Aspiring Prague’s dark horse of a producer Ursula Sereghy & Warsaw’s very own romantic badboy Julek Ploski finally have a big pleasure to release their collaborative track 'Řeřicha'. Named after cress the plant, 'Řeřicha' has slowly grown next to the road heading towards Ursula’s debut album 'OK Box', released via Gin&Platonic - also home to Julek’s eponymous longplay opus 'spie'.

Written & produced by Ursula Sereghy & julek ploski
@ursulasereghy
@julekploski

Mastered by Wim Dehaen
@wimdehaen

Artwork by Matyas Malac
matyasmalac.com

Bandcamp

Ursula Sereghy x julek ploski - Řeřicha

@quiverrrr

Textur is proud to present the debut EP of Quiver. His EP ‘Artificial Tranquility’ (TXT-07) commutes between emotional narratives and persistent patterns. The music aims to create a listening experience that invokes both eeriness and familiarity, placed somewhere in between organism and cynicism.

Creating a sonic meeting-space, in which organic and warm timbres from the pipe organ and other acoustic instruments intertwine with the cold and cynical properties of digital sound-design, the EP explores worlds and timbres that are essentially ‘in between’.

The photo-mosaic cover-art has been created by photographer Nicola Hein. Much like the music found on the EP, it has taken form as an abstract piece composed of contrasting yet recognisable pieces of textures and shredded materials.

The EP is the seventh release on Textur, a small non-profit label and music collective rooted in Copenhagen, with an ambition to create a platform for exposure, collaboration and community among artists outside the commercial music scene.

TXT07: Quiver - Zerocrossing

A Symbol For Disguise (GEN048) out now on Genot Centre on tape & digital.

“Rich in production ideas, an album that breaks down the barrier between what's danceable and what's meant for careful listening.” (https://soundcloud.com/ma3azef)

"A Symbol for Disguise is all action and drama that demands attention. The sound design is flawless, leaving a maze of dense music, impossible to ignore." (Foxy Digitalis)

"This is a precision-tooled and deliberate collision of club abstraction and broader experimental concerns." (https://soundcloud.com/if-only-uk)

"Encounter and decomposition of heaven and earth, collision and dissolution, forming the density of matter with soft silky water, and flying in the void of clouds." (https://soundcloud.com/avyss)

On A Symbol For Disguise (GEN048), @ububoi & @rhunterrrr join hands to craft a high saturation, high density, high tension collection of collaborative tracks. Texturally, the sound is raspy, heavy hitting, synthetic yet constantly fluid, pushed or shaped into high harmonic regions, giving the sound a full, shimmering, metallic tint. The blasting, bouncy, crispy, sometimes even shredding percussive approach suggests an intense but elastic approach, manifesting in constantly morphing highly syncopated rhythmical forms. With detuned synthetic harp arpeggios, grimy, chromatic melodies and gnarly, glassy pads, the approach here is sometimes reminiscent of that lost era where home listening music, dance music and computer music formed an uncertain and temporary alliance. The notion of a confrontation is further underlined by the incidental appearance of a denatured voice in full range: whispering, declaring, demanding, wailing - looking the listener in the eye.

Recorded, produced and mixed by @ububoi & @hunterrrr.
Mastered by @wimdehaen.
Artwork & tape design by eeeeelllfffyyyyyyyyy.

Limited edition of 55 C35 tapes with on-body printing pro-dubbed by Headless Duplicated Tapes.

A Symbol For Disguise

pre-order

ubu boi & r hunter - Proxy, Lover (GEN048)

33 - 33-69

Format: Digital/Vinyl
Cat.No: CANVAS012
Release Date: 21st October 2022

Pre-order available at https://canvas-index.bandcamp.com/album/33-69

C.A.N.V.A.S. is proud to announce the release of 33-69, the debut album of 33. 33-69 laments and commemorates the interruption of the simplicities, beauties and charm of mortal life in full Baroque splendour, whilst also partaking in the final opportunities for carnal pleasure and orgiastic excesses in the earthly realm.

