Fiddle Tune in A. All one take each except bass was two (changing to D instead of E every time). I played all parts: Mandolin, Guitar, Bass, Washboard. Not really any idea what I'm doing on washboard but wanted to try it out.

Boil Them Cabbage Down

ORTF (2-AT2021) on Martin D16-M and Studio Projects C-1 on vocal recorded simultaneously. Bass direct later with no post processing at all. Guitar tracks are high passed at 150 Hz and then a couple db of compression. A bit of EQ and some compression on the vocal.

Before I Met You in G at 140 bpm

Martin DX1 recorded with Studio Projects C-1 thru Beringer MniMic then MDX2600 into Tascam M-164UF and computer. Stagg Bass thru Beringer Ultra DI into mixer then computer. High pass on guitar tracks at 100 Hz. No EQ on bass, just some compression.

Liberty G 90 BPM

Martin DX1 recorded with Studio Projects C-1 thru Behringer MiniMic and MDX2600 into Tascam M-164UF then into Reaper. Picking and chording tracks high passed at 100 Hz no EQ, some compression on picking. Stagg bass thru Behringer Ultra-DI into mixer then Reaper. Electri-Q Warm Bass preset, Reaper's ReaComp. Track limited with Modern Limiter to achieve -5db RMS.

Arkansas Traveller C 90 BPM

Bastards and Bitches

Sweet Sahara Nights

Martin DX1 picking lead with Martin D-16M chording. Recorded with Studio Projects C1 into Behringer MiniMic modeling preamp then Tascam M-164UF mixer and then Reaper. No compression or EQ or either track but I used Modern's leveling amplifier to boost the mix to level.

Flop-eared Mule G-D

Inside the Compound with Dave and Rob on electric and acoustic guitars.

Bastards and Bitches CDR

Inside the Compound (another remix...final?)

Man on the Edge

Simple F-G-D chord progression played on electric guitar thru Floor POD Plus (patch 4A) with backing keyboard drum rhythm. Keyboard bass notes and chords. Guitar and keyboards into Behringer K1800FX, then Tascam M-164UF into Reaper. No processing except for limiter for approx 5dB gain.

Piano Guitar messing around

Written by Tom Paxton, I believe. I've heard it mostly by Doc Watson. I recorded the guitar and vocals separately so they could be processed separately but the guitar is without any. I think it has a boxy sound - a result of recording in the middle of the room in a hurry :(

Byronovich

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