Name: Святой воин Христофор псеглавец из Паганкиных палат. by Suuri-Pieksä
Duration: 12 min 2 s
Description: Икона запрещённая официальной церковью но почитаемая старообрядцами которые бежали от гонений в леса. Подальше от властей и церкви.

Еду после тяжелого рабочего дня домой, в такси, на телефоне десятки непрослушанных голосвых от друзей, но единственное,что я хочу сейчас слышать это...

soundtrack for georgian doc (Lena Tsibizova/Piper Spray)

never forget

what game

Bryozone — Eye Of Delirious 
@gannabryzhata

“Eye Of Delirious” is a long-awaited debut Muscut's release of Chillera’s band bass player Ganna Bryzhata — an Odesa-based sound artist. An ambient LP is a smoothy-flow sub-nautical journey with the songs of Black sea sirens glowing under the moon.

Format: C40, cassette / Digital
Edition: 100, hand-numbered
File under: ambient, dub, experimental

Face A:
Smoothy Flow 
Sub Nautica 
Sequence One 
Glowing Sirens 
Ghost Tribe

Face B:
Ambiency 
Liminal Tribe
Eye Of Delirious 
Fateful Torment 
Ground Floor

Mastering by Gennadiy Boychenko 
Artwork by Volodymyr Pavlov 
Graphic design by (DN) daynight.info 
Neu Medieval and Heymland typefaces by KTF 
Riso print by Hands on Press 
Muscut, 2023

Eye Of Delirious

Order

Bryozone - Smoothy Flow (Muscut 27), March 2023

Икона запрещённая официальной церковью но почитаемая старообрядцами которые бежали от гонений в леса. Подальше от властей и церкви.

Святой воин Христофор псеглавец из Паганкиных палат.

We are happy to present a debut mixtape by 0b3th (@user-27807423), including a few punchy unreleased tracks. Sounds promising!

WD Blue

0b3th - WD Blue

What is the sound of the Russian dub? There is a storied history of attempts to adapt roots music to Russian soil, but most of them can be attributed to reggae (the so-called ‘northern’ variety) rather than dub. Gost has a history with the town of Smolensk. It’s home to Gamayun, whose great album Filterealism was released on our label last year. Now Anton, one of Gamayun’s members, presents his new duo Dubovaya Kolesnitsa (The Oaken Chariot). In his words, it has no connection to his other band at all and is an attempt to go back to the roots of a genre that doesn’t truly exist.

The Russian word for oak, ‘dub,’ looks exactly like the genre, and the chariot emerged from the name for the group’s jams – ‘telega’ – which can be translated as a cart. All the music here is the result of live improvisations: no samples, just instruments (notably Vasiliy Shilov's bass). These recordings have been slightly edited, and even the almost indecipherable texts are freestyle. There’s no place for real riddims in Russian dub: sometimes this record sounds like something akin to dub variations on underground Russian hip hop (and we mean that in the best possible way).

We should also remember that dub and reggae (and hip hop as well) all started as the voice of people. The voice of those who are always in the minority and try not to be silent. The most prominent dub producers and reggae performers were against hierarchy, imperialism, and colonialism — and their music was born out of the desire to protest against it. As Anton puts it, Oaken Chariot, the “Russian mutation of dub,” is an attempt of voicing the concern. And he links this attempt to a historic Russian tradition of Foolishness for Christ, also known as yurodstvo. The “fool” in question is not naïve at all; he’s trying to seem lunatic on purpose. For Anton, the music of Oaken Chariot is a rebellion with a cut-off tongue. Here, illegible speech, full of inarticulate sounds, is a sign of the inability of the statement. But this inability represents a statement itself that is inevitable.

Yet, the music of Oaken Chariot is genuinely fun, free, and mesmerizing (like the happenings of holy “fools”), but we could also approach it more conceptually. Theoretician Michael E. Veal describes dub as a ‘postsong’, taking the form of “linguistic, formal and symbolic indeterminacy.” The duo’s faintly eerie compositions call back to the notion of musical hauntology. There is an attempt, without any direct references, to reconstruct the feeling of something that was never there at all. A little nostalgic and very forward-thinking at the same time, the music of Oaken Chariot is best described in its own words. In the opening track, a voice can be heard saying “eto delo v lob,” which means something like “it’s a straight-on thing.” This is very direct, almost in the vein of folk music. This is a great – and, it must be said, successful – experiment in searching for the soul of Russian dub. Simple as that.

