Name: Butter Mix #35 - Albrecht La'Brooy by BUTTER SESSIONS
Duration: 1 h 2 min 8 s
Description: More info here: http://www.buttersessions.com/butter-mix-035-albrecht-labrooy/

Trushmix 184 welcomes Flørist. Vancouver to Berlin connection in full effect! Flørist provides over two hours of electronic deep waves in the mix. Micro house sets some kind of standard here, and it developes further into grooves and moves stright into clubland. Enjoy over two hours of deep zone tunes!

Music from the top!

Trushmix.com

Trushmix 184-Flørist

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DO NOT SNOOZE

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Yes, yes, yes yall!

It’s DOC JAY´S AUDIO INN cruising in smooth for you and yours!
After various trips across the globe we are finally ready to share them proper heaters once again!
Going slow, going fast, going weird, going wild. 
Something for everyone as we start off mellow and then moving all the way up to the top for some proper bumpers and bangers.

ENJOY !

DOC JAYS AUDIO INN (Season 2 / Episode 3)

Donna Leake at Praia - Waking Life '22

The '22 review is in with a heavy seasoning of space friendly Australian sounds primed for exploring the world's outer limits. Deeply dished downtempo and dubcentric house moods to set your mind free for the next rotation! Mixed by @myles-mac

Tracklist > > >

3.11 - Dissolve In Patience // PRS
1too - In Your Dream // Planet Trip Records
Purelink - Butterfly Jam (xphresh Good Girl No Infringement Dub) // UwU dust bath
a.s.o. - Go On // Low Lying Records
M & Dust - A Day In June // Temple
Midnight Tenderness - Catamaran // Wax’o Paradiso Recordings
D. Tiffany & Roza Terenzi - Spiritual Delusion // Delicate Records
Dentistry - coral reefer // Good Company Records
Cousin - Nemo’s Dream // Nummer Music
Terekke - 2 The World // Plant Age Digital Sound
Benoit B - Behind The Sun // Natural Selections
Norachi - Sunshine // Vessel
DJOKO - Final Checkpoint // Berg Audio
Youandewan & Mculo - Travel Miles (Paradise Lost Mix) // Pure Shores
DJ Pipe - Puttanesca (Ft. Hartman & Fonte) // Global North
Neil E - No Fred // Neil E
Guiding Principles - Holding On 
Tornado Wallace - Sea Translation // Basic Spirit
Central - Motta // Help Recordings
DJOKO - My Crib // Heavy House Society
Jex Opolis - The Best Ever // Bad Timin’
Fantastic Man - Trojan Force // Kalahari Oyster Cult
Retza - Earthchanges // Retza
Billus - Under The Canopy // Animalia

www.melbournedeepcast.net

MDC 2022 Review

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

Wellll shiiiiiiiiit, look here, motherfucking Mosam Howieson is in the building. About time, you say? Yes, you’d be right to ask, but you’re asking the wrong question, more like, what is time? Don’t stress, it’s merely a measuring device that the entire human civilisation revolves around. Anyway, Mos is here to teach you a thing or two about time and what you can do with it. 

I’ve been lucky enough to know Mos for many years. A true gentleman in the game, forever polite and tremendously respectful. A man of many talents, and most revolve around providing for the people. A culinary cowboy by day and dance floor destroyer by night, his exceptional work ethic shining through in both forms. Mos’ production has slowly but surely infiltrated ears across the globe, labels worldwide have been picking up what Mos has been putting down, and we’re better off for it. Mos' live performances are a full-body experience, from ground-breaking ambient soundscapes to rafter-breaking post-primitive drum loops, something to add to that bucket list of yours, whilst waiting patiently for his new album coming out later this year.  For those of you that don’t know Mos, this is the perfect place to start. 

Following with the theme of time, I think Mos has completely encapsulated his existence on this earth through this mix. You can hear him in his different stages of life and all the soundtracks that came with it. From hovering over a tape deck recording tracks straight from the radio, getting up early watching video hits, burning CDs on friend's computers, weeklong mp3 downloads from lime wire riddled with viruses on the family computer, all the way up to the first-time he downloaded fruity loops and set himself on this path, it’s all here and we’ve been invited along for the ride. All of this music holds such a special place in my heart as I was on a parallel path of musical enlightenment (except my productions never made it past a 4x4 loop on a cracked version of fruity loops) a musical diary if you will, filled with ideas, aspirations, and heartache, complete with dogged ears, doodles and torn out pages. On behalf of the people listening, thank you Mos. 

Keep it as real as you can. X

his sounds >>>> https://mosamhowieson.bandcamp.com/
                   >>>> https://soundcloud.com/mos-how

FHUO # 80 // Mosam Howieson

We welcome Tornado Wallace (@tornadowallace), long time friend of the label and whose record 'Falling Sun' we released through Second Circle back in 2016.  Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Lewie, how have you been lately?

TW: I dipped out to East Asia and Australia for the infamous Berlin winter and now I’m back ready for the euro warmth. Though it’s in no hurry to arrive here just yet.

MFM: There's a new record coming on Basic Spirit, the label you run with Jamie Tiller, and it all looks rather secretive... Can you tell us more about it Lew E? :) 

TW: I made these tracks when I was holed up sick for a week. Not being able to go to the studio I relied strictly on samples and software, which was fun to change the workflow up a little bit. I wanted to make some very club ready tracks, without any intention for a release. They (rather obviously) sample two well known tracks, but there’s a lot of new ideas too. I use a different name as it felt like a different style and approach to how I usually go about things. I think there will be more Lew E things on the horizon though :D.

