The Prodigy - Voodoo People (Pendulum Remix)
 The Prodigy-Break - Enter -DNB Mix
 The Prodigy - Full Throttle (Traced Bootleg)
 The Prodigy - Wall Of Death (Kibaarg Fast Drum'n'Bass Edit)
 The Prodigy-Poison -Jim Pavloff Dnb Remix
 The Prodigy-Hotride -Rapraiz Remix- -Drum & Bass
 The Prodigy-Wake The Fuck Up -Ninja Kore remix
 The Prodigy-Need Some 1 -Friction Remix
 The Prodigy-Boom Boom Tap -Agressor Bunx bootleg
 The Prodigy - Nasty (Spor Remix)
 The Prodigy - Invaders Must Die (Chase And Status Remix)
 The Prodigy - Dance style
 The Prodigy - Time Bomb Zone (Bl4ck Owlz Remix)
 The Prodigy - Outta Space (Dnb Mix)
 The Prodigy - Piranha -Orange Boy Remix
 The Prodigy - Roadblox (Reso Remix)

DJ Vogan - The Prodigy (DnB Mix)

Based on H.P. Lovecraft's poem "The Messenger", which was published in Weird Tales, July 1938

This was written in response to Bertrand Kelton Hart, author of a daily column called "The Sideshow" in The Providence Journal, who, upon discovering that Wilcox's residence in "The Call of Cthulhu" (7 Thomas Street) was his own, published in his column "...I shall not be happy until, joining league with wraiths and ghouls, I have plumped down at least one large and abiding ghost by way of reprisal upon [Lovecraft's] own doorstep in Barnes street... I think I shall teach it to moan in a minor dissonance every morning at 3 o'clock sharp, with a clinking of chains."

The song was created with the help of Generative AI (Udio.com)

Lyrics:

The thing, he said, would come in the night at three
From the old churchyard on the hill below;
But crouching by an oak fire's wholesome glow,
I tried to tell myself it could not be.

Surely, I mused, it was pleasantry
Devised by one who did not truly know
The Elder Sign, bequeathed from long ago,
That sets the fumbling forms of darkness free.

He had not meant it—no—but still I lit
Another lamp as starry Leo climbed
Out of the Seekonk, and a steeple chimed
Three—and the firelight faded, bit by bit.

Then at the door that cautious rattling came—
And the mad truth devoured me like a flame!

Then at the door that cautious rattling came—
And the mad truth devoured me like a flame!

I tried to tell myself it could not be.
And the mad truth devoured me like a flame!

Eldritch Dreams

Like a Flame

The Invisible Plan

Nine Inch Nails - The Beginning Of The End (Reaps Remix)

Telekon - King Of Nothing (Rob Dust Remix)

03 Automata

Angelspit - 100%

Release Date: 28/02/2020
Artist: Twist Helix
Label: Paul Back Music
Composers: Garcia-Cisneros, Walker, Barron
Recorded at Catalyst Studios St Helens, Merseyside and Organic Audio Cuenca, Castilla-La Mancha.

LYRICS:
LOUDER!

Turn the volume down,
no ears to the ground,
still I move my mouth,
but no sound.

Biting on my tongue forever,
Forever I choke back on all of my needs.
I bore my heart never,
yet never I give up on all I believe.

Do I have a choice?
Not one of the boys,
never make a noise,
no voice.
No sound, turn the volume down,
no ears to the ground,
still I move my mouth. (x2)
Do I have a choice?
Not one of the boys,
never make a noise,
do I have a voice?
Do I have a voice?

Biting on my tongue forever,
forever I choke back on all of my needs.
I bore my heart never,
yet never I give up on all I believe.

I’ve been overlooked,
and underbooked,
my words mistook,
and my confidence shook.
There’s nothing, there’s nothing,
there’s nothing I would take back,
in an industry, in an industry,
that I could scream at.
I can’t shout it much louder!
 
Biting on my tongue forever,
forever I choke back on all of my needs.
I bore my heart never,
yet never I give up on all I believe.
I can’t shout it much louder!

Machinery

Louder

Somebody Else

Empathy Test's 'Monsters' follows the "shimmering synths and glacial electronics" (Clash) of 'Holy Rivers' and the "dark, anthemic electro-pop" (Fresh on the Net) of 'Empty Handed' as the final single to be released from the forthcoming third album of the same name (May 2020). Far from being 'business as usual', 'Monsters' presents enough of a departure for the London-based Synth Pop band, renowned across Europe and beyond, for their "soft synth" sound, to raise a few eyebrows amongst the loyal fanbase the band has been quietly building since 2014.

