from album from last april. 

One thing i don't like about soundcloud is seeing the amplitude of the track while listening. It gets rid of any suspense from the unpredictible future of the track. by seeing it all at once you can see when it goes to the drop or explosion, crescendo or whatever. I'll rather not even see the runtime of a track. Also it propably makes you want to click around more?... whatever

7 Waking-field (MWTBH 8)

Rwrk.AGL[2020]on5[100]

I'm not allowed to name tracks anymore x2

DIE!

DCE-001 returns with purpose. For the first time in 30 years, Systematic Breakdown is repressed in a strictly limited edition: just 100 hand-numbered copies, made at Analog Dreams with care and reverence, but also available to buy digitally.

Originally a dancefloor staple in the mid-90s, Systematic Breakdown stood out for its unconventional main synth motif—its movement still cuts through a set with urgency and grit. Famous for its massive buildup and release, drawing directly from the raw energy of early DCE live shows.

Gyre 303 locks into a driving acid bassline that channels classic DCE-era techno, rolling with uncompromising momentum. Solarize blends fluttering acid pulses with whaling PWM synth leads that feel like a solar storm tapping at your consciousness.

Outback Uplink captures the moment DCE first sent its signal to the world. Before global connectivity meant anything, this track was our line cast into the void—an announcement from Australia: “We are here.”

Finally, Angels carries a it’s message in a secret in its groove. Originally cut in reverse by the legendary Ron Murphy—Detroit master cutter, whose sonic fingerprints are all over early DCE history—this backwards cut is the hidden “Easter egg.” It blends distortion, hip-hop-style beats, acid bass, and reverse cymbals into one collision of experimentation. Now it returns as proof that DCE has always been pushing sonic genre boundaries..

The early DNA of DCE visualised in the labels “DNA strip,” the tactile presence of hand numbering, the backwards-cut tribute—these are the markers of a release that bridges past and future. Systematic Breakdown is a key part of the labels history, but it’s alive again!

Buy on Vinyl

Angels

Some 22tet from my homemade gear and Mark Henning's free AnaMark vst that loads scala files.
http://www.mark-henning.de/am_downloads_eng.php

Movrend

That painting is from way later, but it has a similar vibe i think

old daw days in Vancouver

Your fragile heart

Blackcap | 7

Added to this https://unsvd.bandcamp.com/album/now

Blessed 29b

distant

mastodon: @toffo@mastodon.social
u can support me here: ko-fi.com/toffo

member of exethyl: 
exethyl.bandcamp.com

stop that bloody war in Ukraine
no to Georgian Dream
----------------
g e a r

synths/etc:
Random 4 channel mixer
tmix 8 channel mixer
KORG Monologue (Silver)
KORG Volca FM2
Yamaha TG55 (1990)
Zoom MRT-3 Drum Machine (2002)
Reverb pedal (shitty one tbh lol)
Distortion pedal (nice one)
Behringer TD-3 (TB-303 clone) with modified VCF.
Tascam DR-05X recorder
Vinyl turntable 
Technics RS-B555

headphones:
Grado SR-60 (1993-1994) (to be repaired)
Grado SR-60x 
Audio-Technica ATH-M50X (main)
FiiO Q1 Amplifier (and DAC) for my Amiga and ThinkPad.

software:
Renoise (main non-amiga tracker)
Midinous
CDP
Spek
VCV Rack
FT ][
ProTracker 2.3/3
OctaMED SS 1.03c + V4 (main amiga trackers)
DigiBooster (not so often)
DefleMask 
MilkyTracker
SunVox
PlayerPRO (not so often lately)
PureData
SuperCollider
Audacity
GarageBand
Schism Tracker
some custom Amiga stuff i made

hardware:
Amiga 1200 (PiStorm32/RPi3 emu68 with rtg, Indivision AGA Mk3 GOTEK, i also have a 68030 accel board which i dont use that often now)
Amiga 500 (Now i use pistorm emu68 with rtg and amigaos 3.9 + 3.1.4 kickstart)
Macbook Pro (2017, 2020)
ThinkPad T480 (i use it for my hardware setups sometimes aswell, but thats my main machine)
ThinkPad T440p (backup)
DAT / DDS streamer with some tapes


distant

toffo

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