MFM: Previous releases on Basic Spirit also had this '90s touch to it. What is it that you like about (music from) that era?

TW: I grew up in the 90s so a lot of the music coming out then really hits the nostalgic feels. But also, really interesting things were happening with technology, and it became a lot more affordable to put together a record. So there were a lot of - for lack of a better term - laymen releasing electronic music. Some of which had very new and out-there approaches to processes like sampling, mixing and arranging. But trends and technology all moved along so quickly that some of these sounds and ideas never had a chance to get fully fleshed out. Which is why it’s nice to pick up where some left off. People are currently very responsive to this late 90s/early 2000s sound, which is great for me because that’s a time when I really fell in love with electronic music. As a DJ, I’m playing these really personal tracks that I discovered as a teenager, and for the first time since I began playing parties/clubs 18 years ago, people seem to really understand them. It’s a very cool feeling.

MFM: You've also started a new more pop oriented project called a.s.o. together with vocalist Alia Seror O’Neill. Has it always been a dream or goal of yours to start a more band kind of project? Does it require a different writing/recording approach compared to when making dance music for the clubs?

TW: I like making music that I like listening to. And with the pandemic in full swing in 2020, I was having a little break from club music, and diving deeper into other styles of music I enjoy. Both from a listening and producing perspective. I found it to be a very different approach. It’s more melody/hook driven and focuses on getting ideas down quickly as they’re forming. A lot of the time I would use a basic keyboard and guitar to record, and Alia would add vocal melodies and harmonies on the fly. Sometimes it could get difficult when we would both want to put our fleeting ideas down at the same time! On that note, collaboration is never easy for me as I like to have full creative control of whatever it is I’m working on, and sometimes the creative paths divide and compromises have to be made. Sometimes the compromised path is thick and thorny, and sometimes it is paved gold and smells of roses.

MFM: How did you go through the selecting and recording process, any specific record or mood you had planned?

TW: I came across a bunch of really nice tracks all in a relatively similar downtempo/shoegaze style, and wanted to make a mix of music like that. For moody home/car/train etc listening. I also included a forthcoming Cousin remix of an a.s.o. single which I love and wanted to share early!

MFM Mix 049: Tornado Wallace

More info here: http://www.buttersessions.com/butter-mix-035-albrecht-labrooy/

Butter Mix #35 - Albrecht La'Brooy

For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

To the dedicated few and the newly dedicated, this is a celebration laced with appreciation. The cause for this - we’ve reached a modern-day milestone. We’ve made it to 30 (which is a total of about 3 in podcast years). Honestly, I never thought I'd make it to 30, but I soon came to realise how much good music is out there, and how I should use my powers for good rather evil, so here we are. 

For this momentous occasion, we have a very fitting transmission. Something that he and I have been working towards for the last two years. The man responsible for an audible gift from the gods is none other than Andy Hart himself, aka the slug face millionaire aka choices from the lake aka undies. I call Andy not only a good friend but also a good inspiration, a good breath of fresh country air, a good dose of realism and just a flat out good person. I’ve lived with him, I’ve traveled with him and I’ve shared more than a towel with him. I can comfortably say that Andy will be at my wedding, my funeral and everything in between. 

This mix is the perfect summary of the journey so far. I'd like to think we’ve explored quite a lot over the last couple of years, and I'd also like to think that there’s so much more out there. This perfectly woven galactic tapestry transcends every aspect that you think you know about most things and rewrites the rest. The culmination of many years of putting tracks aside has paid off immensely. The thought and the planning behind this mix actually baffle’s me. It’s the perfect narrative without the narrative, a story without words, a tale of triumph. I may sound a bit dramatic but you obviously haven’t listened to it yet. Just shy of 4 hours, this is the perfect soundtrack to your life in general. It transcends not only stages of the day but also stages of your mind. I'm yet to find the perfect moment/space to listen to it but I think a long drive back from a really good holiday would fit perfectly - or just a cruisey Sunday spring afternoon at home. 

Honestly, just press play and see what happens. 

Come talk to me after. 

Be well.

his sound >>>> https://soundcloud.com/andyhart

voyage records >>>> https://soundcloud.com/voyage-recordings

FHUO # 30 // Andy Hart

Recording of Terekke's set at the listening stage during Dekmantel Festival 2019.

Dekmantel Festival 2019

Listening Stage: Terekke at Dekmantel Festival 2019

Honey Soundsystem Potcast

HNYPOT 374: Millú's Are We Dreaming Mix

A new Safe season has begun. This one turned out slightly different and longer than anticipated since I have so much to say. Wanted to highlight a tiny bit of the amazing music out there - almost 5 hours of different styles, tempos, old records and forthcoming ones. Just how I personally like a mix to be!

BIG thanks to the following people for keeping me inspired, their music and continuous support:

Natal, Milan, Mathias, Mette, Simon, Nils, August, JR, Julius, Fergus, Morten, FH, Martin & Mads (Probably missed someone, but you are not forgotten!)

Last but not least - thank you for listening.

C.K - Safe Radio S05E01

label by https://soundcloud.com/sleepd
since 2010

Butter Mix #35 - Albrecht La'Brooy

BUTTER SESSIONS

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