Wish for silence? it would be a shame with a track like this ;))

Shock the Algorithm

ME & MYSELF
Written, Performed, Produced & Mastered
by Andrew Borderick Copyright 2022 AB Music
https://www.youtube.com/watch?v=6N3NU2j2fdY

I'M HEARING A SOUND AND IT'S LOUD 
AND IT'S CALLING AND SHOUTING TO ME
I'M HEARING THE WORDS OF A SONG ALL ALONG
THEY'RE ALL RINGING YOUR NAME

MAYBE THERE'S SOMETHING
I'M HEARING SOMETHING STRANGE OUTSIDE
MAYBE IT'S JUST ME AND MYSELF

THE LIVING THE LAUGHING THE TALKING
THE CRYING IT COME TO ME
I'M HEARING THE WORD'S THAT YOU LEFT
NOW YOUR GONE AND IT'S CLEAR TO SEE

I'LL TELL YOU SOMETHING
I'M FEELING SOMETHING STRANGE OUTSIDE
I BELIVE IT'S JUST ME AND MYSELF
(break)
I'LL TELL YOU SOMETHING
I'M FEELING SOMETHING

SO DEEP IN THE NIGHT AND IT'S BRIGHT
AND IT'S LIKE IT'S SHINING ON ME
I'VE BEEN RIDING THE TIDE IT'S SO HIGH
LIKE A KITE I WISH YOU COULD SEE

I SEEING SOMETHING
I'M FEELING SOMETHING STRANGE OUTSIDE
IT'S ONLY SHINING ON ME AND MYSELF

ME AND I

ME MYSELF I

ME AND MYSELF

ME & MYSELF (see info for video link)

track 04 / street fighter theme
short stuff EP / releasing july 2023
10 songs in 5 minutes. ***

album artwork by my daughter - www.instagram.com/iboyte/

1. big fuzzy bumblebees 00:39
2. you're everything to me 00:34
3. handsome model man 00:35
4. street fighter theme for bass guitar, oboe* and flute** 00:35
5. any other way 00:11
6. i am not the one (ft taxihome) 00:30
7. hoochie mama (ft auntspinkick) 00:24
8. and they wait for the tiny bone 00:47
9. right behind you 00:21
10. sad little scratchy thing 00:32

all music and what not by andrew salvner except for:
- the reversed drums on track 2 are from plex auchta
- track 4 is a cover of a riff from a street fighter video game
- track 6 uses a reversed portion of a taxihome song

@plex-auchta
www.streetfighter.com
@taxihome

* oboe is keyboard
** flute is keyboard
*** 5:05 if you're gonna be a dick about it

short stuff

street fighter theme for bass guitar, oboe* and flute**

■Helplessly Hoping (2005 Remaster) - Crosby, Stills and Nash 
https://www.youtube.com/watch?v=BdBs7JFn9Pk

◇A historic masterpiece that can be played with a simple chord progression and basic three-finger playing technique◇

[Am7]Helplessly hoping her  [C]harlequin  hovers near-[G]by,    awaiting   a   [D]word.
[Am7]Gasping at glimpses of [C]gentle true  spirit he [G]runs wishing he could [D]fly
only to [Am7]trip at the [C]sound of good-[G]bye. [D] 
------------------
I started playing this song to get my hands used to playing a guitar with nylon strings (ball end type). This is because I often play it for tuning purposes. I feel that it will still take some time for me to get used to these strings, so I will upload a number of recordings here, including some of me sluggishly, and show off my practice scenes.

I know that this song has been covered many times by large choirs and choral groups consisting of several people at recitals and the like. I recommend that you use the link below and use it as one of your regular practice songs :)

Once you listen to this recording, you'll notice that my guitar strings have a slight crackling sound. This wouldn't be a problem if my guitar wasn't used to the new strings, but this song uses a lot of open string sounds. Therefore, even if the performer tries to control the chattering sound with his left hand, he may not be able to do so. 

In other words, our acoustic journey with nylon strings has only just begun. I would be happy if you could feel that at this stage of recording, I am still in the ``beginner'' stage where I can't control myself. Because if you listen to the original work on YouTube from the link above and start singing along, you won't be able to hear the slight creak of my guitar in this recording. Please sing along with CSN's music source. 

