Mixe - other

Prospa debut for the legendary Radio 1 Essential Mix.

BBC Radio

Radio 1 Essential Mix

SHIR KHAN on:
- Facebook: www.facebook.com/djshirkhan
- SoundCloud: @shirkhan

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass
- Instagram: www.instagram.com/howimetthebass

3 QUESTIONS to SHIR KHAN:

Q: Let's get into the mood for your mix. What did these tracks mean to you once?

A: Every single track in this mix means pretty much everything to me. It sums up 100% what I used to play in Berlin - in the year 2003 & 2005 & 2007. I played each of these tracks a million times probably back then:) The first 2 hours were mixed on Vinyl. It’s a mix of Rap, Dope Beats, Soul & Funk, Nu-Jazz, Electroclash, Indie Dance, Disco Rock, Aristocratic Booty Beats, B-More, Mash-Ups, Favela Funk, Post Cash Pop & Pre-Madonna, Low-End, Hiptronica, Dubstep, Jungle. I am still realizing how much these records mean to me (even if some of them are very cheesy but HEY so much fun!)  than those billions of MP3s I carry around in my USB stick now. 

Q: How did you follow the development of electronic music the past decades?

A: I used to be a Hip Hop DJ in the middle / late 1990ies but got quickly bored with just playing one style. I bought records from various genres. I went in tons of different Vinyl stores in Berlin and was always looking for the perfect beat - no matter what genre and then try to mix it up and present my music history / background to the audience. I later started ordering some Vinyl in Manchester via Picadilly Records - I guess around 2004. They were early on with the Indie Dance sound which seems to be popular in these days again. Via Broken Beats, UK Garage, Disco & Indie Dance I  got more into House / Deep House / Acid and a bit of Techno (the good one - not the bad one) later. I used to have a weekly 2 hour radio show on Radio Fritz in Berlin/Potsdam - from 2008 until 2016 - I always covered lots of different dance genres. Anything was possible and still is for me these days.

Q: Which future Shir Khan projects are currently on the way - so: What's coming next?

A: Gonna release a new Black Jukebox edition in September. Black Jukebox is my Disco House Vinyl Series. Go and have a look for: Shir Khan Presents Black Jukebox 32. It’s hot! Besides that I am keeping busy with my label Exploited and also focus on some new projects here in Asia. Living in Bangkok since some years now and currently enjoying island life on Koh Phangan, Thailand. Sadly we are still in sort of a lockdown - but I am trying to stay optimistic & focused meanwhile.

Shir Khan - HOW I MET THE BASS #204

Eclectix is my bi-weekly (currently weekly) show on Evosonic Radio where I play whatever I like and where I talk. A lot. In German. ;)
This is the mix of last week's show without any talking at all.

Back from my winter break, I celebrated with the first Prodigy special, I did in 13 years, playing tracks from over 30 years of music history made in the UK.

The next new episode will air live this Sunday, 6pm (cet) on https://evosonic.de

PLAYLIST: https://eclectix.de/#playlists

Philipp Giebel:
Linktree: https://stimpy.me
Facebook: https://facebook.com/eclectix.stimpy
Instagram: https://instagram.com/stimpy23
Twitter: https://twitter.com/stimpy023
HearThis: https://hearthis.at/stimpy
Soundcloud: https://soundcloud.com/stimpy23
MixCloud: https://mixcloud.com/stimpy23
Evosonic Radio: https://evosonic.de

Evosonic

FREE DOWNLOAD

Eclectix 2022-04-10 - The Prodigy Special (MIX ONLY!)

Download link: 
<a href="http://www.mediafire.com/?mxj2wen1yan">http://www.mediafire.com/?mxj2wen1yan</a>

Martini Bros  DJ mix 01 2010

 Ram Dass leads a 35 minute meditation, originally recorded January 1981, in Sydney Australia. 

Ram Dass guides a soma (divine nectar) meditation, focusing on drawing the living spirit in through the breath and body - and releasing the stuff in you that is keeping you from being with the universe: fears, negativity, doubt, inadequacy, anger, loneliness...replenishing your body with healing energy. Release the things you don't need in order to be in the spirit. 

