this part is inspired by TONY REDHOUSE, one of my favourite living/working musicians from TUCSON, AZ. check out his album "Deep Within"...

"Save The Bones" - Danny Barker

This is a song about trying to be a better version of yourself.

Something Better

went2see the gypsy

Cease Fire

Sammet

C. DEPP covers THURSON MOORE's "Benediction".


On this song, Thurston had this to say:

"On day one I played the first song sitting in front of a Beck-wired microphone, its design informed by the cut of Joseph Beuys’ cerebellum. The jam is called “Benediction”, where the camera records the adult girl reading a love letter written on the back blank pages of her hymnal where he knew only she could find it."

The tuning:

Eflat – Bflat – D – F – Bflat – C:

Thank U: 
Spencer Carlson
for teaching me how to play this (via youtube):
http://www.youtube.com/watch?v=umsRuUryF8w&list=UU96jAmpf8N61teJI9mcmxYw&index=6&feature=plcp


Photo by:
Roger Kisby 
copyright 2008.
NEW YORK - SEPTEMBER 12: Guitarist Thurston Moore attends the Fender Jazzmaster 50th anniversary concert series at The Knitting Factory on September 12, 2008 in New York City. (Photo by Roger Kisby/Getty Images)

---------
Thurston's lyrics:

With benediction in her eyes
Our dearest gods are not surprised
You better hold your lover down
And tie him to the ground

Whisper I love you one thousand times into his ear
Kiss his eyes and don't you cry girl he won't disappear

I know better than to let you go

With benediction in her mind 
She will never get you back in time
You better hold your lover down 
And tie her to the ground

Simple pleasure strike like lightning scratches spell her name
Thunder demons swipe her halo then they run away

I know better than to let her go

With benediction in her eyes
Our dearest gods are not surprised
You better hold your lover down
And tie her to the ground

Simple pleasure strike like lightning scratches cross her name
Whisper I love you my darling life is just a flame

I know better than to let her go
I know better than to let you go

Benediction (Thurston Moore)

In this episode we’re exploring a different side of the black lung epidemic through the stories of women who lost their husbands to black lung.  OVR Reporter Sydney Boles talks with Deborah Boggs, Joyce Birman, Vickie Salyers (pictured), and Nancy Potter who share fond memories from their husbands lives, as well as some of the struggles they faced while living with black lung. She also talks with Evan Smith, an attorney with AppalReD Legal Aid, about the federal black lung benefits system and how a program that was designed to help miners and their families became mired in bureaucracy. 




You’re listening to Mtn. Talk on WMMT.  In this episode we bring you an hour of interviews with women who lost loved ones to black lung disease.  Up next, we hear from Deborah Boggs, whose husband Ronnie died in 2016. 

Interviews/etc continued


That’s it for this episode of Mtn. Talk, featuring interviews with women who lost spouses to the black lung epidemic.  

If you’d like to hear this or previous episodes again, visit our website at www.wmmt.org  or download Mtn. Talk wherever you get your podcasts. 
Music on this episode features Carla Grover with a tune called “Could You Love Me One More Time”  from the album “Hush, my restless soul.” That album was produced by Appalshop's own June Appal Recordings.

Stories from Widows of Miners with Black Lung

This is a taste of inspector playing live 
(written by Julie and remixed by Guillaume Ballandras).
Voice (and x-tra keyboards) : Julie Margat
Guitars (and x-tra keyboards)  : Guillaume Ballandras
Drums : François Virot
Bass : Charles Virot
Keyboards and backing vocals : Mario.n-Jo

live 2018

Small Town Graffiti (Live Band Remix)

Foreign type

Laurana Wheeler Roderer, violin 1
Esther Witherell, violin 2
Brooke Mickelson, viola
Dana Hurt, cello

This piece was originally written to be paired with Desert Rain God by Louisa McElwain, and was inspired by the painting’s subject and use of texture and color. The monsoon’s shifting winds disrupt the rain shadow over the desert, bringing summer storms with fluctuating air pressure and sudden downpours.

Desert Rain God

traveling electric banjo noise singer, always interested in sharing/hearing new songs. Very influenced by Chan Marshall (Cat Power), Robert Pollard, Billie Holiday, the Coltranes, the Carter Family, Bob Dylan, George Strait, Dale Watson, Willie Nelson, Bill Callahan, Cass McCombs, Bonnie 'Prince' Billy, lispector, Lauren K. Newman, Sade, Sonic Youth & Thurston Moore &Kim Gordon, Robert Smith & the Cure, B-52s, Sundays, Mazzy Star, Loretta Lynn, Bob Wills, Patsy Cline, Jimmie Rodgers, Lightnin' Hopkins, Townes Van Zandt, Flaco Jimenez, James Hand, Kurt Vile, Howe Gelb, Naïm Amor, Hank Williams, Ernest Tubb, George Jones, Françoise Hardy, Keren Ann, Serge Gainsbourg, Andrew Malenda & Anilore, Gerald Jay King, L.J. Murphy, Van Morrison. Neil Young, Leonard Cohen, Lonnie Holley, Kimba Kuzas (Ruby Bell), mmh (Memphis/PDX noise), Sam Amidon, Stephin Meritt, Michael Jackson, Hannah 'Rose' Wilken, Sarah 'Rosie' Rose Starke (Rider Rosie/Hustle Shoals), Otis Redding, O.V. Wright, Carla Thomas, Leo Rondeau, Skip James, Johnny Lowebow, Jay Reatard, Hasil Adkins, Jesco, Daniel Johnston, Lyle Lovett (somewhat), Dwight Yoakam (alot), Beach House for now

Benediction (Thurston Moore)

C. Depp

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