GOST018 Oaken Chariot "Biznes Time"

Side 1

A1: They are looking at us from above
A2: BIZNES TIME 08:39
A3: Free Poetry 01:51

Side 2
B1: Splendor of Wasteland
B2: Purer Than Love
B3: Volchok
B4: Random Regularities

Music and recording — Anton Dvoenko, Vasiliy Shilov
Mix — Anton Dvoenko
Mastering — @poducedbyflaty
Executive producer — Ildar Zaynetdinov
Cover – Eduard Kulemin "Field" 1988

12" LP full-color sleeve.
October 7, 2022

© «ГОСТ ЗВУК»

GOST018: Дубовая Колесница "Biznes Time"

pre-order now: https://gostzvuk.bandcamp.com/album/intuitive-word-2

Gost Zvuk prepare for a busy 2023 with an enthralling double LP's worth of futurist sound design from Flaty. In the game for more than a decade now, the producer, mastering engineer and all-round visionary artist has delivered an impressive range of music across both his own ANWO imprint as well as for West Mineral ltd., 12th Isle, Firecracker and more.

Always content to subvert expectations and blur stylistic lines, on Intuitive Word there is a clear fascination with a spectral, whittled-down-to-its-core type of avant-pop/RNB hybrid. Digital strings, dubbed beyond recognition semantic snatches, re-imagined new age style synthesis and even flourishes of MMORPG computer game soundtracks all combine into something that feels uniquely Flaty. In a sense, Intuitive Word marries ambient sound collage and hyperreal, narrative-style vocal processing. However, glimmers of shoegaze and old 'ethereal' bands (think Harold Budd & Cocteau Twins) crop up on tracks like 'Tree' and 'Nepal Lit', a testament to Flaty's skill for world-building and atmospherics.

Across the 19 cuts there is a recurring theme of choral style, computer generated elegies. A kind of 'cristal trance', in their words. 'Mint' combines these with overtly RNB style vocal samples, whereas darker, more broken beat soundscapes can be heard on the Madteo collab 'Observer'. With plenty of sombre and cinematic style ventures such as 'NEWS' breaking up the album and eschewing this focus on vocals, we find one of the most consistent producers in the current Russian scene delivering what may well be his most accomplished collection yet.

GOST020: Flaty "Intuitive Word"

A1: U C (02:26)
A2: Upper Spell (03:21)
A3: Intension (03:43)
A4: Tree (02:37)
A5: Lament Pit (03:51)

B1: Strut (02:49)
B2: Goblin Sograda (02:55)
B3: Plural Dogs (03:01)
B4: Nepal Lit (03:01)
B5: Transparent Thought (04:06)
C1: Declare Day Whom To Sleep (04:18)
C2: Observer feat. @madteo (03:55)
C3: IP-Elegy (04:46)
C4: Protokross (04:09)

D1: Blossom For Rest (02:24)
D2: Mint (03:53)
D3: Dolphy (04:18)
D4: NEWS (03:21)
D5: Gard (01:35)

written and produced — @producedbyflaty
mastering — Kassian Troyer (D&M)
cover artwork — Simone Petepiece
design — ANWO STUDIO
linear notes — Fergus Clark
executive producer — Ildar Zaynetdinov

GOST020: Flaty "Intuitive Word"

"Son Acido - I" album will be out on May 18th! 

Available for preorder here: https://sonacido.bandcamp.com/album/i

Part of the profits from this album will be donated to the victims of war.

Recording - Pavel Milyakov
Artwork - Ilya Volum

Son Acido - I (Album Preview)

04 May 1

irw skit

Fuck putin! Fuck war!

How to help Ukraine / Как помочь Украине

https://rassvet.world/#donate

https://wfu.world/

https://helpingtoleave.org/en#donate

Святой воин Христофор псеглавец из Паганкиных палат.

Suuri-Pieksä

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¥ULIA $TR€LKOVA

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