Soma Guided Meditation With Ram Dass

I’ve been pretty obsessed with simple ratios in the forms of chord progressions for as long as I can remember, hence all the long sustained chords in my music - for some reason I find chords even more satisfying in the lower frequencies, maybe we can pick out the ratios more clearly when they’re using slower wave fronts like with bass. I also love melodies and rhythms that combine different loop lengths so that interesting syncopation effects arise as a result of the ratios between the loop lengths. A lot of my favourite new tracks recently have used these types of techniques, so I decided to base a mix around them - Semiosis.

Semiosis is a process by which we create meaning from comparison. If I tell you a made up word that doesn’t relate to anything you know, you can get little meaning from it - meaning comes from what something isn’t, how it relates to other things you know. Music works in exactly this way, with us comparing meaningless wave frequencies to find feeling in how one value relates to another - a ratio.

Whether or not you like it, your subconscious mind is a massive maths geek, and it gets really excited when it finds a 1:3:5 ratio in the stream of air pressure information being received by your ears.  Ratio has the capacity to make us feel and make us dance. But it all happens without us being aware of it. 

When you listen to long drawn out chords and syncopating rhythms however, you can’t really get the full feeling from just a quick dip in, I find that it needs time for the ratios to wash over and sink in. The more time you give to it the more beauty you can find hidden in there. So the mix is very much of this long form, it doesn’t jump from one extreme to another like some of my other mixes, and needs to have some time to develop.

This is part 2 of 6 from the Quotient Series, all of which can be downloaded for free in return for signing up to my new download website, built specifically for bringing you new original tracks, remixes and mixes, which you won't be able to get from anywhere else. 

You can find the website here: http://bit.ly/CooperSound

Max Cooper - Semiosis - DJ Set - Quotient 2/6

1. Petrels - White And Dodger Herald The Atomic Age - Part 1
2. LJ Kruzer - Turk
3. Petrels - White And Dodger Herald The Atomic Age - Part 2
4. LJ Kruzer - Poil
5. Vessels - Elliptic - Barker & Baumecker Remix
6. Akkord - Typeface (Houndstooth)
7. Stimming - Der Schmelz - David August Remix
8. Oberst Buchner feat. Mimu - Doves - Patlac Remix
9. Clarian - Inuit
10. Locked Groove - Meditations in an Emergency - Clockwork Remix
11. Vaetxh - Mass (Detroit Underground)
12. Subjex - Funkynightmare (Warp)
13. Max Cooper - Voyage Through the Analogue Womb (Fields)
14. CTRLS - Charge - Rrose Remix
15. Donato Dozzy - Vaporware 07
16. Diemantle - Over the Edge
17. Bill Youngman - Teardrop Turns to Solid (Killekill)
18. Ueno Masaaki - Supersolid State (Raster Noton)
19. Rival Consoles - Recovery (Erased Tapes)
20. To be announced (Quotient)

FREE DL FROM HERE

Semiosis - DJ Set - Free DL - Quotient 2/6

Keine Musik für Niemand – Polit-Rock und Propaganda Funk aus Deutschland

“Keine Musik für Niemand” is a special full power funky rock set covering the indespensable, indisputable, yet overlooked “Agit-” and Polit-Rock genre with tracks by Lokomotive Kreuzberg, Fasia, Oktoberklub, M.E.K. Bilk, Ihre Kinder, and many others. The mix covers music from the 70s up to the early 80s, full of heavy breaks, undiscovered Krautrock gems and more.

The cover is a remake of the über-classic Ton Steine Scherben “Keine Macht für Niemand” (“No Power for Nobody”) album artwork. I changed the title to “Keine Musik für Niemand” (No Music for Nobody) stating that most of the songs remained totally underground and spread only in the left wing radical scene – being too offensive and strange for most “normal” people. 


Keine Musik für Niemand

This is a binaural Version of the original SOUL STORY mix
https://soundcloud.com/siko81/siko-soul-story-432hz

* HEADPHONES RECOMMENDED *

Use this session in a quiet, comfortable place, free of distraction, in a chair or lying down. 
After starting the session, close your eyes and relax.

