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Após o fim do Orkut, no dia 30 de setembro de 2014, os ex-usuários podiam pelo menos 
acessar as comunidades
, que foram agrupadas em um acervo digital do Google por ordem alfabética, funcionava como uma espécie de museu da internet brasileira. Afinal, as comunidades fizeram história nessa rede social.


O promotor Alexandre Bezerra fez um levantamento para determinar a identificação dos freqüentadores das quatro lan houses da cidade. Além disso, as famílias dos que tiveram suas fotos divulgadas foram orientadas a entrar com ação indenização por danos morais na Justiça contra a Google, empresa responsável pelo site de relacionamentos.


Eles referem que vêem televisão de duas a quatro horas por dia; essa prática associa-se ao "vício" (como eles dizem) de entrar nas comunidades como o 
Orkut
 ou o MSN, muitas vezes para comunicar-se com pessoas muito próximas, com quem eles têm contato presencial, diariamente. Tais práticas aparecem associadas a uma curiosa percepção do tempo: um tempo que parece encurtar a cada dia, de tal modo que jovens de 15 ou 18 anos referem-se a si mesmos como pessoas que literalmente "não têm tempo", sentem-se "divididos" e fragmentados. A maioria deles revela certa angústia com o tempo, que para todos eles passa rápido demais  angústia que não se separa de outro problema: a necessidade quase incontrolável de estar 
up to date
 com a mais nova tecnologia (do celular, do PC, do programa de 
download
 de músicas e materiais audiovisuais etc.), como se todas as coisas no mundo envelhecessem a cada segundo.
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This is every single UNRELEASED song that played in Samurai Champloo ripped directly from the BluRay. This is as clear as we will EVER get for these songs until they are released officially and highly surpass all previous bootlegs in quality! Some songs play several times throughout the series, and I have included each version. I didn't include songs that have been released on the Samurai Champloo official soundtracks or on other albums already available.


The Life and Songs of Emmylou Harris CD & DVD/Blu-Ray captures a once-in-a-lifetime concert celebrating one of the most influential women in music whose contribution as a singer and songwriter spans 40 years. Recorded at the famous DAR Constitution Hall in Washington, D.C. January 10, 2015. To see track listing and to hear songs click here.


The number of songs a disc can hold depends on the format of the song files and the capacity of the disc. You can fit about 74 minutes of music on a 650 MB audio CD, or about 150 MP3 files on the same size disc. Some CDs can contain 700 MB of music. A DVD can hold 4.7 gigabytes (GB), almost five times as many songs as a CD.


Any time you hear a pop song (or other piece of pre-recorded music) in a movie or TV show, someone has paid licensing fees to get that song in their film or series. Licensing fees are paid in two separate ways. The first fee is paid to the songwriter, and it goes to the publishing company that controls the rights to those songs. The second fee is paid to use the actual recording, and it goes to a record company.


From there, Peisch and his team moved on to the publishing office of Bob Dylan, who had 10 different songs scattered throughout the series in various forms. They had anticipated a struggle to get Dylan's music on DVD, but the process went surprisingly smoothly. And that helped the company approach other artists. "If we can tell people that Bob Dylan has 10 songs in 
Wonder Years,
 and he agreed to be involved, that's impressive," he said.


Both StarVista (Time Life) and Shout (Rhino Records) have close ties to companies with long-standing record company relationships. That puts both companies at a significant advantage when it comes to making deals to lock down songs for inclusion on DVD.


"In some cases, they're small publishers where they only control a few things," Garson Foos, the president of Shout! Factory, told me. And in those cases, the publishers will often drive harder bargains that can drive up the price of not just the songs they control, but the songs controlled by larger publishing houses as well.


"You plead with those people that have a couple of songs to go with the rates that the vast majority of people are willing to go with and hope they'll come along, but once in a while they just won't," said Foos.





