reminds me of minilogue- Everything Is All Yoi’ve Got

passing it clockwise is good luck,
anyone can join the joy of joint, just choose a time and post !
"This mix was recorded in July 2021 at an indoor club in Omotesando, when lockdown was briefly loosen and was allowed to party at night little bit (maybe for about 2 weeks). It’s an excerpt of that all nighter set I have played, everyone wearing mask so was not able to see their faces but seemingly people were having a good time."

Kinkeshi doll made by Katchan

Passing it clockwise (0:30 - Powder)

Welcome Aruta to the BSRMIX!

ARUTA is a Tokyo-based DJ and one half of DJ duo "Automated Control" with Sryu. Holding various parties regardless of genre in the Tokyo underground scene, his DJ style is characterized by powerful rhythmic sounds and melodic euphoria. Dig into this one hour session for a deep trip with premium house, acid and ambient sounds!

www.buttersessions.com

BSRMIX #113 - Aruta

Yoshinori Hayashi At RDC<"Back To The Real"> 2021

"PAKA"  mixed by CHIDA

Recording of Gonno's set at Karma Kastle 2022

Gonno at Karma Kastle 3.0

This is a re-recording of a set @compuma played at an April demonstration against the redevelopment of a Tokyo park that Ryuichi Sakamoto spoke passionately about before his death.

"We gathered in front of the trees scheduled to be cut down in Jingu Gaien to align with Sakamoto's attitude and will," organizers said.

Read more on RA: https://ra.co/news/79189

Tracklist:

Ryuichi Sakamoto - 20210310
Ryuichi Sakamoto - Thousand Knives
Ryuichi Sakamoto & The Kakutougi Session - Neuronian Network 
Ryuichi Sakamoto - Tibetan Dance（Version)
Yellow Magic Orchestra - Neue Tanz
Yellow Magic Orchestra - Behind The Mask (Remix）
Ryuichi Sakamoto - Ballet Mecanique
Ryuichi Sakamoto - Self Portrait
Ryuichi Sakamoto - andata（Electric Youth Remix)
Ryuichi Sakamoto - Riot In Lagos 
David Sylvian & Ryuichi Sakamoto - Bamboo Houses
Yellow Magic Orchestra - Perspective
Ryuichi Sakamoto - Thatness And Thereness 
Ryuichi Sakamoto - 20220304
Mark Stewart - Forbidden Colour

Compuma's DJ Mix For “Demonstration with Ryuichi Sakamoto”

Modest Podcast 001 - Chida (Techno Set)

Broadcast live on WNYU 89.1FM in New York City on March 26th, 2019.
https://soundcloud.com/cosmes
https://beatsinspace.net/playlists/983/
http://beatsinspace.bandcamp.com
http://www.patreon.com/beatsinspace
Leave a message on the BIS Hotline: 646-481-8189

beatsinspace.net

BIS Playlist

BIS Radio Show #983 with 5ive

An integral player in the current Japanese wave of house and techno; we’re pleased to welcome DJ and producer Gonno to our mix series.

Gonno’s DJ sets strive towards story-telling: drawing on eclectic sounds from the spectrum of house and techno, and acidy and melodic flavours to draw clubbers in. Meanwhile, his productions have earnt staunch support of the local scene, as well as further afield thanks to releases on Perc Trax, Endless Flight and Ostgut Ton.

Experience a taste of this here in Gonno’s contribution to the series. As suited to headphones as the dancefloor, buckle in to 90-minutes bobbing along melodic heaters, frantic techno, flecks of acid and electro and a generous dose of his own stellar productions.

@gonno

1. Susumu Yokota - Human Memory
2. Lost Souls Of Saturn - The Awakening (James Holden's Past Life Rave Regression)
3. 5ive - Planet Be
4. Gonno - Between You Me
5. No Smoke - Africa
6. Jungle Juice - Egyptian Magician (Peace Devision Remix)
7. Critical Phase - The Phase Effect
8. James Cotton - Press Your Body
9. Casablanca Lap Dance (Lipless Paper Sound Dub)
10. Chino - Kolaps
11. C.l.a.w.s. - Sugar Bridge
12. Gonno - This Is Hell
13. Ricardo Villalobos - Wispa
14. Luke Solomon - R U Ready? (Benjamin Damage Remix)
15. James Cotton - Bizarre Carnival
16. A Reminiscent Drive - N.Y.C Dharma (Tori's Slick Latin Heart Mix)
17. Gonno - April 101
18. Ilyes & Kizoku - King Zizou 1998
19. Gonno & Nick Hoppner - O-ton124 A
20. Gonno - Natsu To Kioku

DIM172 - Gonno

Rinse FM Podcast

Download

Powder at CockTail d'Amore - 04 October 2019

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

MFM Mix 023: Jonah Sharp

label by https://soundcloud.com/sleepd
since 2010

BSRMIX #113 - Aruta

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