Who is this? my body as a pre-existing material?

from forthcoming: Francisco Meirino "A Perpetual Host" CD

A Perpetual Host is Francisco Meirino’s fourth full-length, solo studio album on Misanthropic Agenda.
A deep dive into personal loss and the banalities of life and art, A Perpetual Host captures the raw, solitary, and often acerbic extremes that drive creation. Across four pieces, Meirino explores sonic tension and boredom, questioning the simplicity and complexity of the mundane with bursts of clarity that redefine existence itself.

Francisco Meirino is a Spanish sound artist based in Switzerland.

His music explores the tension between programmable material and the potential for its failure. His interest lies primarily in what is not supposed to be recorded : the end of life of electronic devices, electrostatic noise, magnetic fields and the unconventional use of music hardware and sound systems and how to exploit these sonic failures in radically different ways in his sound pieces.

His music combines intricate textures, sonic precision, wide spatial panning and is fascinating by its physical intensity and detail precision.

He mostly uses the modular synthesizer (Eurorack-Serge), various microphones, the computer, the field recorder, tape recorders and tape echoes, EMF detectors and various home-made electro-acoustic devices.

https://misanthropicagenda.bandcamp.com/album/francisco-meirino-a-perpetual-host

misanthropicagenda.bigcartel.com/product/francisco-meirino-a-perpetual-host

A Perpetual Host

Francisco Meirino "Something Always Remains"

"for 0" is a radio show by usof where the most outward fringes of underground art are welcomed and brought together to create two hours of genderless musical submission.

Dania (@dania-detakon) from the amazing @paralaxe-editions on the first 48m. Dania curated "For Palestine" a month ago, an amazing fundraiser compilation full of amazing artists. Please have a listen and support: https://paralaxe-editions.bandcamp.com/album/for-palestine

From the river to the sea Palestine will be free!

"for 0" #31 w/ Dania | Rádio Quântica

Juna shares his obcession with a growing scene of dark wave, grunge and rock, and tries to regroup them in a approximative sub genre that he would like to called Tik Rok, due to the popularity of those kind of music in the already well known app.


Nothing Is Enough w/ Juna XXL (19/12/23)

TWENTY ALPHA: Auditory explorations by 1000pardons - 17/02/2024

https://open.spotify.com/album/3h7fVy1cpBBd8rSHjfFErI

Lacs

@beat-detectives

Don’t believe your ears - Pepper’s Ghost is the latest offering from NYC project Nuke Watch.

Whatever you think it is - it is not. By the same token it really can be whatever you want - electronica, jazz, improv, noise, new age, ambient - it’s none and all of these. Like the primitive visual illusion it’s named for - Pepper’s Ghost is a projection of a thing, it’s not the thing.

The Nuke Watch method - like that of Aaron Anderson and Chris Hontos’ other primary project Beat Detectives - leans almost entirely on live improvisation, with some advanced studio alchemy in post. Where the Beat Detectives palette draws from club music tropes, Nuke Watch blends recognizable tones (hand drums, woodwinds, keys, fretless bass) with sounds of providence unknown, the line between organic and synthesized instrumentation unintelligibly smudged. What is real and what is projection? It’s hard to say. What do our ears tell us? This is where we arrive at Pepper’s Ghost.

Warped as the sounds may be, the playing belies a crew of deeply expressive, learned improvisers who have their craft honed. Their friendship and psychic connection enhances the ritualistic rhythms, mutant modular synthesis, nimble keyboard runs, absurdist sampling and unidentified skronk. They’re wonderfully complemented across several tracks on this set by Cole Pulice’s levitational, sublime saxophone.

As unhinged as this might all appear, once the mind and music meet on the same wavelength this is profoundly moving, energizing and uplifting Alive Music that recalibrates the sense of what music can be. 

Nuke Watch is Aaron Anderson and Chris Hontos, with an array of friendly guests. They’ve released records as Nuke Watch on The Trilogy Tapes, Commend and Moon Glyph. As Beat Detectives they’ve released records on Not Not Fun, 100% Silk and their own studio imprint NYPD Records.