In Europe, rather than negotiating clearances on a case-by-case basis, a DVD company will divide up a certain percentage of the profits of every DVD sold among the various artists who have songs in the show. It works as something much closer to the compulsory rate publishers get for sale of recorded music, which generates an automatic royalty to the songwriter.


Foos also suggested perhaps there could be different rates for songs that are simply used in the backgrounds of scenes, as opposed to songs that are used in full or as performances by the original artists. It's possible such a change could be made by expanding the definition of "fair use" under existing copyright law, though such a thing is unlikely to happen, due to (again) the amount of money potentially involved.


Captured on film by director 
Denise Korycki
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In 1920, Jaidev Verma is a famous poet who lives the life of a loner as he is unable to meet the love of his life, Smriti. They got to know each other through an exchange of letters and slowly fall in love. One day, Jaidev receives a letter informing him that Smriti had died by an accident. Now his sister Karuna is the only support system that keeps him motivated. One day Jaidev finds an unconscious girl near a lake and brings her home. After gaining consciousness, she is unable to remember anything from her past life except Jaidev's poems. Karuna becomes skeptical of her presence in the house and gets even more so when the keeper of the cemetery warns them of an evil spirit inside her.


Jaidev is insistent on keeping her at home since he feels a connection with her. He names her Sangeeta. Sangeeta feels frightening phenomena, vomiting iron nails and seeing ghosts in her room. On their way to see a doctor, Sangeeta gets completely possessed by the ghost. To save her, the only person Jaidev can turn to is the cemetery keeper. Slowly Jaidev gets to know that Sangeeta is actually his lost love Smriti. He goes to Smriti's old address to find out the truth. He discovers that Karuna had come there before, asking about Smriti. Jaidev returns home and finds Karuna's body hanging in the forest with suicide notes around it. From Karuna's letters, he learns that his best friend Amar, who envied Jaidev's success, exploited Karuna to obtain revenge on him. When Amar discovered that Jaidev loved Smriti, he went to Smriti, posing as Jaidev, and took her to his residence in Shimla to exploit her, but in the process, Amar was killed. It is his spirit that is now possessing Smriti.


Renuka Vyavahare of Times of India gave it 3 stars. "1920 gives you the creeps...watch it." said ToI.[11] Rediff Movies said "1920 Evil Returns is yet another needless horror film. It's cold and bland." and gave it 1 star.[12] Roshni Devi of Koimoi gave it 2 stars. "Watch it only if you're desperate for some uninspiring horror. Give it a rest otherwise." wrote Roshni Devi.[13] Social Movie Rating site MOZVO gave it a rating of 2.3 putting it in 'Below Average' category.[14] Taran Adarsh of Bollywood Hungama gave it 2.5 stars.[15]


In 1920, Jaidev Verma (Aftab Shivdasani) is a famous poet who lives the life of a loner as he is unable to meet the love of his life, Smriti (Tia Bajpai). They got to know each other through an exchange of letters and slowly fall in love. One day, Jaidev receives a letter informing him that Smriti had an accident and died. Now his sister Karuna (Vidya Malvade) is the only support system that keeps him motivated. One day Jaidev finds an unconscious girl near a lake and brings her home. After gaining consciousness, she is unable to remember anything from her past life except Jaidev's poems. Karuna becomes skeptical of her presence in the house and gets even more so when the keeper of the cemetery warns them of an evil spirit inside of her who is in love with her.





Jaidev is insistent on keeping her at home since he feels a connection with her. He even names her Sangeeta. Strange & spooky things start happening with Sangeeta like vomiting iron nails and seeing ghosts in her room. On their way to see a doctor, Sangeeta gets completely possessed by the ghost. To save her, the only person Jaidev can turn to is the cemetery keeper. Slowly Jaidev gets to know that Sangeeta is actually his lost love Smriti. He goes to Smriti's old address to find the truth. He discovers that Karuna had come there before, asking about Smriti. Jaidev returns home and finds Karuna's body hanging in the forest with suicide notes around it. From Karuna's letters, he comes to know that his best friend Amar (Sharad Kelkar), who was always jealous of Jaidev's success, exploited Karuna to get his revenge. When Amar discovered that Jaidev loved

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Parental approval is not required when your child re-downloads an app or other content that was previously approved, installs an update to an app (even an update that adds content or asks for additional data or permissions), or downloads shared content from your Google Play Family Library.



