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100 BPM

This is of off the "EP I" , Closer Look here:
https://jaguwar.bandcamp.com/album/i-ep

credits:

released March 3, 2015  

Lemmy Fischer - Voc/Git 
Oyemi Noize - Voc/Bass 
Arian Mauksch - Drums 

Recorded by Stevo Le Bit at Stevo's place during 2013/2014. 
Produced/Mixed by Lemmy Fischer.
Mastered by a Rich Rossi

Muffhead

August 2, 2025 (Original "RB, 44": December 10, 2024)

⦁︎.⬤.⦁︎◖︎RB, 44 (Joff Rain) (remaster.v1)◗︎⦁︎.⬤⦁︎ ֯●︎

Sorrow Tomorrow

Has A Shadow - Vampire Kiss

Written and performed by COLOUR OF SPRING
Produced, mixed and mastered by Matt Peel @ The Nave, 1st-4th & 12-13th March 2016
Artwork: Jon Rush

Full e.p. released via @holrecs on 23rd June 2017

e.p.

Echoes

Ocean

Download the track + a bonus instrumental track on bandcamp!
https://bloomwaves.bandcamp.com/album/tokyo

========

We've been lost in the crowd for a long, long time 
You found a place for your head but I lost my mind 
Let's run away on another day 
When we wake up, we'll do it all again 

Are you sleepless? Are you lonely? 
Wrapped up in solace, never let you go 

Are you weeping? Are you screaming? 
Wrapped up in solace, never let you go 

Are you loveless? Are you empty? 
Wrapped up in solace never let you go 

We stood close to the edge 
The stars beneath our feet 
You said to hold on tight as you leapt 
Then we swam up underneath 

The cosmic tide made me feel so sure 
I'm not meant for this place 
We'll swim away on another day 

You'll never see us again 
We can leave any day but we choose to stay

Tokyo

Mercurial

Daydream EP

Stay

Get Real

Recorded live at the Bennett Centre Frome 04/07/19
Mixed by George Simpson

Wind From Nowhere

"Fusing vintage American indie rock with shoegaze tapestries, the band's blissed out style forever verges on the edge of raucous collapse" – Clash Music

“Recalling the wild but awesome fuzz- and feedback-driven noise channeled through the likes of Swervedriver and Jesus & Mary Chain, Southampton’s Burning House produces a fine slice of heavy shoegaze bliss with a talent at walking a fine line between melodicism and an ear-wrenching wall of sound” – Louder Than War

Mercurial

b u r n i n g h o u s e

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