Pepper's Ghost was written and produced by Aaron Anderson and Chris Hontos. Additional instrumentation on these recordings by Cole Pulice, Leonard King, Eric Timothy Carlson, Chris Farstad and William Statler. It was mixed by Chris Hontos and mastered by Jack Callahan. Painting on the cover is “The Unity Of Being” (2020), by Ry Fyan. Design and layout by Aaron Anderson.

RIYL - Musical illusions, puzzles and magic tricks, downtempo, music of the spheres, good journey, Eddie Harris, Ketron, "world building", orange sunshine, suspension of disbelief.

Nuke Watch - Pepper's Ghost (IMPTNC07) - Previews

oisatana - future self
man rei -  call
ken ikeda - mist on the window
ceffyl dwr - gucci drift edit
ourora - cinéma À deux
jonnnah - big apple under water
sensual mindfuck - beffskee & ornography
noorj - flame flowers
halos - III (simone bauer dubbed out edit)
dj ojo -  in the slush (iii)
shiner - shining message
ken ikeda - rustle
drip 133 - finalhours
bb948 - june
lewi boome - softbody
ayya - `·. ljst `·. ©®™
two heavens - I want to live 4 ever

NOODS RADIO #6 - w/yusk 3.24.2024

bodies, coming together

bodies coming together
to cry, out, loud

bodies coming together to cry
out, loud

for freedom

it won't stop until it stops

Lime Lodge returns with another vivid hour, studying duration &ampamp; density.


Lime Lodge w/ Angelo Harmsworth (19/04/24)

https://pointless-geometry.bandcamp.com/album/ssri-ssri

Limited edition of 60 copies / C-59 cassette
unlimited digital version
POINTLESS GEOMETRY 2024 / POINT#57

releases April 29, 2024

SSRI - Mysterious duo (Sandra Mikołajczyk and Igor Gadomski) from the center of Poland, is a band whose activity isn't easy to define but often delving into the darker fringes of dub. Their music is often described as a genre of underwater reggae, likely influenced by the distinctive industrial sound of Łódź and a heavy use of reverb effects. They draw inspiration from the city and its distorted concept of tropical nature.

As residents of Radio Kapitał, hosting a show inspired by mental states and the circumstances of their creation, they bring an additional context and depth to SSRI's music.
Their debut album, set to be released on April 29, 2024, by Pointless Geometry.

Music by SSRI: Igor Gadomski & Sandra Mikołajczyk
www.instagram.com/s__s__r__i
radiokapital.pl/shows/ssri
Master and mix by Adam Badí Donoval / www.instagram.com/adambdonoval
Cover by Weronika Mendrek / www.instagram.com/mendrekweronika

SSRI

SSRI - FLETUWA / POINT#57

Huge thank you to everyone who sent a mix to us to help us celebrate our 12th birthday!

Oliver Coates - slime bear paws
David Birchall - Dusk 2
Cucina Povera - ZOOM0010
Ghedalia Tazartes - Rien N'est Assez Fort Pour Dire
Competition - Material
Bani Haykal - This Is You Glitching My Death
IXNA - Ridi Ridi
Gwilly Edmondez - Fakely-Scare-U
Mentos Gulgendo - Track 4
I Jahbar - Ipy Ipy
Yes, indeed - Exorcise
Teresa Winter - energy buoy
Aaron Parker- suotnoiyo
Julia Reidy - end of IRL
3 Teens Kill 4 - 5/4
Cooling Prongs - Verbicide
Luka Productions - Bbni
Giuseppe Ielasi - 6

Slip

As you can imagine we are under huge pressure at the moment and are working flat out to ensure Cafe OTO survives this. The impact of this situation is extremely acute for small venues like ours and we need all the support we can get to pull through. Please donate what you can, if you can. Thank you. 

Cafe OTO opened in April 2008 with the aim of providing a home for creative new music that exists outside of the mainstream. It comprises one large cafe/performance space open during the day serving food and drink with an evening programme of live music almost seven nights a week. 

OTOROKU is part of OTOProjects - a not-for-profit Community Interest Company (CIC) that has been set up to manage the programme at Café Oto. Any profits from OTOROKU are put back into supporting what we do and will help us to continue programming the best musicians and performers from all over the world.

www.cafeoto.co.uk

Slip

cafeOTO

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