'Monsters' incorporates the live acoustic beats of drummer Christina Lopez for the first time, along with an epic synthesised hook dreamt up by new keyboard player Oliver Marson. Channeling the incessant driving energy and 'coming home at 6am' paranoia of Placebo's 'Pure Morning', Empathy Test's 'Monsters' is like nothing the band has done before. Frontman Isaac Howlett's androgynous vocal sits lower in the mix than on previous offerings, helping to give 'Monsters' a weight and energy like never before. Non-performing founder member Adam Relf's production has also reached new heights of excellence, his subtle flourishes helping to raise the euphoria to fever pitch.

While the self-releasing, self-managed Empathy Test has remained criminally overlooked by the UK music scene despite appearing in shows on MTV and Netflix, radio play from Amazing Radio, Radio X and BBC Introducing, as well as press coverage from Clash, Line of Best Fit and many more, 'Monsters' may just have the power to propel the band into the limelight. Arriving with an equally intense video, directed by the award-winning Calum Macdiarmid (bit.ly/MNSTRS-VID), 'Monsters' releases digitally via all major streaming services on Friday 24th March. The album is slated for a full digital and physical release on 22nd May and can be preordered via the crowd funder on Indiegogo: bit.ly/ET-MNSTRS or on Bandcamp: bit.ly/MNSTRS-BC

For more information, email info@empathytest.com or visit:

Website: www.empathytest.com
Facebook: www.facebook.com/empathytest 
Twitter: www.twitter.com/empathytest
Instagram: www.instagram.com/empathytest
YouTube: www.youtube.com/user/empathytestmusic
Spotify: bit.ly/MPTHYTST

LYRICS

When all's been said and done
And another day's begun.
When the lines go on and on
And all you've got is gone.
You've doused yourself in sin
And the daylight's creeping in.
When the shadows start to grow - oh!
Maybe it's time to go
Maybe it's time to go
Maybe it's time to go.


When all's been said and done
No distance left to run.
When the emptiness arrives
And there's nowhere left to hide.
When it's stacking up inside
From the corners of your mind.
When the teardrops start to flow - oh!
Maybe it's time to go
Maybe it's time to go


Baby I've got the monsters
Baby I've got the monsters 
Baby I've got the monsters 
Baby I've got the monsters 
Again.
Baby I've got the monsters
Baby I've got the monsters 
Baby I've got the monsters 
Again.


Maybe it's time to go
Maybe it's time to go


Baby I've got the monsters
Baby I've got the monsters 
Baby I've got the monsters 
Baby I've got the monsters 
Again.
Baby I've got the monsters
Baby I've got the monsters 
Baby I've got the monsters 
Again.


They're creeping up
Again.
They're creeping up
Again.
They're creeping up
Again.
They're creeping up
Again.

Monsters

Monsters (Radio Edit)

FREE DOWNLOAD

MINDLESS SELF INDULGENCE -  How I Learned to Stop Giving a Shit and Love Mindless Self Indulgence' OUT NOW via 3Wise Records

After successfully achieving the second highest kickstarter campaign ever, Mindless Self Indulgence release their newest, most offensive and highly original work yet - ‘How I Learned to Stop Giving a Shit and Love Mindless Self Indulgence’. A record that is all at once politically incorrect, profoundly sexual and amazingly catchy.

If you thought getting older, getting married and having kids would slow the band down you are sadly misinformed. As the epitome of anti-cool MSI somehow come off as sexy and hip while refusing to confirm to music industry standards. Since their creation in 1998 MSI has gone against the norm and done their own thing and despite what the world thinks they have made it work.

The band has had the ability to connect with their fans in a cult like manner for over a decade which goes to show how much of an impact their music has actually had over the last 15 years.

Yes it’s true Mindless Self Indulgence is the dyslexic soundtrack to fucking puberty… enjoy!!

BUY NOW
Jb HiFi http://bit.ly/MSIhowilearned
or via iTunes

02 - Fuck Machine

Bynar is a mash-up artist, DJ, and radio producer known for his innovative blending of indie rock, post-punk, goth, industrial, and electronica, with a distinctive flair for all things doom and gloom. His creative output is showcased through his Indie Disco podcast, which features a lively mix of danceable beats, shoegaze harmonies, new wave hooks, and post-punk aesthetics, complemented by industrial drones.

In a recent project, Bynar ventured into generative AI music, creating an indie rock album inspired by the haunting poetry of H.P. Lovecraft. This unique album integrates AI technology with verses from Lovecraft’s works, offering a fresh auditory experience that bridges classic literature with modern music innovation.

Explore Bynar’s diverse music creations, including his unique mash-ups and the Lovecraft-themed album, by visiting djbynar.com, or listen to his podcasts and radio shows at www.mixcloud.com/bynar.

Like a Flame

Bynar

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