During the session you should remain as calm as relaxed as possible.

This session uses Delta waves, a deep meditative state.
It's specially designed for hyperactive and restless individuals.

Enjoy the Journey.

*HEADPHONES RECOMMENDED *

Thanks to all artists included in this mix:
. Adham Shaikh
. Anilah
. Desert Dwellers
. Jan Garbarek
. Kalya Scintilla
. Luke Howard
. Matana
. Random Rab
. The Cinematic Orchestra

Release Date: 15.07.15
Artist: SIKO (www.SIKOmusic.com)
Cover: Android Jones
Binaural Waves: Neuro-Programmer 3

<a href='https://theartistunion.com/tracks/99c7f7'>Download for free on The Artist Union</a>

Download

SIKO - SOUL STORY (432Hz) Binaural Version

"I love warming up. Playing whatever the fuck you want like it’s your living room, then gradually collecting the energy together and pointing it in the right direction. There are some shocking mixes in here. The embarrassed half of me would love to smooth them out for you; the other half is proud of not really caring. It was a very special night and the tunes should speak for themselves. Thanks to everyone who made Low Life so bright and unique over the years – the DJs who ruled, the divas who served, the crew who brought the magic, and above all, the hardest-working dancefloor in showbusiness. Low Life loves you." 

-Frank Broughton 

Find out more about the late, great Low Life parties here: www.boilerroom.tv/residents-hour-frank-broughton-low-life

Residents' Hour: Frank Broughton (Low Life)

Original air date: 2/8/2013. Dark Science Electro 121

Egyptian Lover - Keep It Hot
Das Muster - Optionen
Carl Finlow - Floating Point
Headnoaks - Speak With Lifeforms
Cody Commando - Deadly Directives
Dopplereffekt - Denki No Zuno
FPU - Crocketts Theme
Drexciya - Intro
Drexciya - Dehydration
Dynamik Bass System - The Mighty Machine
Kobol Electronics - Intellicon
Rawtary   - Pain To Your Soul
Deemphasis - Aquarius
Komarken Electronics - New World

Dark Science Electro - Episode 121

Fusion 2016
Kolkata
Do. 7°° - 10°°
No techno, no mixing, no filters. This time. 
Requirement
Free mind - get them in to a nice fusion 
here we go.... have fun ! 
Part 2




fusion 2016 Kolkata part 2 mp3

*Exclusive oldschool acid trance mix made for the 2nd episode of the Resuscitated Records Podcast - Fresh From Yesterday

01. Acrid Abeyance - Minimalistic (Commander Tom and Ray Boye Remix) - Important Records (1994)
02. Gamma Loop - Eclipse (Sun's Mix) - Hyper Hype (1994)
03. Virus Inc. - Temple Of Colors - Frankfurt Beat (1993)
04. Instant Zen - Love Dove - Noom (1994)
05. Instant Zen - Synthetic - Noom (1994)
06. Ninjahead - Pulseman vs. Sineman - Frogman Records (1994)
07. Paragon - Everything Was Legal - Frankfurt Beat (1993)
08. Cardiac Infarction - Flying (Johan's Edit) - Frankfurt Beat (1993)
09. Tempodrom - The Tempodrom - Frankfurt Beat (1993)
10. A&E Dept. - The Rabbit's Name Was (Kris Needs' Kek Detonator Mix) (1995)
11. Solar Quest - Into The MAchine (I Need To Sit Down After That One Mix) - Choci's Chewns (1994)

Resuscitated Records Presents - Fresh From Yesterday feat. Johan Nilsson

GROJ on:
- Facebook: www.facebook.com/grojmusic
- SoundCloud: @groj

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Twitter: www.twitter.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass

3 QUESTIONS to GROJ:

Q: Talking about your roots. A lot of german Synthi-Pop/New Wave tracks are inside your mix. How did you get in touch with this kind of music and how would you describe your roots?

