In the beginning of this piece, the road trip is just about to get underway and then it continues with the guys leaving San Francisco and heading out to the PCH. 

417Miles LeavingSF

This piece is meant to mark the transition of the characters from the formalities of becoming reacquainted after so many years to the journey that lies ahead and the reality of being stuck in a car together for the next few days...a sense of apprehension but also excitement about what lies ahead. 

417MIles Originaltunnel

In preparation of going outside to retrieve more food, the main character is putting on a biohazard suit and then cautiously leaving the house

Day 1000 Biohazard

In this scene, the female guest is taking the opportunity to leave the house while the lead male is showering. It is meant to convey a sense of urgency while acknowledging the tragic misunderstanding that is in play

Day 1000 Escape

This piece is the first time in the film that we see the protagonist enjoying the outside world and being happy to have found another survivor. The mood takes a dip near the end to suggest there is sadness yet to come

Day 1000 Looking Up

This piece plays over the final sequence of the film into the credits. This is the tragic interpretation of the recurring theme in Day 1000.  


Day 1000 Tragic End

Full score to Hosu. Meant to be a creepy, long, droning piece that permeates the film

composer

hosu

Instrumental piece good for a montage of things going well or happy times...

Happy Violin and Piano

quirky little back ground music good for a problem solving/investigative sequence or a goofy character

detective theme

EDM version of Ray Argyle song "Cut and Run"

remix potential

Cut And Run - SSS Version

2 selections from the full length feature film "Normal" written and Directed by Mragendra Singh.

by will alone music

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