More information:
https://busevin.art/parametric-music/cognitive-dissonance/

Cognitive dissonance

More information
https://busevin.art/transmetric-variations-2020/

In this piece, I have found a new way of avoiding centralities. This piece is about going always to the periphery running away from the center. My obsession, against centralities, is reborn here with a new algorithm. To decolonize our reality we need to avoid the centralities created by dominant thinking.  Transmetric is the name of the algorithm. Transmetricism helps us to prevent the supposed normality created by centralities

Transmetric Variations

Premier of the work in  Calgary At Sound Kitchen Festival 
Cedric Blarry: Clarinet 
Richard Bugg: Flute
Brad Ward: Curator 
 
Collaborametrum means measuring collaboration. Collaborametrum is an experimental work about forms of Artificial Creativity based on Collaborative Intelligence. It is a collaborative, interactive, and algorithmic work where the interpreters compose the work through their collaborative movements on stage. Collaborametrum is conceived as a cooperative musical game. The algorithmic system that creates the score is controlled by a Machine Learning system that measures the collaboration between musicians. The interpreters will be moving freely on stage. The movement will be captured with sensors and received by the computer via WIFI. The Machine Learning system will search for collaborative patterns, converting the collaboration into a metric. This metric will be used by a generative algorithm to create the score. The score will be sent to the performers via a real-time notation system. The musicians play their collaboration in real-time.

Collaborametrum Calgary Version

For violin, multiple cognitive agents, live electronics, real-time notation system, and attendees participation.  Maja Cerar: violin

Collaboration As An Act Of Creativity New York Version

interactive algorithmic piece for two moving singers, live electronics, sensors, a real-time notation and score generation system, and IoT devices.

Horror Vacui Sankt Pölten

Three chants for computer 

1. From  the automata  who wanted to be human  0: 00
2. From the humans who did not wanted to be inhuman 3: 20
3. From the beasts more  human than human  6:41 

https://busevin.art//parametric-music/three-chants-for-computer/

Three chants for computer

Homo Homini lupus

Homo Homini Lupus

More information
http://busevine.wordpress.com/parametric-music/parametric-neutralizations-studies/

Estudios de neutralizaciones paramétricas

Versión original de Manchas Sonoros de 1998.

MANCHAS SONORAS versión original larga

Las moscas aplastadas sobre el mantel

more information at http://busevin.art/transcognition

Transcognition - Melbourne

 Obra realizada en el año 1998 de electrónica sola remasterizada en el 2010. 

https://busevine.wordpress.com/



Sonidos para ocupar espacios imposibles versión 2010

Obra de electrónica sola grabada en 2002 en el estudio del autor y remasterizada y remezclaqda en el 2007. Obra de caracter experimental 

Manchas Sonoras version 2007

Composer and sound artist Dedicated to the experimental field both, instrumental and electronic music.   More information http://busevine.wordpress.com

busevin

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