Please master this song that has been sung by many people for decades. And sing along with my guitar. If you are practicing guitar, please follow the same steps. It would be a great honor for me to be able to start this nylon string acoustic journey with you all from the very beginning. That's a great start :)

■lyrics and chords
https://www.e-chords.com/chords/crosby-stills-and-nash/helplessly-hoping
https://chordseasy.com/song/35414/helplessly-hoping
*In the above site, the code for "They are one person" is G/C. I think that "C" may be "G7" or "G4".
■Crosby, Stills and Nash (YOUTUBE)
https://www.youtube.com/channel/UC25j4DwEaTkGHCUpQo2mZPQ

Helplessly Hoping - CSN cover

Helplessly Hoping - CSN cover (SOLO) with a gut-string guitar

Cosmogenesis

Sergios - Drums
Giouli - Guitar
Christos - Vocals, Lyrics


"THOUGHTS"
Free in my mind and soul, earned through all my living,
Every sacred message, has a different meaning,
Have i ever thought, what it is just giving,
Every little soul, has a great beginning.
Take it all down fellow, to the point you deal,
Cards that never stop, our brains from what to feel,
Is it thought just travels, or our feelings throttle,
Maybe all together, make us live as a whole.
Fantasy created, fantasy itself,
Thought just gives a feeling, killing death on breath,
Combination ended, realistic zones,
We live through one message, passing through our bones.
Does this means we are bonded, taking down a trip,
Living as created, things don't ever flip,
Everything was always, as has always been,
Get the point geezer, get the light of sin.
My mind travels, my thought disappears,
I live in agony, my heart is full of tears,
My soul evaporates, as it lives in nowhere,
My brain dissolves, i can't believe i am lower.
Open now your eyes, the deal wants your heart,
Maybe what we are made of, is with our brains attached,
Let your soul come out, let your soul see,
Maybe soul and body, spirit and you' re free.
Live with spirit fellow, the light has been reborn,
Let your first thought travel, to your eternal soul,
Maybe what we are, is given all around,
Spin it in your heart, live a second round.
Lyrics by RAGIAS CHRISTOS
Enjoy the trip!!

THOUGHTS (Lyrics on Description)

Brand new track by STA and the last for 2024. Enjoy this instrumental Synthwave retrowave track and wishing u a great Happy New Year!

Taken from my upcoming full length synthwave album (2025) that will be called "Ultraviolet Cosmos".

Youtube: https://youtu.be/dVYJo3nVTPw

#2025 #happynewyear #Digitizedhorizon #synthwave #retrowave #synthwave
#retrowave
#outrun
#darkwave
#cyberpunk
#80s
#80sMusic
#retrowavemusic
#synthwavemusic
#newretrowave
#futurefunk
#synthwavebeats
#retrowavevibes
#synthwavemusic
#retrowavemusic
#synthwave2024
#synthwavemix
#synthwaveradio
#synthwaveforgamers
#synthwaveforstudy
#synthwavedriving
#synthwavecyberpunk
#retrowavemovies
#bestsynthwave
#newsynthwave
#synthwaverelax
#synthwaveworkout

Digitized Horizon

Blackout

written, performed and produced by Richard Brown.

Lyrics:

I feel it comin I feel it within
My worlds getting darker the lights getting thin
I’m dying of hunger I’m dying to live
The spell that I’m under has left me in sin

Father you tried to break me
Sisters and brothers always leave
Mother why does your heart bleed
Why is a friend the one in need

It won’t be for nothin if I’m not to win
I’ll take what I’m given and drink it like gin
I’ll crawl through the darkness against the cold wind
And claw at your feet til you let me in

Father you tried to break me
Sisters and brothers always leave
Mother why does your heart bleed
Why is a friend the one in need

Blackout

noxpox - Why Are They Afraid Of Freedom?

Wish Of Silence

An instrumental brand new track, more experimental along with punk rock elements (mostly 90s) along with the 80s feeling into it.
LUMI=Like u mean it.
 
Enjoy my friends!
Youtube: https://youtu.be/gzSvR9GT-zE
---------------------------------
(p) & (c), 2025.

LUMI

A Synthwave space odyssey, House anthem, and that time you walked into a strip club and saw your mum working the pole.

Without Discotheque

Contemporary work for String Quartet, Woodwinds and Percussion.

My Method of Composing and Producing

I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

Suite for Chamber Ensemble 2024

Suite For Chamber Ensemble 2024

Another one brand new track from my upcoming Synthwave retrowave album that will be called "Ultraviolet Cosmos". Song called "Goodnight" enjoy y'all and subscribe, like & share! :)

Youtube link: https://youtu.be/gXyfunsd-F8?si=gCgv4YTy_tiNHqKi

#synthwave
#retrowave
#outrun
#vaporwave
#newmusic
#synthwavemusic
#80smusic
#electronicmusic
#musicvideo
#newrelease
#song
#music
#independentartist
#unsignedartist

(p) & (c) 2025, STA.

Goodnight

Unpolished stones

24 3 17

* Bandcamp: https://spaindisco.bandcamp.com
* Junodownload: www.junodownload.com/labels/Boite+Music/
* Traxsource: www.traxsource.com/label/53933/boite-music
* Beatport: www.beatport.com/label/boite-music/89982
* Facebook: www.facebook.com/boitemusicrecords/
* Instagram: www.instagram.com/boite_music_records/
* Youtube: www.youtube.com/c/spaindiscorecordsfrandeeper
* Mastering: master79music@gmail.com

[BM110] GLeP Feat VALOU - Voglia (Original Mix)

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW! Grab ur digital copy!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Wish Of Silence

LA CASA CHINA

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