This Privacy Notice does not apply to the practices of any third party (non-Google) apps, actions or websites that your child may use. You should review the applicable terms and policies for third party apps, actions, and sites to determine their appropriateness for your child, including their data collection and use practices.



Once you grant permission for your child to have a Google Account or profile, their account or profile will generally be treated like your own with respect to the information that we collect. For example, we collect:


As part of the account or profile creation process, we may ask for personal information like first and last name, email address, and birthdate. We collect the information you or your child provide, such as your online contact details, which are necessary for us to contact you to request consent. We also collect the information your child creates, uploads, or receives from others when using their account or profile, such as when your child saves a picture in Google Photos or creates a document in Google Drive.


We automatically collect and store certain information about the services your child uses and how your child uses them, like when your child enters a query in Google Search, talks to the Google Assistant, or watches a video on YouTube Kids. This information includes:


Your child may be able to share information, including photos, videos, audio, and location, publicly and with others, when signed in with their Google account or profile. When your child shares information publicly, it may be accessible through search engines like Google Search.



Potential issues with downloading:
 If you are using a Firefox browser on a Mac, you may experience a blank white screen when opening the PDF file. Instructions for correcting this problem are here. If you have other issues/problems downloading our publications, please contact us.


Make sure you choose a passcode that's different from the passcode you use to unlock your device. To change or turn off the passcode on your child's device, tap Settings > Screen Time > [your child's name]. Then tap Change Screen Time Passcode or Turn Off Screen Time Passcode and authenticate the change with Face ID, Touch ID or your device passcode.


Each time your child updates a device signed in with their Apple ID to iOS 17, iPadOS 17, watchOS 10 or macOS Sonoma for the first time, Web Content restrictions will be reset to Limit Adult Websites for all of their devices.


I was trying to get my son's Xbox account linked to an EA account so that he can access EA Play with his Gamepass subscription. During the setup process, I opened a child account using my e-mail. Problem is, when trying to log in to the desktop app with his child account, it gives an error saying that the app is unavailable at this time and requires you to log out immediately. The app works just fine while using my login credentials.





My second problem is, now his Xbox account is linked to that child account so is unable to use EA Play at all. I've also found no way to edit a child account in order to unlink his Xbox from the child EA account. That account doesnt show up under my household like a teen account would.


GamePass, which allows for child accounts and advertises a link to EA Play 
without these qualifications,
 has zero problems setting up a child account. There is nothing saying that a child cannot set up an EA Play account in Microsoft's or EA's advertising.


I did the same as you. Followed the step by

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Having been introduced to Crazy Chicken with kart 2 I expected this game to be more of the same but better. In reality though this game is a shadow of its predecessor. Crazy Chicken kart is very much like Mario kart but with characters from the crazy chicken family. You drive around a track trying to come first while picking up bonus items that can help stop your opponents.


What made kart 2 very funny for me was that characters reactions when others drove past, as well as their reactions to being hit by a rocket or falling into a hole. In kart 2 the characters really reacted in a comedy way, sometimes looking towards the camera like old fashioned slap stick humour, but in this version of crazy chicken kart the characters simply have no reactions at all, none! The graphic quality is a little better than kart 2 but the gameplay itself has lost almost all the humour. It still is a fun kart racer and I still prefer it to kart thunder but the things that made the other game truly hilarious are gone.


