A forked mountain, or blue promontory
With trees upon't, that nod unto the world,
And mock our eyes with air

tangerine a

From forthcoming album 'The landscape has become a bed'

Low Flung - Feet submerged

from Anxiety Euphoria available on Bandcamp and Spotify
lxvlxv.bandcamp.com

fever dreaming

Reverse Clouds

Theodore Cale Schafer (@theodoreschafer) and Angelo Harmsworth (@angeloharmsworth) are old friends who met through their involvement the Santa Fe, New Mexico underground. With Schafer currently residing in New York City and Harmsworth in Berlin, the two came together for a special collaborative performance in our NYC office.

This performance can be listened to in its entirety and purchased as a digital edition at nights.ninaprotocol.com, with 100% of the proceeds going to the artist.

Nina Night - 008 - Theodore Cale Schafer & Angelo Harmsworth (Clip)

https://broshudadrips.bandcamp.com/album/mitra

Mitra

Untitled

Ill probably come back to add more to this one.  Collaboration ideas are welcome

Dehydrated Membrane

uon - 'zlo'
Format: 12"
Release Date: 7 August 2017
Distributed by: Rubadub

PURCHASE:
https://motionward.bandcamp.com/album/uon-zlo-2
                             
Motion Ward is proud to welcome the debut 12" from uon, 'zlo'. The artist known as uon, originally from Chicago but now based in Berlin, also operates under the pseudonyms Caveman LSD, DJ Paradise, and special guest DJ for all mix / DJ related outings. 

*easy listening for some*

A1. zlo "LSD" 
A2. kosm "void jelly"
B1. suB1 "scuffed,warm,curved,slow"
B2. kissing "headrush"

https://soundcloud.com/juicycrypt

www.motionward.com

MW003: uon, 'zlo'

BISCOTTI

releases November 20, 2020
mastering and lacquer cut :: Mike Grinser (Dubplates + Mastering, Berlin)
mixing assistance on "An Indefinite Lattice" :: Nathan Taylor

all proceeds to NHLC (Honolulu, HI) :: nativehawaiianlegalcorp.org

"Indefinite Lattices, the new 12-inch record by Glyn Maier, is rock music of a very different order. During visits to two mineral-rich sites, Maier collected field recordings of these environments which were then re-synthesized into four extended compositions. At Ringing Rocks in Pennsylvania, a field of boulders make bell-like tones when struck, as well as low-frequency tones that are unhearable by humans. (Scientists have yet to discern why the rocks ring, but believe it may have to do with the freeze-thaw cycle that produced them.) The other site visited by Maier—the fairly remote Kaʻena Point on the coast of O’ahu, Hawaii—was believed to be the departure point for souls leaving this world.

The unstable rhythmic patterns from these spaces, as well as Maier’s tappings, scrapes, and footsteps throughout the two sites, are paired with lullabilic progressions and ghostly effects. Instead of the artist’s personal expressions, the tracks on Indefinite Lattices are envisioned as lithic formations in their own right, as things grown rather than produced. They seem to have peaceful but complex lives of their own. Guided by notions of deep ecology—and an anti-colonialism that recognizes the bloody histories of these two sites—Maier refashions the instrumental utility of electronic music so that the agency of environments is emphasized.

Like watching rocks fall down a cliffside and splashing into a stream, or the humbling calm of a thunderstorm, one is left wondering whether this record is the result of human intention or a combination of natural forces. Treading the line between traditional and experimental approaches to ambient music, Maier edits the contingency of his gear’s electrical signals and the recorded environments into tightly conceived compositions. Indefinite Lattices is documentation of moments in the geological process, but also illustrates the geologic nature of art itself.

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Glyn Maier is a sound & field recordist and conservationist living in the Unorganized Territory of South Oxford, Maine. He previously released music under the alias Lack. "

tangerine a

c g

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