Through their collaborative project 33, Billy Bultheel and Alexander Iezzi further consolidate a partnership which has taken many forms within a visual, artistic spectrum. Their practice envelops performance art, music and installation, whilst pinpointing, developing and elaborating the most meaningful and poignant marriages of the disciplines. Their differing backgrounds have informed the way that their long collaboration works – Bultheel with his conservatory training, and Iezzi coming from DIY punk and experimental music scenes.

Their debut album 33-69 paints a tumultuous world within which the 33 collaboration is extended to a number of other presences that pierce the stormy skies to torment, delight and enchant. Amongst them are Ivan Cheng, Steve Katona and Dylan Kerr who appear in grace as the broody clouds part to let in some light. As the light recedes, NAKED haunts amongst the shadows on 'The Knife', with an avalanche of metallic noise.

'Thomas The Obscure', with Patrick Belaga's Cello performance, introduces an element of serene, meditative calm before 'Heaven's Blade' cuts through with the ultimate rapturous frenzy. The album ends with 'Speed and Beer’, a dizzying brass-led anthem which conveys a sense of nausea and confusion, surfacing from the shadows.

Bultheel and Iezzi carry with them a wealth of composition and performance experience and skill, boasting impressive trajectories which cross each other frequently. Now based in Berlin but hailing from Belgium and Arizona respectively, have worked together for the past three years, producing musical performances that explore relationships between movement, sculpture and electronic and classical music. This complex and intricate working relationship culminates in the creation of 33-69 as a defiant debut — a dense and finely crafted work which finds unlikely pathways through which to navigate Baroque, Lieder and exuberant club through humour, dread and exaltation.

33-69 was conceived during the first Covid-19 lockdowns and documents the duo’s experiences of pandemic life in Berlin. Recreating that dopamine shot and collaborating towards a sense of community that the pandemic had suddenly folded away. The record is a short but powerful rush of emotional states and bodily desires, translated into cerebral and carnal electronic compositions of EDM, noise and techno. 


Written, produced, recorded and mixed by 33 (Alexander Iezzi & Billy Bultheel)

Additional vocals on sirens by Dylan Kerr

Mastered by Ali Najafi

Design by Leïth Benkhedda & Stelios Ilchuk

www.c-a-n-v-a-s.com

33 - Thomas the obscure (Patrick Belaga)

[surf034]

https://soundcloud.com/opalbeau

artwork by usof (linktr.ee/usofusofusofusof)

🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️
ⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶ

opal beau ~ No-One To Talk To

"Neonatufian Intercession" Is Taken From Heal Spell, A Small Suite of Mixfile Crafts and Originally Produced Music Recorded In The Aftermath Of Xovington’s Unfortunate Attempt To Inscribe A Wacky Satirical Fiction Onto Reality Throughout The Years of 2020, 2021, and 2022… Using Their Own Spine.

Each Article Within The Suite, Individually, Is An Attempt To Soundtrack A Physical Teleportation Sequence OUT Of The Cape Fear River Basin Region Of The Carolinas AND INTO A Promising New Territory On The Shores Of Miami Beach.

Furthermore, a declaration Xovington makes on their META-owned instagram account notes their interest to invite into the world “Civil Conceptions Of Planet That Tessellate And Transform With Respects To Ordinal Social And Moral Need”.
https://www.instagram.com/xovxamxum/

On their personal website, Xovington declares their aims (at the time of this works’s production) primarily reducing to an “attempt to engage a quantum age civility's utility of the cybernetic in the interest of circumventing post-contemporary [order]...” and, as well, circumventing the “discords” that order invites through its relation to “cybernetics”.
http://www.xxamxum.tech

Each of these come together to surface the heterophony of the various articles found in “Heal Spell”.

released on unseelie, 2022.