In 2001, a total of 26 one-minute animated shorts were produced, which were shown in commercial breaks of German TV stations. In these shorts, the 
Crazy Chicken
 character was voiced by Santiago Ziesmer, though it only made chicken noises.[91]


In early 2000, a Deutscher Tierschutzbund (lit.: German Animal Protection Union) representative claimed that the premise of the 
Original Crazy Chicken Hunt
 was emblematic of a general lack of respect towards animals, supposedly encouraging the killing of birds by desensitising players. Anticipating this, Johnnie Walker had the developers of the game tone its violence down multiple times. The end screen also shows a sad 
Crazy Chicken
 in a cast with crutches to both imply that the chickens are not killed as well as showing the consequences of violence.[97]


Several developers attempted to leech off the franchise's success by creating video games adopting either part of the 
Moorhuhn
 naming conventions (such as 
Die Rache der Moorhühner
, 
Die Rache der Sumpfhühner
 or 
Digitale Hühnerjagd
)[120] or recreating its chicken-based shooting gallery gameplay (such as 
Chicken Shoot
,[121] 
Rauchende Colts
,[122] or 
Chicken Blaster
[123]).


The courses themselves are rarely intriguing and are mostly comprised of generic environments. Some are based on areas in the 
Crazy Chicken
 extended universe, such as the farm where the first game took place and the castle stage, but others are just generic locales such as Winter, Island, Mine, Swamp, and Egypt; all of which are truly masterful level names. Out of the eight tracks, only Factory was interesting, as it was filled with alternate pathways that were tricky to take, and the Castle stage was relatively solid due to how large it was and how it encouraged players to actually look at the map to figure out where they should be going, a rarity in kart racers.


I've been trying to change the resolution of the game crazy chicken kart 2. Whatever I do nothing makes the game change its resolution. I know in the log files that there is a video mode available for 1920x1080x32 60Hz. This video mode is called "video mode 15" but I'm unable to get it working.


I really want to know who the people are that buy these games? Are they masochists? Parents that just don't know better? Memelords perhaps? Why o why does this world with all its problems need a second Moorhuhn kart lmao





@Anti-Matter Did you ever try Team Sonic Racing? I really liked it. The team mechanism was very interesting and different and story mode was fun to play through. I liked the banter between the different characters while racing too. Definitely my second favourite Switch kart racer after Mario... didn't like the Crash Bandicoot one at all.


@karatekid16

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jhumpa lahiri has been a Fellow at the Fine Arts Work Center in Provincetown, Massachusetts, but is currently teaching in New York. She has published her fiction in various US journals including the New Yorker, and has won several US prizes for her work.
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Easy Street Draw 4 is a diagramming software tha uses intuitive drag and drop technology to make the user's experience quick and easy. By simply selecting a pre-drawn symbol and dragging it to the diagram field personnel can quickly and accurately diagram any traffic accident. Easy Street Draw 4 was developed with the end-user in mind; each piece of technology within this trail blazing software was created because there was a need identified by those using it in the field. Trancite Logic Systems strives at all times to be First in Ease and First in Service, to that end, Easy Street Draw 4 is exhaustively tested to ensure a complete and glitch free user experience. Easy Street Draw 4 and its customers are thoroughly supported by Trancite Logic Systems' experienced team of professionals and the software's ease of use will keep training costs to a minimum and field personnel where they need to be, in the field.


Following dictates to "make it simple to learn" and "easy on storage," Trancite created Easy Street Draw software for Idaho's State Police. The company's concept was simple: start the drawing with general templates of roadways, let the users modify them to fit their specific scene needs, then allow the users to drag and drop in all the symbols necessary to complete it. The result is a professional diagram that's easily worth a thousand or more written words.


Trancite provides a wide array of templates for you to choose from. You can choose from streets, structures, domestic violence, and samples. In addition, you can immediately begin creating, sharing, and saving your own template. So let the traffic engineers do their worst. Even the wildest roadway designs can be quickly documented in this software, and you can store your creations as templates, saving hundreds of redrawing hours.


