THAT WOULD EEEEEEVEEEERR LEEEEEEEEET YOOOOOOOOU GOOOOOOOOOOOOOOOOOOOOO

All credits go to Butch Walker, its his song.

27.3k plays at the time of writing this comment.   IT SHOULD BE MORE!

Like the resssssttttttttttttttt offff themmmmmmmmmm

loved this song forever....everything about it is Ace.  top to bottom, front to back

Groovy Tunes

Suicide is Murder

Pretty Melody

Dale Earnhardt Jr. Jr.'s new album "The Speed of Things" is out now here: http://smarturl.it/speedofthings

Connect With Dale Earnhardt Jr. Jr.:
www.facebook.com/daleearnhardtjrjr
twitter.com/dalejrjrmusic
www.youtube.com/daleearnhardtjrjr

Horse Power EP

Vocal Chords (EP Version)

Tokyo Rose

The Concept-D-D-Dance

Steve Earle & The Dukes' forthcoming ALBUM
'TERRAPLANE' :: AVAILABLE 2-17-15

Pre-order it today
CD: smarturl.it/terraplane-cd
CD/DVD: smarturl.it/terraplane-deluxe
Vinyl: smarturl.it/terraplane-vinyl
iTunes: smarturl.it/terraplane-itunes
Local Record Store: bit.ly/localrecordstore

Steve Earle & The Dukes - You’re The Best Lover That I Ever Had

02 Townes Van Zandt - Pancho and Lefty

The brand new single from The Crookes' upcoming fourth album. Released on Anywhere Records, September 2015. The single was recorded at the brand new Nave studios in Leeds in the spring of 2015. 



Download Now

The Crookes - I Wanna Waste My Time On You

Better Strange

Body Monsters

Arm's Way

I Feel Evil Creeping In

Lungs (Townes Van Zandt)

Eleisha Eagle - Rocketboy (Bass)

"The core of Fredrik is the duo of Fredrik Hultin and Ola Lindefelt, a pair of Malmö-based musicians who also happened to form the band the LK. The music they create on Na Na Ni, however, is quite a different animal from that group's buzzy electronic pop, applying the same ear for sonic detail and an unerring penchant for melody to a more folk-inflected and more resolutely understated set of compositions. The results are nothing short of enchanting, using a consistent, gently evocative sound palette -- Hultin's acoustic guitars, voice, and accordion, and Lindefelt's bells, drums, cello, and delicately wheezy electronics -- to balance deceptively complex, layered arrangements with a charming, lo-fi intimacy. March-like singalong "Black Fur" opens the album on an especially cheery note, which is taken up more modestly on the calmer but amply catchy "Alina's Place" (whose poetically cryptic lyrics make it somewhat less reassuring) -- no less winsome, though, are the more abstract instrumental pieces which make up half of the track list. The title of one, "Angora Sleepwalking," succinctly captures the softness and sweet, dreamlike strangeness of the prevailing mood; another, "Morr," intentionally or not provides a clue to Hultin's musical aesthetic, suggesting their similarities to the less overtly electronic end of that German label's output, and the work of Múm in particular. One might also draw comparisons to the gentle, textural experiments of Silje Nes, or, to name some non-Scandinavians, the fractured folk of Animal Collective, Tunng's woodsy whimsy, and even Sufjan Stevens' antiquarian-minded indie pop. Fans of any of these artists would do well to investigate Hultin's fine debut; they will discover not just a handful of hummable songs, but a curious and comforting sound world that's at once familiar and unique unto itself. Also worth noting is the Kora Records' elegant package design, which makes Na Na Ni a joy of a thing to hold, and the appropriately intriguing booklet etchings by Warren Hilt."

Allmusic.com 



Pretty Melody

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