A: Thanks for having me on this project, great concept and I loved to work on it. These are big names in my family - Kosmische Musik was always around the house and readily inculcated to anyone flipping through album covers in the living room. But children rarely like the music their parents listen to and why would these names stand out from all of the musical action of the 70-80 and 90s? My attachment is conceptual. I think German Rock had it's own mission and a different vision than what was happening at the time elsewhere. It isn’t too pushy or too snob and still very elegant and refined. The music is grounded in a feeling of home and belonging, of being back at the castle. At the same time it is very transporting, rhythmic subtleties and repetition is central to it. I learnt a lot about making techno from these guys and I’m sure I’m not the only one.

Q: You´re from Grenoble, living now in Montreal/Canada (is that right?). How would you describe your development in electronic music between Europe and North America?

A: That is correct. I go back and forth a lot. I love Montreal and where I come from in France. I think both continents feed off each other. While there has always been some strong artistic rivalries and misunderstandings in the past, I think both schools hold a lot of admiration for one another. Being in Montreal is great because there is a flow from both sides and you don’t need to pick a side. I think this comes through in my music as well - I try to be free-spirited, raw and open to serendipity like a North-American, and at the same time I see the value in not pissing on everything that has been done before, in preserving heritage and order like a good European artist. So the course of my development as an artist in a sense is also to unite and re-concile these two worlds.

Q: Which future Groj projects are on the way?

A: At the moment I’m working on an album, which is something I haven’t done for several years now. It is both a great and terrifying feeling. There will soon be a single release on microCastle which is a club cover I made of Transmission by Joy Division. A new EP on fryhide is coming soon as well.

Groj - HOW I MET THE BASS #152

Special oldschool trance mix made for Pearsall and his Sonic Rampage blog. The set is featured as a download on the site together with an interview and you can check it all out and grab it here: http://sonicrampage.org/blog/2012/10/guest-mix-an-eve-records-tribute-by-johan-nilsson/

This set is also a personal tribute to EVE Records and Pablo Gargano who was responsible for some quality trance tracks back in 90s. His EVE and Telica labels made a huge impact on me back in the day and some of these tracks are still personal favorites.

01. Pablo Gargano - Trance In Saigon - EVE 09 (1996)
02. Pablo Gargano - War World - EVE 22 (1998)
03. Pablo Gargano - My Nightmare - EVE 14 (1997)
04. Pablo Gargano - My Noise - EVE 18 (1997)
05. David Craig - Lord Of The Universe - EVE 11 (1996)
06. Pablo Gargano - Headlines - EVE 15 (1997)
07. Pablo Gargano - Grand Hall - EVE Senza Volto (1997)
08. Pablo Gargano - The Runner - (NRG Mix) - EVE 17 (1997)
09. Pablo Gargano - On A Deep Tip (Follow The Rimshot Remix) - EVE Senza Volto (1997)
10. Pablo Gargano - Organi-IC - EVE Senza Volto (1997)

EVE Records Tribute Mix (Sonic Rampage Guest Set)

This set was recorded Saturday afternoon at the Fusion Festival 2019, Spacebar (Seebühne)

Gauner aka. Andreas Stefi @ Fusion Festival 2019, Spacebar (Seebühne)

Gauner @ Fusion Festival 2019, Spacebar (Seebühne)

Die Summe aller Emotionen ist ein Fakt. Acid, Mensch. Do it again.

ACIDLOVE RÄUBER*INNENHÖHLE TECHNO

sandix acidlove räuber*innenhöhle fusion 2019

liveset i played monday morning on bachstelzen. i changed some things and cut some things to improve listening comfort. thank you to all the beautiful souls who danced like a horde of wild apes after so many days of fusion <3

special thanks to my brother @aaronahrends for the brilliant mastering

LIVE at fusion

'This is Kalaha Moon to ground control: lift-off successful!
All systems in check. The Fusion engine‘s running smoothly.  
We’re expecting to have a pleasant and exciting flight. 
Enjoy and thanks for flying with Kulturkosmos!'