In ScenePD 2.0, Trancite has added "intelligent" structures, allowing you to place walls, windows, doorways, and furnishings by dragging them into position. With these smart tools, it's easy to create complex crime scene or road scene drawings. For example, after I created a multi-lane roadway I needed to populate it with "symbols." I dragged and dropped a car symbol and placed it in the lane, and the software automatically placed the car and faced it in the proper direction. No unnecessary effort was required to correct the car's rotation, and the same applies to roadway signs and directional arrows.


As for drawing structures, it's never been so easy as it is in ScenePD 2.0. Just start with the basic shape of the building, typically a box, and start dragging and dropping in the walls, doors, and windows. Next, add the fixtures and furniture and before you know it the entire scene is laid out. This of course provides endless possibilities for tactical planning, site surveys, courtroom presentations, and other tasks.



Trancite Easy Street Draw
 is the fastest and easiest collision charting tool on the market. Your team will quickly be able to draw an accurate street map of the accident scene, including vehicles, roads, intersections and traffic signs.


With the Graham Process Mapping Software and methodology, detailed process maps are 
easy
 to 
draw
, 
easy
 to edit and 
easy
 to read. Eight basic process mapping symbols cover all aspects of work at the element level.


Easy Street Draw is designed to meet the specialized drawing requirements of crash scene diagramming.
The program uses "drag and drop" technology for a large library of "intelligent" objects that make the job of diagramming an accident scene, quick, easy and accurate.



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Rockstar: A Symphony of Love, Loss, and MusicRockstar is a 2011 Indian musical romantic drama directed by Imtiaz Ali. It is a mesmerizing tale that weaves together love, passion, and the pursuit of stardom. Starring the dynamic duo of Ranbir Kapoor and Nargis Fakhri, the film takes viewers on a poignant journey through the life of Janardhan 'JJ' Jakhar, a dreamer who aspires to be a rockstar. With a stellar supporting cast and an incredible soundtrack by the legendary A. R. Rahman, Rockstar captured hearts worldwide. Now, fans can relive the magic as the film is available for streaming on ZEE5, providing global audiences with a chance to experience the emotional rollercoaster that is Rockstar.


Rockstar unravels the story of Janardhan Jakhar aka 'JJ', a spirited youth from Delhi whose dreams soar beyond the ordinary. JJ has always aspired to be a rockstar just like his idol, the legendary Jim Morrison. As he embarks on this musical journey, JJ dabbles in heartbreak, melodies, and the spirited Heer Kaul. Their unconventional friendship blossoms amidst daring adventures, but destiny leads Heer to another life. As JJ transforms into the formidable "Jordan," fame and bitterness intertwine, culminating in a tale of love, loss, and the pursuit of artistic glory. The film paints a vivid picture of the complexities of life, art, and the ever-lasting power of music.


Ranbir Kapoor delivers a once-in-a-lifetime performance as Janardhan Jakhar aka 'JJ', effortlessly embodying the passionate spirit of a budding rockstar. His portrayal of JJ's transformation into the enigmatic Jordan is nothing short of mesmerizing. Nargis Fakhri's portrayal of Heer Kaul exudes a captivating blend of vulnerability and strength, complementing Kapoor's intensity with grace. The supporting cast, including the late Shammi Kapoor, Aditi Rao Hydari, and Piyush Mishra, contribute to the film's emotional depth, making Rockstar a true ensemble masterpiece.


Ans: Rockstar follows the life of Janardhan Jakhar aka 'JJ', a dreamer from Delhi who aspires to become a rockstar. His journey is marked by love, heartbreak, and the pursuit of artistic glory, ultimately leading him to transform into the enigmatic Jordan.


The vibes I got from this film are intitled rocker with absolutely zero accountability. I've struggled with mental health my whole life & can resonate with deep pain but the self-centered, entitled attitude this man seems to have in this film is beyond comprehension. I can understand being raw and putting yourself out there but the only vibes I got from this film is that this person is clearly allowing their mental illness to completely take over their life and make exuses for every poor choice they decide to make. Most definitely no inspiration to be found in this film , more then just pure embarrassment of the toxic behavior exused simply by "I'm a rockstar " give me a break.


