RELEASES + MIXES

Braindance

Phace - NO HIGHS NO LOWS (CÅARL Remix) Patreon Remix Competition Entry

STREAM/BUY: https://fanlink.to/caarl-message_01

MESSAGE_01

ARRIVAL

STREAM/FREE DL: https://c-a-a-r-l.bandcamp.com/track/tautology

TAUTOLOGY

Free to download right from Soundcloud's delightful servers.
Streaming services
https://fanlink.to/itTE

ICLYG

Man sieht sich immer zweimal im Leben. 
It means: in life, you always meet twice. 
It means: you're fucked.


free lossless file available on my bandcamp. 
free 320 kpbs mp3 available here on sc.

VIDEO + LOSSLESS DL

TWICE IN LIFE

vocals: 
nikki simmons

lyrics:
i am flesh
i am fear
i am death from inside
i am terror
hardened blood
raining down 
from the sky
i am sorrow 
every second
dreaded waking
every night
i am here
i am craving
all corrupting
quaking sigh

WATCH VIDEO + FREE DL

DISTROSPECT

VIDEO + FREE DL

LOST_IT

i don't want to feel bad
i feel bad
i feel sad
don't feel bad
don't feel sad
i don't want to feel

U_FEEL_SAD

FREE DL + VIDEO

RECANTED

 Introducing : CÅARL OHOHOHOH (Genome Records)

We’re beyond excited to introduce you to an absolute force in the making—CÅARL, an extraordinary talent emerging from the USA, but trust us, it’s about to shake the entire Drum & Bass scene.

Who is CÅARL?

CÅARL is a sound designer from Utah , and his music is nothing short of a revelation. A fusion of high-energy, futuristic vibes, and technical precision, his production is like the collision of two asteroids—full of raw power, intensity, and unstoppable momentum carving out his own distinct sonic identity.

Why This Release is Different

This isn’t just another record. CÅARL’s music pushes boundaries, and we’re proud to present a sound that feels genuinely fresh and disruptive in today’s landscape. His technical prowess in sound design, with intricately crafted basslines, surgically precise drum patterns, and cinematic atmospheres, places him miles ahead of the curve. Picture the depth of sci-fi movie soundtracks mixed with the hard-hitting intensity of a club anthem.

Understanding Through Annihilation: CÅARL's Approach to Sound Design

At the heart of CÅARL's music is a radical concept: understanding through annihilation. In every track, he dismantles the very foundations of Drum & Bass as we know it, obliterating traditional structures and rebuilding them from the ground up. This isn’t just sound design it’s a sonic deconstruction, where he tears apart the familiar to extract new meanings and forms.

CÅARL's process is one of breaking down complex soundscapes, frequencies, and rhythms to their rawest elements, only to reassemble them into something more powerful and evolved. By disregarding many standard conventions of the genre, he forces listeners to confront the unknown, creating a space where discovery thrives.

Follow CÅARL : @https://soundcloud.com/c-a-a-r-l

CÅARL. OH OH OH OH

VOCALS: Nikki Simmons www.instagram.com/ikkinsnommis/
LYRICS: CÅARL
______________________________________________________

YOU ARE THE ONE WHO CALLS.
I AM THE ONE WHO ANSWERS.
FALLING OUT OF TIME.
CAN’T BELIEVE I’VE SAT HERE.
//
WHEREVER I COME FORTH I STAND A THORN AMONG YOUR KIND.
A SHADOW IN THE CAVE DISTORTS THE MEANING YOU DERIVE.
IT’S A PLAGUE UPON THE SPIRT TURNED A PLAGUE UPON THE MIND.
I’D TELL YOU ALL ABOUT IT BUT I’M RUNNING OUT OF TIME.
//
YOU ARE THE ONE WHO CALLS.
I AM THE ONE WHO ANSWERS.
FALLING OUT OF TIME.
CAN’T BELIEVE I’VE SAT HERE.
//
THE SOURCE OF ALL CREATION IS THE HATRED WE ENSHRINE.
AN OBELISK OF OBSESSION MARKS THE HORRORS OF MÅNKIND.
YOU’VE TORN YOURSELF APART TO TRY TO BREAK OFF FROM THE LINE.
BUT YOU’RE TEEMING WITH THE TRAITS YOU CAN SCARCELY LEÅVE BEHIND.
//
YOU ARE THE ONE WHO CALLS.
I AM THE ONE WHO ANSWERS.
FALLING OUT OF TIME.
CAN’T BELIEVE I’VE SAT HERE.
//
YOU ARE THE ONE WHO CALLS.
I AM THE ONE WHO ANSWERS.
BORN OUT OF TIME.
CAN'T BELIEVE IVE SAT HERE.

VIDEO/T-SHIRT/DL

LEECH (ft. Nikki Simmons)

Taxonomy is a kind of killing things. So how go about formalizing something as amorphous as the music of @c-a-a-r-l | You could practice apophatic musicology. This isn’t jump-up, because it goes beyond puckish hyperreality. This isn’t deconstructed club, it being so entirely stripped of referentiality. Rattle off sub-genres as impossibilities. And perhaps it is only drum & bass by the exceptionality it embodies. Of a category’s weightlessness when every technique and decision overbounds its associable formulae and expectations.

The only way I’ve come to understand CÅARL‘s music is in indefinite times. There is a mythic time to the music of this producer racking up releases on Barcelona’s @genome-records-1 | Of a music that does not seem to describe humanity, that in its combination of contorted, choral voices, palatial orchestration and infernal low-end appears to visualize each a mountainous past and the afterlives of apocalypse. So there is herein an eschatological time and a geological one. A music of tectonics and cataclysm. There is the time too conjured by CÅARL‘s aesthetic of petroleum and mud. The musical equivalent of banked sunlight and generative mires. Synonyms to the history of extreme and experimental electronics and a generic footprint. Thus a music best understood in terms of divergence, of the annihilation of stasis and priority in the making of something we have not yet a vocabulary to articulate.

With a bagful of IDs from CÅARL‘s own upcoming torrent of releases & those of their circle, this mercurial producer links up with Realist Alive.

Tracklist -

CÅARL - LOST IT (136 VIP)
@xx_deltav_xx - Treachery
CÅARL - LEECH (ft. Nikki Simmons)
Noisia & Phace - Purpose (@buunshin remix)
CÅARL - ID
@vulturesy - GIVE ME
@ceptre - Rhythm
@jorodudovski - ID
@fifthdnb - ID
@thezaiaku - ID
@malixemusic - Break
@finalfix & @omneum Omnieum - Resonance (Audio Remix)
CÅARL - ID
@billain - Nubium Slap
@misanthropnsgnl - Turbine VIP
@signdnb & @soesei - Always Late
CÅARL - ID

art by https://www.instagram.com/grinnallll/

Realist Alive Radio 026: CÅARL

Leave No Trace

Aphasia

understanding through annihilation

@genome-records-1

CÅARL

Pinned to spotlight

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