Name: Sonata for Bass Trombone and Percussion, second movement by Burkhardt Reiter
Duration: 10 min 15 s
Description: Live performance by Murray Crewe (bass trombone), Rob Frankenberry (piano), and George Willis (percussion). Roger Zahab, conducting with Phil Thompson (off-stage tenor trombone).

I Fought The Angels - The Delgados

California EAR Unit, Stephen Mosko, conductor

Maggies combines live instrumental music with sampled ambient sounds and pre-recorded texts by Donald Barthelme, Gordon Lish, and Roger Zahab. The inspiration of the piece was the rhythms and sounds of these texts but especially as they are given contour and musical qualities by the chosen reader, Maggie Lane (my wife). The brief text by Donald Barthelme, positioned at the beginning of the piece, is taken from his book Unspeakable Practices, Unnatural Acts, and is the prelude to the rest of the work. The text by Roger Zahab, Bales in Ayr, is a parody of a section from James Joyce’s Finnegan’s Wake and provides a very “open ended” recurring narrative throughout. The story by Gordon Lish strings together familiar cliches in a “stream of consciousness” manner and is excerpted from The Merry Chase. This text is used in the middle and at the end of the piece and provides a second pseudo narrative. Maggies was originally conceived using short passages from James Joyce’s Finnegan’s Wake. After a year of trying to get permission from Joyce’s estate to use the texts in this piece, the grandson of Mr. Joyce, Stephen James Joyce, refused, stating that his grandfather had very particular tastes in music and that he would not have liked my music. He added, as well, that neither he, nor his wife, cared for my music either! After relating this story to my dear friend Roger Zahab, Roger proclaimed that he had read Finnegan’s Wake no less than three times and offered to write a parody of the Joyce text for me. The resulting text is a gem of “deliverative porphyry” and I am extremely grateful.

Maggies

Live performance by Murray Crewe (bass trombone), Rob Frankenberry (piano), and George Willis (percussion). Roger Zahab, conducting with Phil Thompson (off-stage tenor trombone).

Sonata for Bass Trombone and Percussion, second movement

Burkhardt Reiter

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