renewing their purpose while connoting his newfound dancefloor drive in the process.

Recording took place at his mother’s house in the Athens suburbs, with Fugazi’s ‘Steady Diet of Nothing’ on repeat. It was here that he dug out an old Juno, a Yamaha RX5 drum computer, and some “…crappier equipment” that provides the structural scaffold to his array of nostalgic, melancholic Laïka samples, which could be considered the ghost in the shell or the diffused soul of this superb five part crop.

On the A-side he sets out to spook with the desiccated, teetering steppers motion of ‘Temple Dub’ featuring heavily processed vox by Yorgia Karidi, but the heady nostalgia takes over with a sublime tactility in the vaulted chorales and endless reverb tails of ‘Umbro Dub’, and again in the aching sehnsucht of ‘Mouthless Dub’, where traces of Laïka’s bouzouki melodies most beautifully glimmer thru. 

However, the B-side is far more upfront and up-for-it, firstly putting his weight behind the cranky skank of ‘Dry Dub’ with its hexagonal drums and acidic bass squirm, then in the super squashed swagger of ‘Fearless Dub’, a near 10 minutes long pinnacle of his dancefloor output to date.

Ultimately Jay Glass Dubs’ music is riddled with the kind of nostalgia that can make an unfamiliar piece of music feel like an intense déjà entendu, like you’ve heard it before in a dream or some altered state. That’s a rare and precious thing.

BUY!

JAY GLASS DUBS - TEMPLE DUB [E039]

Inquiries: ✉ info@bureau-b.com ✉

Bureau B is a Hamburg based label which releases past and future classics unearthed from genres including (but not limited to) electronica, avant-garde, Kraut(rock) – a colourful spectrum of diverse, yet contigiuous musical genres. Applying the expertise deployed in trawling the archives, Bureau B has gone on to champion new and contemporary acts with similar musical sensibilities to their pioneering antecedents.

Rüdiger Lorenz - Synrise - Early Tape Recordings 1981-83 [album preview]

Bureau B

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