Rockstar 2011 Bluray Full Movie Free Download is a 2011 Indian musical romantic drama film directed by Imtiaz Ali, starring Ranbir Kapoor and Nargis Fakhri, with music composed by A. R. Rahman. The film also stars Moufid Aziz, Aditi Rao Hydari, Piyush Mishra, Shernaz Patel, Kumud Mishra in supporting roles, and also Shammi Kapoor, who makes his last silver screen appearance. The film was produced by Eros International Ltd. along with Shree Ashtavinayak Cine Vision Ltd. It follows Janardhan Jakhar a.k.a. JJ or Jordan, who dreams of becoming a rockstar like his inspiration, Jim Morrison. Yet, eventually on attaining all that he dreamt of, Jordan ends up anguished and despondent without Heer Kaul, whom he so fiercely, passionately loved.



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I would like to use the features of minitab to create the graphs....not only Cp and Cpk but also histograms, time series graphs, etc.
I saw the example you shared, how did you create the reference to minitab?
I have installed Labview 2017 and minitab18


If you need a reasonable accommodation for any part of the employment process, please contact us by email at careers@minitab.com and let us know the nature of your request and your contact information. Requests for accommodation will be considered on a case-by-case basis. Please note that only inquiries concerning a request for reasonable accommodation will be responded to from this email address.


Anyone with an active Minitab license will be able to sign in at minitab.com with their @weber.edu or @mail.weber.edu email address. They will be able to access the software on Weber State lab computers as well as through app.minitab.com.


If you need help with getting Minitab downloaded, or you are having trouble signing into app.minitab.com with your Weber State University provided email, please contact the service desk at 801-626-7777 or csupport@weber.edu.


Methods: 
 An open-label comparative bioavailability (randomized crossover) study compared a novel twice-daily minitab sprinkle formulation (40 mg/10 mg, Cipla Pharmaceuticals) versus innovator syrup in HIV-infected Ugandan infants aged 3 to


Results: 
 Seventy-seven infants/children were included in cohort A (n = 19)/B (n = 26)/C (n = 32). Among 132 evaluable pharmacokinetic profiles, there were 13/21/25 within-child comparisons in cohort A/B/C. For minitabs versus syrup, geometric mean [95% confidence interval (CI)] AUC0-12h was 88.6 (66.7-117.6) versus 77.6 (49.5-121.5) h·mg/L in cohort A [geometric mean ratio (GMR) (90% CI) = 1.14 (0.71 to 1.85)] and 138.7 (118.2 to 162.6) versus 109.1 (93.7 to 127.1) h·mg/L in cohort B [GMR (90% CI) = 1.27 (1.10 to 1.46)]. For minitabs versus tablets, geometric mean (95% CI) AUC0-12h was 83.1 (66.7 to 103.5) versus 115.6 (103.0 to 129.7) h·mg/L; GMR (90% CI) = 0.72 (0.60 to 0.86). Subtherapeutic levels (


Conclusions: 
 LPV/r exposure from minitabs was comparable with syrup, but lower than tablets, with no significant differences in subtherapeutic concentrations. Minitabs were more acceptable than syrups for younger children, but older children preferred tablets.



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Bookworm Adventures is an all-ages spelling-based adventure game. In this game, you take on the role of Lex, a humble bookworm who goes on a quest through the books in his library. As Lex goes on his adventure, he will encounter and battle a range of opponents, including creatures from mythology and characters from classic novels.


