https://youtu.be/F6yVam_cOic Here's the link to the original owner of this cover. 

The music itself comes from a game called BLACKSOULS, first song is from the first and second game, while the second song is from BLACKSOULS II if I remember correctly.

All credits to the original creators.

Black Souls II [ Piano Cover ] - Lindamae Theme & Betrayal Alice

Black Souls 2 Soundtrack - Mabel, Girl of Nihility

i cant found this song anywhere

fine, i'll do it myself

GUMI 裏切りアリス  Betrayal Alice

His/Her theme's banger, sad I couldn't find her here...

Dorothy is love, Dorothy is life... 



I'm so sorry...

再構築された秩序 Black Souls | Dorothy 2

[Black Souls 2] Lorde Returns ~ Prince of Hell Fear Despair [Version 2]

Black Souls 2 • Mary Ann

Black Souls 2 • Victoria body fighting phase 2

Black Souls 2 OST - The Theatre Of Darkness, Grand Guignol - Phase 7

Black Souls 2 OST - Queen Of Hearts Lorina

Video: https://youtu.be/AfVQB4Bo_v8
First, a confession.
I don’t play Etude No.1 as fast as Mr. Glass indicated in his score. The honest truth? It’s a little too fast for me—and for Mme Bechstein, as I call my piano. But perhaps that’s part of the charm of this version: it’s a bit slower, more grounded. And in that space, something opens up. The dynamic expression has room to breathe. The tempo becomes a gently rising tide, like waking up slowly, aligning fingers, mind, and breath into harmony.

Admittedly, this is a rather personal interpretation. I’m not entirely sure Mr. Glass would give it his blessing. But then again, it is an etude—and I find this piece simply wonderful.

Over the past weeks, it has become something of a quiet companion in the early hours of the day. I’ve worked from the published score, gradually sketching my own notation to help understand how the sections interlock, how the pulse shifts and evolves. This slow discovery revealed a surprising depth—a kind of secret logic running beneath the surface.

There’s something endlessly captivating about Glass’s harmonic language. It’s modern, never cloying, and crafted with quiet intelligence. His use of subtle shifts—almost imperceptible at first—creates patterns that, through repetition, become almost meditative.

This recording isn’t about perfection or polish and not meant to compete with the many beautiful renditions already out there, performed on the most luxurious grand pianos. It’s my personal take—played honestly, on my own instrument, at my own pace. A moment captured in sound, without the pressure to impress.

If you’re a pianist—especially one still finding their way, as I am—I warmly encourage you to spend time with this piece. It has a way of revealing itself slowly, like light unfolding across a morning room. And perhaps, in its simplicity, you’ll find something of yourself reflected there.

I’d love to hear how this piece resonates with you. Leave a comment if you’d like to share your thoughts or your own experience with Glass’s music.

Yours truly,
Sebastian Morawietz

Black Souls II [ Piano Cover ] - Lindamae Theme & Betrayal Alice

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