This week a first for the podcast, I review the book "The Wizard of OZ and other Narcissists Coping with one way relationships" By Elenor Payson. Gregory Siff the bicoastal artist starts with his thoughts on the excerpt and his though on art and his art.

http://www.youtube.com/watch?v=MNOx8TJIePE

Model Actress Whatever, Gregory Siff EP 10

Drop limes sex, tour eating AC Slaters skittles in downtown LA influences and speaking sexy italian.. the ladies man Luca Drop the Lime, (born Luca Venezia in New York City) is an electronic producer and DJ and founder of dance label & Trouble & Bass. Drop the Lime's new material and DJ sets also feature live vocals.

http://www.youtube.com/watch?v=yGU2uAm5Xlw&feature=c4-overview&list=UUCXd8JdhMvaA-In4L1eygww

Model Actress Whatever X Drop The Lime EP11

mixing and playing with beautiful music for the real and fake. 

Heart Of Gold With A Hole

Having a baby u kinda freak out that your going to lose yourself. Music and making music videos has been passion since my teens. With my biggest one reaching millions of views of my song with Tiesto. I had a little freak out, now having a baby am I never gonna participate in music again? Baby eyes is a song I wrote after being dumped two and half years ago. I had produced it and mixed ready for release. Just sitting there like a old coffee cup, on your desk that you just need to take to the sink.

Cut to Sunday before my Tuesday due date of baby Chloé. 

I was having a tea with a friend, super pregnant newly walking after the severe car accident. We both had bands in our 20s and had worked on songs together. We decided we need to just release music do it. No need to ask permission or search for the end result. Make the music, make the video, release. It’s the new world. Share art. Sooo I knew I wanted to love my pregnant belly in a video. I took a art direction of a Kate moss photo spread. Set up my camera and acted out my Madonna music video dreams. In the summer heat face melting, self taping . I was Demi Moore I was every beautiful pregnant women. It was a practice of self love 💗. After a life threatening car accident I had very few wonderful pregnant beauty moments. 

As another part of the promises I’ve made to myself as trying to stay CC while becoming mommy CC. I’m self releasing this video and music before baby Chloé is 6 months old that date is December 16.

CC Sheffield -Baby Eyes

“You need me to DJ? Okay, so send a driver, and I’ll need a table, two bottles of whiskey, and cash at the end of the night. See you there.”

These opening words to a recent extended mix from C.C. Sheffield manifest the sweet, simple frankness of this new presence in the spin set.

The Seattle-born singer, songwriter, and DJ first dropped into the Los Angeles music scene as a member of the four-piece mood rock band Le Rev, whose sound seem to be a gene splice between PJ Harvey and Siouxsie and the Banshees. They ultimately released two EPs, but went separate ways in 2009. Sheffield took that as an opportunity to begin trying out her DJ chops, and was soon seen at a variety of Hollywood clubs and working with artists as diverse as Steve Aoki, MGMT, and Devendra Banheart.

Her first big break in professional songwriting, however, was writing in Sweden with producer Max Martin. Sheffield then went on to collaborate with DJ Tiësto in a remix of the Le Rev song “Escape Me” featured on Tiësto’s album Kaleidoscope (Ultra Music). This gave her the perfect transition into the worldwide electronic dance music scene. She devoted herself to songwriting, singing, and DJing across the globe, performing all the way from a Qatar prince’s New Years Party in Egypt to all-night raves in Seattle. She has also collaborated with superstars Afrojack, Avicii, LA Riots, Steve Aoki, Skrillex, and deadmau5.

As if that wasn’t sufficient, Sheffield is the newest sign for label Ultra Music, and released her first single, “Long Brown Hair,” on May 22. Her DJ sets, by contrast, both elaborate upon and plug in to that written music, and are the more compelling for it, as the bubblegum sweetness of her recorded style adopts a satisfying, often darker hue when she is behind the table. She’ll call from styles as diverse as Caribbean to variations on anthem rock, but her sets are infused with a weathered experience altogether unbecoming for a woman of tender years. Oh, and she’s also unspeakably lovely, which doesn’t hurt her marketability at all in this high testosterone profession.

C.C. SHEFFIELD

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