Heal Spell

DOWNLOAD

N-prolenta - Neonatufian Intercession

pt. 1

https://avyss-magazine.com/2023/03/07/41954/

Bungalovv – Visited by Strangers
Label : Genome 6.66Mbp
Release date : March 31 2023
Bandcamp : https://bungalovv.bandcamp.com/album/gnm029-bungalovv-visited-by-strangers

Tracklist
1. Smoke Signal
2. Glued Armor (ft. Efe Ce Ele)
3. Sharing Spells (ft. Avernian)
4. Behind the Storm (ft. Catnapp)
5. Last Videocall
6. Forget my Eyes (ft. Okay Vivian)
7. Visited by Strangers

Visited by Strangers

Premiere: Bungalovv - Forget my Eyes (ft. Okay Vivian)

:') i'm growing but there is no pain

crying blend i made recently and played on my radio show separation station on refuge worldwide 16.03.23 

eeisa - quality tone calm x panasiagirl - somedays life is just hard x the breakfast club x pigbaby - why don't you stay for a moment x low - lullaby

i'm growing but there is no pain

"Misinput Tycoon’s 8 tracks sound like personal bursts of expression by the artist sculpted through artificial at times alien sounds that still sound very human." (Sonic Sundays) 

"This is an album full of intricately engineered, futuristic sound explorations." (Zenevloed) 

On Misinput Tycoon (GEN052), https://soundcloud.com/fausto_mercier returns to Genot Centre with an album full of intricately engineered, futuristic sound explorations. Quirky, syncopated, even grimy melodies emerge between sounds reminiscent of cinematic automatic sliding doors, plasma-filled light cannons and full-spectrum boot-up sounds. The approach is bio-mimetic, elastic, fizzy, accelerating and decelerating, like listening to a process of wringing out an artificial fabric, or rupturing ultra-light fibrous materials in incredible resolution. More than ever, this album is littered with colorful, even contemplative segments: having an orchestrated, playful feeling. But make no mistake: more than mere intermezzos, this only a further dimension of the album's depth, the bright timbres ready to interface with a stroboscopic, liquid, granular counterpoint at any time.

// Roland Nagy (https://soundcloud.com/fausto_mercier) about GEN052
“I’m constantly watching pixels since I was 5. This album reflects wasted time and digital traumas. MISINPUT TYCOON is a sequel of my FULLSCREEN album from 2019 (also on Genot) - a sonic playground that feels much safer to me compared to my previous works. Also, it's the first album I made without hearing „What would XY think about this track?” in my head. These are my hymns for healing from the digital core - hope it will help.”

// BIO
Roland Nagy (he/him) is a Hungarian sound engineer, ex-media arts student and producer. Ever since 2016 he has released music under https://soundcloud.com/fausto_mercier moniker on labels like on EXILES, Kaer‘Uiks, Pointless Geometry, Infinite Machine or Genot Centre. His work in the field of electronic music production, while resonating with hardcore digital culture and bouncy rhythmic heaviness, is closely connected to his fascination for natural soundscapes and their fractal nature. In particular, Nagy skillfully manages to depict a violent, tense world populated of minuscule yet grand sound variations, intertwined in a web of apparently chaotic textures. He was part of Shape Platform roster in 2020.

Buy & Stream

Fausto Mercier - unfast

Taken from 'Deserted / Reclaimed'(G&P015), out September 16, 2020

With a handful of releases out on various pioneering imprints (including longplays RISC Chip and Meme Booth via Conditional Records or the latest contribution to the groove series by Warsaw based label outlines), the producer, programmer and live-coder Mike Hodnick is one of the leading figures representing a movement of computer-centred music production, recently labeled as algorave. Since we are devoted fans for quite some time, the Platonic's are proud to present Mike Hodnick´s latest project under the prolific Kindohm alias - 'Deserted / Reclaimed'.
Sequenced live on a drum machine, the diptych stretches across four vast sonic plains, bounded by curvy dunes formed by countless TidalCycles code bits, constantly pouring over like the grains of scorching and shiny sand. Full of paradoxical rhythm twists planted into the ever-bending landscape, Deserted / Reclaimed reads as a fragmented and sometimes petrifying ride towards the chaotic percepts of the monumental surroundings, dissolving in the thermal inversion somewhere far on the horizon.

Written, produced & mastered by Mike Hodnick
www.kindohm.com
@kindohm

Artwork by Jiri Macku
jirimacku.tumblr.com

🦂

33 - Thomas the obscure (Patrick Belaga)

C.A.N.V.A.S.

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