The Android SDK includes a variety of tools that help you develop mobileapplications for the Android platform. The tools are classified into 3 groups:SDK Tools, Platform-tools and Build-tools.SDK Tools are platform independent and are required no matter which Androidplatform you are developing on. It is the base toolset of Android SDK.This metapackage pulls the entire Android SDK. Other Packages Related to android-sdk 
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 dep:android-sdk-build-tools Tools for building Android applications 
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This package will download the Google's Android SDK Platform 11 package andunpacks it into Debian-friendly paths.Google's Android SDK Platform includes android.jar file with fully compliantAndroid library. In order to build an Android app, this SDK platform must bespecified as build target.WARNING: Installing this Debian package causes android-3.0_r02.zip (104 MB)to be downloaded from dl.google.com and/or from other suggested mirrors. TheEnd User License Agreement of this binary package is available atdeveloper.android.com. Other Packages Related to google-android-platform-11-installer 
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Click on the letters you want to use to create a word. You can only select adjacent letters. Once you have formed the word you had in mind, click on submit and Lex the bookworm will eat the letter tiles you selected. New letters will be provided so there are always new optio

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A partire dal 2001 Patrizio è nominato tra i migliori avvocati italiani di securitisation e structured finance dalle più note e accreditate directories (tra cui Chambers & Partners, Legal 500, Top Legal, Legal community) vincendo negli anni premi come migliore avvocato italiano nella finanza, nelle cartolarizzazioni, negli NPLS & UTP. The Legal 500 lo include nella Hall of Fame per Capital Markets.


Patrizio è stato un pioniere dall'introduzione della legge italiana sulle cartolarizzazioni nel 1999. Nel 1998 ha prestato assistenza nella prima cartolarizzazione RMBS in Italia (strutturata con una doppia legge regolatrice). Nel 1999 ha partecipato alla commissione di redazione e studio della legge sulla cartolarizzazione ed è stato advisor in una delle prime cartolarizzazioni RMBS in Italia ai sensi della legge appena introdotta.


Nella sua carriera, dal 1999 ad oggi, ha prestato consulenza in cartolarizzazioni di asset di varia natura, quali RMBS, SMEs, leasing, prestiti al consumo, finanziamenti a PMI, crediti sanitari. Negli ultimi 10 anni si è focalizzato sulle cartolarizzazioni di sofferenze bancarie quali NPLs e UTP, con strutture ordinarie e sintetiche e processi competitivi di portafogli, su cui ha assistito le banche sistemiche italiane a dismettere le proprie sofferenze.


Patrizio, inoltre, si è occupato di cartolarizzazioni di NPEs in Grecia e sud Europa avendo prestato assistenza alle principali banche sistemiche greche in cartolarizzazioni di asset performing anche con l'uso di HAPS (la garanzia greca corrispondente alla GACS italiana).


Patrizio ha una solida esperienza in Debt Capital Market ed è considerato pioniere nel settore dei cosiddetti Minibond, avendo assistito Confindustria in relazione alla normativa che ha introdotto questi strumenti e Borsa Italiana nella creazione del segmento Extra-MOT PRO per la quotazione dei Minibond. Ad oggi il team di Finance coordinato da Patrizio assiste la maggioranza degli emittenti di Minibond nel mercato italiano.


Patrizio inoltre è stato coinvolto (insieme al team M&A di Orrick) nelle principali operazioni di salvataggio e rilancio di banche italiane, avendo assistito il Fondo Interbancario di Tutela dei Depositi - FITD, in qualità di azionista, nella ricapitalizzazione e cessione a Crédit Agricole Cariparma del 95,3% del capitale di Cassa di Risparmio di Cesena, Cassa di Risparmio di Rimini e Cassa di Risparmio di San Miniato; Banca Carige e Banca Popolare di Bari per la quale nel è stato coordinatore del team che ha assistito i Commissari Straordinari nominati da Bankitalia. Inoltre, nel 2021 Patrizio è stato coordinatore del team che ha assistito il MEF in qualità di azionista nella privatizzazione del gruppo Banca Monte dei Paschi di Siena.


È specializzata in operazioni di finanza struttura e debt capital markets, e ha al suo attivo un'ampia esperienza in operazioni di covered bond, avendo assistito le principali banche italiane e greche nella costituzione di numerosi programmi.
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