A compilation of our 2 hour live set @ Bachstelzen, Fusion Festival 2019

Kalaha Moon LIVE @ Velvet Soup | Fusion Festival 2019

DR. MOTTE on:
- Facebook: www.facebook.com/DrMotteOfficial
- SoundCloud: @dr-motte

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass
- Spotify: spoti.fi/2KipBo7

3 QUESTIONS to DR. MOTTE:

Q: Talking about your mix. What do these early tracks and genres mean to you and how did you get in touch with Techno and House later?

A: I collect music since the age of 12 and that was in 1972. A record store opened up 5 minutes where I lived in West Berlin. At the age of 14 I discovered Jazz. I was a Jazz fan till 1979 and went to all Jazz concerts and spend all my money for Jazz music & Jazz concerts. Later at the end of 1970s I was listening to John Peels music which had a huge impact for alternative music in any direction and I was very much involved in to the „Geniale Dilletanten“ movement in West Berlin. 1986 me and 2 other DJs opened up the club „Turbine Rosenheim“ and there I started the first ever Acid House Party.

Q: You just celebrated 30 years Loveparade. How would you describe the development of Electronic Music and the whole scene around from 1989 till now?

A: It was a "Do It Vourself" movement in the beginning. We wanted to do an innovation with the lifestyle we lived together of this new acid thing what was coming up. We all had a super feeling about the new music and we had the impression that we could embrace everyone and everything. When the wall fell down and East Berlin was open we had the chance to build our own world in the old buildings and free spaces we created inside. That was very magic and the drugs much better. Thanks for being at the right place and the right time.

Q: Besides music you are active in several political and social projects. What are you currently working on and what are your plans for the future?

A: We need to protect our own culture and the open spaces we use for. In Berlin is a lot of gentrification going on and some investors collecting buildings and raising the rent for the clubs, studios and practise rooms. This will kill the club culture in Berlin and elsewhere in Germany. I'm thinking in the moment what is the best thing to do to protect our electronic dance culture in Germany. I'm sure pretty soon there will be a solution and some action. We need to come together and rise up and fight for our rights and 30 years of building up of our own culture. We need protection by our government not ignorance. We are the people and we want freedom for us not security.

Dr. Motte - HOW I MET THE BASS #158

@rudistoeher

Style: #Liebeslieblingslieder

Lenght: 02:32:39
Quality: 320 kBit/s




Tracklist:
1. Anton Bruckner - Andante. Andante quasi Allegretto
2. Massive Attack - Unfinished Sympathy (Live)
3. Caribou - Bowls
4. Air - You Make It Easy
5. Speed Fiat. Trettmann - Immer Bei Dir
6. Deichkind - Kabeljau Inferno (Don Dougie Remix)
7. AzudemSK fest. Philanthrope - Nebensache 
8. Ghostnaut & L’indecis Feat. Kid Abstrakt - Voyage
9. Unknown
10. Goldroger- Zauberberg
11. Gorillaz - Don’t Get Lost In Heaven
12. Gorillaz - Demon Days
13. Ton Steine Scherben - Der Traum Ist Aus
14. Feine Sahne Fischfilet - Weit Hinaus
15. AnnenMayKantereit - 21,22,23
16. Foo Fighters - My Hero
17. Rage Against The Machine - Bullet In The Head
18. Placebo - Black-Eyed
19. Kettcar - Deiche
20. Bosse - Ich Bereue Nichts
21. Die Höchste Eisenbahn - Mira
22. Makle - Diamonds
23. Tom Odell - Sense
24. Tua - Tiefblau
25. Tua - Bruder II
26. Antilopen Gang - Verliebt
27. Icke&Er - The Sky Is Der Himmel
28. AzudemSK Feat. DJ Educut & Diggi Mac Dirt - Bulgur
29. Okay. Kid - Wut
30. Bonobo - Second Sun
31. Shed - Sterbende Alleen
32. Moderat - Berlin
33. Moderat - Gita
34. Rival Consoles - Morning Vox
35. DJ Koze Feat. Dirk Von Lowtzow - Das Wort
36. Doctor Rockit - Eau D’erik
37. Robag Wruhme - Ende

Mixe - other

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