Beyond / Below B15 by @alex-barnett. Received January 2023.
Photo by Alex

'One man's dream can hold dominion over the entire world, 
for one who dedicates his life to the forging of a single sword. 
While many can pursue their dreams in solitude, 
other dreams are like great storms blowing hundreds even thousands of dreams apart in their wake. 
Dreams breathe life into men, 
and can cage them in suffering. 
Men live and die by their dreams, 
but long after they've been abandoned, 
they still smolder deep in men's hearts. 
Some see nothing more than life and death. 
They are dead! 
For they have no dreams'
-Kentaro Miura 

Habib - A New Land
Pale Cocoon - 自動人形 (Automaton)
Conrad Schnitzler - Wer Geht Da?
Hermann Kopp - Mutus
Killing Sound - 6 Harmonies
Areski / Brigitte Fontaine -  La Tête Bandée
Jac Berrocal/David Fenech/Vincent Epplay - Valse Des Lilas
Phew - Kodomo
Wilted Woman - Tropical Malaise (Excerpt)
Igor Whakevich - Grand Sabbat LucifÈrien
The Tapes - Berlin
Colin Newman - Fish 4
Georgie D. - Die Kunst Wird Mal Durch Abschlachten Groß
Susumu Hirasawa - Gats

B15. Alex Barnett

When the culture of hip-hop first began to take shape in the 1970s, 
it consisted of at least four fundamental elements: 
deejaying, emceeing, graffiti, and breaking.

Breaking, popularly known as breakdancing today, was created 
in the Bronx in New York City. The term breakdancing as it’s used 
in the media often mixes New York’s b-boying and West Coast–developed dance styles like popping, locking, and the electric boogaloo. B-boy dance moves are influenced by a number of cultural sources, including African-American and Afro-Caribbean music, kung fu, and capoeira.

Breaking reached peak popularity in the mid-1980s, when a 
number of films showcased the moves and the youth who created it. 
Breaking began as a mode of self-expression; it was a part of a larger culture that reflected the social, economic, and political conditions of the youth at that time. Now, decades later, as the style and moves of breaking have changed, so have some of its traditions.

have a listen to this mini selection of vintage grooves from its humble beginnings.

Traxx Presents 80s Streetbeat Protodance

We had Mike Broers DJ in early March of 2020 for the Juzer (Dan Jugle and Beau Wanzer) record release party, where he played a crate consisting mostly of records he got from Jugle's own record collection back in 2001. This mix is based on that set.

@mbroers

Tracklist:
01. mandate - computerdate
02. michael perkins - stations
03. coil - the snow
04. neil landstrumm - leaving edinburgh humour
05. robert owens - i'm strong (dub)
06. jb3 - time
07. braincell - so far so good (the roy davis jr track head reconstruction)
08. armand van helden - the donkey
09. cab drivers - arcade
10. k hand - global warning (underground mix)
11. jamie bissmire - the earths vital energies
12. frankie bones - my peak
13. brother from another planet - chronicles
14. joey beltram - untitled (SW37)
15. mandate - dash it
16. dar embarks - stanz
17. .xtrak - multiplexor
18. stewart walker - stoic track
19. function - f4
20. david - rough cowboy
21. dhs - telephone sounds
22. gene hunt - pain in my mind
23. green velvet - the stalker (laidback luke remix)
24. jeff mills - the bells
25. oliver kapp - treeday
26. akilah bryant - eye trip
27. joel mull - untitled (infected)
28. chancellor - untitled (west of detroit)
29. damon wild - police
30. jammin gerald - like this
31. timeblind - structure
32. akilah bryant - arachnophobia
33. robert armani - ambulance
34. dbx - electric shock
35. planetary - end
36. hyperactive - wide open
37. la style - who is elvis   
38. dar embarks - voodoo 97
39. mandate - dig its simple
40. hardfloor - beavis at bat
41. chandeliers - heavy traffic 
42. caustic window - on the romance tip
43. clark - jak to basics
44. bionaut - lubricate your living room (mike ink mix)

CLEAR MIX 04 - Mike Broers

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CLEAR MIX 04 - Mike Broers

CLEAR (US)

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