lossless dl? thank you in advance @ ... fahrudinkrcic@yahoo.com

l enregistrement frero un gachis alors que c etait genial ta merder frero

refais le s il te plait regle bien le son merciiiiiii

trop top genial bijou caviarrrrrrrrrrrrrrrrrrrrrrrrrrrrr

Got put on to this by one of Francois Kervorkian's streams.
Decided to make my own very slight edit. Used RIpX, switched out the drums and percs and added FX to give it a bit of welly.
Hope you like.

Norman Connors - Once I've Been There (Pete Le Freq Refreq)

Click to download

FREE DOWNLOAD: Ken@Work - Rufus De Byrd [Discoholics Anonymous]

New Mix with Hits from the early 80s: B.B.C.S.&A., Haywoode, Change, Luther Vandross, The SOS Band, Kinky Foxx, Freeez, Atlantic Starr, B.B.&Q. Band, Hot Streak, Jean Carn, Crown Heights Affair. Mixes from Michael Gray, Dr. Packer, Dave Lee and others.

80s Disco Re-Imagined

Jocelyn Brown - Love's Gonna Get You (Pete Le Freq Refreq)

Rework of a classic disco track by Alphonse Mouzon.

I'm Glad That You're Here - (PiCOSSU Rework)

Flips / Dubs / Edits / Remixes / Waxes / Revamps / Re-Cuts / Re-Jams / Regrooves / Bootplates / Bootlegs 

Slick house from one of dance music's pioneers. ... A who's-who of disco jammers are gathered for an ambitious two-disc set of remixes, edits, jams and grooves

The latest and best disco house hits, get funky! 
A bona fide jammer from the formative edits period B.I.T.D. changing the face of dance music, yet receiving little fanfare.

1970s disco sounds, genre that encompasses Indie-Dance, Re-Edits and Balearic retro remixes

Funky Bureau - Clap Your Hands (Pied Piper 12 Inched Fierce DISKO Redux)

Andrew Dum - Mammy Blue

Khasha beatfabrik

Disco Rework

Double Exposure - Everyman (Tony Mathe Rework) Free on Hypeedit

Last part...then back to normal with Volume 101.

You can listen or download the whole 17h18m Volume 100 on my website www.djmastersaid.com

Here we are ! Volume 100 ! It had to be a little special and after reflection, I said to myself that doing a "best of" tracks that I do not get tired and that always give me as much pleasure would not be a bad idea ... The problem is that my 99 sets represent a total of nearly 1600 tracks. So I restricted the selection to the maximum and I arrived at 264 titles! I worked hard to achieve the best mixing possible, but sometimes the original ones in my sets were already perfect then I kept them for this anniversary session. I started mixing this Volume 100 in February 2018, every night when I had some free time, 10 months after it is almost finished and will in all be more than 17 hours long ! So I cut it into 8 parts of about 2 hours that I would publish on Soundcloud every 2 weeks. The whole set will no doubt not be accepted by any site because too long and bulky.

I would also like to take advantage of this volume 100 to thank above all, all those who create, remix, produce and arrange these tracks and for some revive vinyls more than 30-40 years after their original releases ! Thank you to all who like and especially comment on my sets, it is what give me the most pleasure, especially on the mixing because it is where the real work is. For the titles that I choose, we must congratulate / thank their authors, not me ;) Thanks again to all who give me donations, not to mention all those who repost on Soundcloud or share on Twitter and Facebook. Thanks also to Native Instrument and their program Traktor Pro without which the practice of imagination and creativity in the mix would not have been possible.

Thanks to you all the statistics of my sessions impress myself (for a DJ in his small apartment), nearly 1,300,000+ plays on various platforms, including 850,000 on Soundcloud and most of the rest on YouTube. It's also 34,000+ likes on Soundcloud, 40,000+ downloads and more than 16,000 comments ....

I still do not know to what I owe this success. What is know is that I have always tried to distinguish myself by the quality of the mix, avoiding the ease of mixing outro beats into intro beats that the computer can do for you and that brings no creativity. It is also necessary to adapt the phrasing, the structure and to edit certain pieces so that the mix is as perfect as possible. For me the goal is that each mix, when I listen again, I say Wow ! This is not always the case but I always try to be close .. That's why the art of harmonic mixing is much more interesting and gives much more pleasure and emotions, as well to realize it as to listen to the result. I sometimes have to try more than 50 tracks before finding one that can mix structure and harmonic with the previous one ... Of course it takes time but is in my opinion really worth it . Some titles are also edited/shortened because I delete all the unnecessarily repetitive parts of the songs. The only drawback of a quality mix is that the more it will be close to perfection, the least it will be noticed (for most people)

Thanks also to my friends who made for me quality Jingles ! Mr Shy from New York, Sharon Musgrave from Canada, Kosta & Francy from Italian group Adika Pongo (check their great album !)

More mixes and track listing here :  www.djmastersaid.com

Free Download

BEST OF !! LAST PART ! VOLUME 100 :  DJ Master Saïd's Soulful & Funky House Mix (Read info text)

A rather lengthy dub rework of Colonel A's 1985 release - 'Trapped'
Comments are always welcome, so let us know what you think. x 

Colonel Abrams - Trapped (butterfunk's extended dub)


Catch Butterfunk Radio's impromptu live broadcasts at www.butterfunkradio.com

Colonel Abrams - Trapped (butterfunk's extended dub)

Butterfunk

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